The Big Squash (à la Raymond Chandler) – Part 2

It was raining hard and the rain came through the soft top of my car.

I stuffed the magazines under the front passenger seat, put on my coat and went to buy some whisky. Then I sat in the car and drank while I watched Geiger’s store.

Business was good at Geiger’s. Very nice cars stopped, and very nice people walked in and came out with packets in their hands. Not all of them were men. At a quarter to five a white sports−car stopped in front of the store. The driver prised himself out and hoisted himself onto the sidewalk. He was wearing a Chinese silk coat. He looked like the kind of guy who dines at an ‘eat all you want’ restaurant and just loses track of time.

I saw the fat face and the moustache as he ran in out of the rain. Before the door could close, a tall, dark and very good−looking boy came out to park the car.

Just after five the store closed and the brunette left. Another hour passed and then another. The minutes went by on tiptoe, with their fingers to their lips.

It got dark. The rain eased and then stopped. I smoked more cigarettes than was good for me before the tall boy came out of the store. He brought the car back to the door, got out and opened the driver’s door as Geiger came out of the store. The boy went back into the store and Geiger drove off.

It was ten fifteen.

++++

I followed him thinking that he was going home to Laverne Terrace. But I thought wrong again. He headed east on Santa Monica, then took the freeway. It started to rain again. I turned on the wipers, straining to see Geiger’s tail-lights as he weaved through the traffic.

At the Chinatown exit he turned off and headed downtown.

The office buildings were deserted, their windows staring blankly. The streets felt dark with something more than night.

Fifteen minutes later, Geiger pulled up outside a grey six-storey building on West 7th Street. I stopped thirty yards behind him and watched as he entered through a set of double doors. A single porch light cast a sad glow on the slick sidewalk.

I opened the glove compartment, took out my revolver and slipped it into its holster.

File:TheBigSleep 13.jpg

I got out of the car and walked towards the double doors. A brass plaque on the wall said ‘Los Angeles Squash Club.’

I tried the door. It was open. I stepped into a lobby with faded black and white checkered tiles and a worn welcome mat that had seen better days. There was a second set of doors with frosted glass panels. Through them, I could see a light.

I stepped closer and watched for any signs of movement behind the doors, listening for any sounds. There were none. I pushed the left hand door open, slowly.

A large wood-panelled desk stood in the reception area, its surface lit by an anglepoise lamp. A telephone stood at its right-hand corner. I walked towards it across a threadbare carpet, treading softly. On the walls, signs pointed to the changing rooms, the courts, the bar.

I stopped to listen. Somewhere, in the distance, I heard the faint sound of voices in conversation. Male voices.

On the desk, a visitors book lay open beside the telephone. Geiger’s name wasn’t in it. The last entry was made three days ago. Next to it sat a large, thick ledger, bound in buckram with gold lettering on its cover. ‘Court bookings.’ I opened it and flicked through the pages. None of the names looked familiar.

I turned around. Behind the desk was a glass-panelled door labelled ‘Club Manager’s Office.’ It was dark behind the door. The door was locked.

I looked around the room. Glass cases contained silver trophies engraved with the names of tournament winners. Framed photographs hung from the walls showing smiling players, wearing white.

The clock on the wall showed eleven forty-five.

++++

I followed the sign pointing to the courts. It led to a corridor with a smell of old carpet and furniture oil and the drab anonymity of a thousand shabby lives.

After a few yards, the corridor opened out into a brightly-lit windowless room with seats and a water-cooler. To the left, a darkened corridor led to the courts. The walls of the lobby were lined with notice-boards filled with tournament announcements, competition rules, members’ names and telephone numbers, score-sheets, posters. At one end were the club’s ‘role of honour’ boards with their lacquered surfaces, carved frames and gilded letters.

I went up to them and read down the list of Men’s champions.

1930 D.Wilson

1931 L.Thornbury

1932 D.Wilson

1933 D.Wilson

1934 M.Regan

1935 M.Regan

Michael Regan.  Rusty Regan.

A big red−haired Irishman with sad eyes and a wide smile.

Suddenly, somewhere behind me, I heard a scream. It was a terrible scream, a woman’s scream, a scream made by someone insane or heading that way. Coming from the squash courts. I cursed myself for not checking where the voices had been coming from, where they’d gone to.

Then, I heard three shots. I took out my revolver and turned into the corridor leading to the courts. I looked for the light switch. Before I could flick it, there was a flash of gunfire in the corridor ahead of me. I dropped to the ground and fired back, not seeing what I was aiming at. There was the sound of a crash.

Everything went quiet. I waited until I could see well enough to be sure that the corridor was clear, then hit the lights. The doors to the squash courts lined the right hand side of the corridor. I kicked them open and checked that nobody was hiding in them.

At the far end of the corridor, I could see an open fire door swinging in the breeze. I reached it and stepped quickly outside with my revolver raised. Whoever had fired at me was gone.

Back inside, the corridor turned sharply to the right.

The club’s fourth squash court lay at its far end, light blazing from its open door.

++++

I kicked the door hard and went in.

Neither of the two people in the room paid any attention to the way I came in, although only one of them was dead.

Geiger was sitting on the floor with his back resting on the bottom right hand corner of the front wall. He was still wearing his Chinese silk coat. The front of the coat was covered in blood. He was very dead.

The centre of the court had been transformed to look like a Chinese bordello. Bamboo   screens formed the walls. There were Chinese paintings on the walls and a pink Chinese carpet on the floor. The chairs were covered in yellow silk.

There was a lot of silk in that room.

I saw some silk underclothes on the floor, too. The other thing I noticed was the smell. The sick smell of ether.

Carmen Sternwood was sitting on orange silk. She sat very straight, with her hands on the arms of the chair and her knees together. Her small teeth shone white in her open mouth. Her eyes were wide open, too. They stared crazily at nothing.

She was wearing a pair of long green ear−rings. They were nice ear−rings. She wasn’t wearing anything else.

She had a beautiful body, small and finely made, with skin like silk. I looked at her and felt no excitement at all. To me she was never really a woman. She was always just a stupid kid.

A camera on a tripod pointed at her. She was lit by studio lights positioned around the court.

The scream I’d heard had come from the drugged girl. The three shots were someone else’s idea.

++++

I took off my coat and picked up Carmen Sternwood’s clothes.

`Now, Carmen,’ I said. `Let’s get you dressed.’

She looked at me with empty eyes.

`G−g−go to hell,’ she said.

I hit her a couple of times. She didn’t mind, but it didn’t help at all. I managed to push her into her dress. She giggled and fell into my arms. I sat her in a chair and put her shoes on her feet.

`Let’s walk,’ I said. `A nice little walk.’

In the distance I could hear police sirens.

I lifted her onto her feet and looked over at Geiger, slumped in the front right-hand corner of the court.

What did it matter where you lay once you were dead?  In a dirty sump or in a marble tower on top of a high hill.  You were dead, you were sleeping the big sleep, you weren’t bothered by things like that.  Oil and water were the same as wind and air to you.  You just slept the big sleep, not caring about the nastiness of how you died or where you fell. 

Me?

I was standing on a squash court with a dead man on the floor, a gun in my hand and a drugged blonde in my arms.

I was part of the nastiness now.

Acknowledgements

Thanks to Rosalie Kerr for her masterly re-telling of ‘The Big Sleep’ and the ‘Good Reads’ website for its compendium of Raymond Chandler quotes. I’ve incorporated quotes from Chandler’s ‘The Big Sleep’, ‘The Lady in the Lake’ and ‘The Little Sister’ in this story.

The Tango Dancer (from the Squash Novel ‘Breaking Glass’)

She glanced at the elegant gold watch adorning her left wrist. A gift from an unknown admirer.

Eleven fifteen. Just over eighteen hours to the Grand Opening of the glass court. Eighteen hours to the spectacle, the excitement, the glamour. Eighteen hours to her performance in the privileged presence of Rio’s great, good…and not so good. It was time for the real challenge to begin. Tomorrow she would compete with the blonde American girl in the quarter-final. Her next step on the road to becoming the world’s number one player.

She was ready now.

Drawing her black lace shawl around her shoulders, she gazed through the window of the limousine as it picked its way through the city’s chaotic streets. Streets which she had visited many times in the past. Streets filled with traffic jostling for position, looking for an opening, poised to make a move. In a few hours, it would be quieter. It usually was by the time she returned from her night-time excursions into her special world. Nights when she indulged in her passion, when she shared moments of intimate connection. Nights when she felt the embrace of her partner’s arms as their bodies moved in unison. Special nights.

The limousine drew up outside a whitewashed three storey building on Rua do Catete. A single light shone down from above its entrance porch. She waited as the motorista climbed out of the driver’s seat, adjusted his peaked cap and opened the door for her to alight. She stepped out into the warm night, her sense of excitement beginning to mount.

“Have a good evening, senhorita.”

He smiled a knowing smile.

++++

As she entered the building, Florencia Perez could hear the music drifting from the salon on the first floor. The music born in her home town. Music from the birthplace of the father she had never known. Music from the Golden Age of tango.

She strode across the entrance hall towards the staircase, her low heels sounding on the black and white tiles. In her right hand, she held the straps of a small black sequinned purse and a black satin shoe bag. Her hair was drawn back in a simple ponytail, secured with a golden band. Gold hoops dangled from her ears. She was wearing a sheer black slit dress with a jagged hemline, adorned with fringes, swaying as she walked. Ready to join the dance, the milonga.

Ready to feel the bodies of others close to hers.

++++

In the salon, the dance floor filled with couples moving to the music played by the residente, a young DJ hunched over his sound equipment at the far end of the high-ceilinged room. From her table on the edge of the dance floor, she watched as the unattached men in the room nodded their invitations to women they wanted as their partners in the next set of dances. The next tanda.

She watched the men leading their partners around the floor to see which of them she would trust to lead her in the way she wanted to be led. To see which of them would be suitable for her to choose as a partner. She noticed too whose invitations were being ignored.

After an hour in the salon, she’d accepted two invitations to dance. One was from a young olive-skinned boy whose embrace proved to be rather too close for her liking. The other was from a tall middle-aged man with light skin and a long nose who led her elegantly in three exhilarating tango waltzes. She felt safe in his embrace, following him easily around the floor, swinging her body, moving sinuously around him, feeling like a woman. She thanked him, returned to her table and sipped her drink, suddenly feeling that the evening might just turn out to be…

She sensed his gaze before she saw it, before she’d had time to see who had arrived since she’d taken to the floor. To see who had seen her dancing, seen her feeling the passion.

She raised her eyes and met his. Dark eyes.

Eyes she had seen before.

++++

He glanced at his watch and entered the salon. It was almost one. Tonight he would meet the Australian in the glass room. A chance for him to raise his profile, to move up the world rankings in a sport he’d played and loved since he was a child.

But tonight, Andres Lopez was not thinking about the sporting challenge to come. He was thinking about someone who could be very special. Someone who had not been easy to find.

Since he had seen her compete in his home town, he had followed her progress with more than a little interest. He knew that she had begun to more than fulfil her potential in competition. But, until recently, he did not realise that her beauty had transcended both her athletic ability and her sporting success. Now, from conversations with his fellow professionals, he had also discovered that Florencia Perez shared another of his passions.

In the subdued light of the salon, he nervously ran his fingers through his long brown hair,   searching for her among the tables and the dancers moving around the crowded floor.

Suddenly he saw her, dancing with a smartly-dressed middle-aged man. She moved with cat-like grace, weaving an elegant path around her partner to the music of a tango waltz. He watched her as she thanked her partner and walked across the dance floor to her table.

Moving quickly, he found a table directly opposite hers and sat down, his heart suddenly racing as he tried to relax., to let the passion in the room be his inspiration in seeking her consent to dance with him. Usually, he would watch the women as they moved around the dance floor, looking for the qualities that he valued in a partner. Then he would invite them – with his eyes, with a nod of his head, with the cabeceo – to allow him to lead them, to reward their trust, and to show his own qualities as a dancer.

But now, it was too late. He could not tear his eyes away from her as she sipped her drink.
He was in danger now. Danger of…

Suddenly, her eyes met his.

In them, he sensed surprise, yes…and something else, something warmer. Much warmer. Instantly, he relaxed. And nodded. There was a pause as he sensed her curiosity, awaited her response. And then his nod was returned, his invitation accepted.

He slipped on his dance shoes beginning to notice the other people in the room. People whose passion he shared.

He was passionate about many things in his life. His country, his sport, the dance he had been introduced to in his home town. Passion that had landed him in trouble with the authorities more than once. But now, he was calm, waiting for the cortina, the musical interlude preceding the next set of dances, when she would be his partner.

When the time arrived, he stood and walked towards her, threading his way through the other dancers leaving and joining their partners. Reaching her table he bowed and held out his hand, inviting her onto the floor. She rose and stepped towards him.

The music, a tango canyengue, began to play. Instinctively, he sought her embrace and was accepted. Leaning towards her, he moved slightly from side to side, sensing the music, breathing her perfume, feeling her body close to his. Then, without knowing, as their hearts beat together, he stepped towards her. Leading them both into the dance, into the rhythm of the music.

Into the passion.

++++

It had been easy to follow her to the salon.

He had waited until she entered the building on Rua do Catete before climbing out of the taxi and striding towards the entrance. He was dressed smartly in a dark grey tailored suit and white shirt which perfectly fitted his tall, lean frame. Like the girl, he had carried his dance shoes in a small bag which dangled on a strap circling his wrist. His greying hair was swept back from his narrow face with its long nose.

After so many years, he was nervous, but ready. Ready to meet her on a night which could change both their lives forever. Inside, he paid his entrance fee and found a table from which he could make eye contact with her. But first he invited other women to dance with him, eager to take a few turns around the floor before seeking her consent.

When the time came, it felt natural. Something he had done many times before. He met her eyes, nodded and was accepted. They danced, and after they had danced, he returned to his table and sought out other women to dance with as the room filled and the floor became a single rotating embrace.

He watched her dance with other men, including the Colombian boy who returned to his table with what he sensed was more than just an air of satisfaction. The boy danced well, his dark good looks and long brown hair attracting the attention of the women, the invitations made with his dark eyes winning their consent. Using the cabeceo, following the code.

He glanced at his watch. Now, as the milonga entered its fourth hour, he made her a second invitation with his eyes. She caught his gaze and nodded with a hint of a smile. Now she trusted him.

This time he led her in three tangos, leaving her space to decorate, to hook, to tap her toes as they moved effortlessly around the busy floor. He felt a sense of pride as they paused in silence after each dance, waiting for the next to begin.

As the last chord of their final dance died away, he escorted her to her table knowing that now, after all these years, he must speak to her. He waited for her to sit, then leaned towards her and whispered into her ear.

“Listen to me, my child. You do not have much time.”

She paused, listening to his voice with surprise…and recognition. It was a soft voice, a caring voice. The voice of a porteno, a native of her home town.

“Tonight at the Grand Opening there will be great danger. You must not go there.”

She turned her head to look at him. To look into his eyes.

“How do you know this?”

“Trust me.” he replied. “Trust one who has always loved you. One who has always cared.”

He placed something on the table in front of her, touched it with his forefinger and looked into her eyes.

“I am sorry,” he said, then turned and walked quickly away.

++++
Florencia Perez looked down at the table. On its surface lay a plain, white card. Her heart racing, she reached out to pick it up, half knowing what she would find. She touched its smooth surface, closing her eyes and letting her fingers seek out the indentations she sensed would be present.

As she found them, an image formed in her mind. An image which had been with her for as long as she could remember. Since she was a child.

An image of a very tall man with a long nose. A kind man. A caring man.

She stared at the elegant gold watch adorning her left wrist. A gift she had received on her eighteenth birthday, on the eve of her first international tournament. In the home town of a Colombian boy. A gift from an unknown admirer. A gift accompanied by a plain, white card.

Embossed with the image of a stork.

Characters

The story focuses on two characters, both of whom are competing in an international squash tournament in Rio de Janeiro.

Florencia Perez, 19, is an up and coming Argentinean squash player who has burst onto the international squash scene, competing on a ‘wild card’ in a tournament in Bogota. Her birthplace, parentage and even her true sexuality are a mystery. She speaks no English. Tall and broad-shouldered, her dark good looks have led many aficionados of the sport to regard her as the ‘Kournikova’ of the squash world.

Andres Lopez, a native of Colombia, is a young squash player seeking to make his mark on the international circuit. He has already won a lucrative sponsorship with a leading international soft drinks manufacturer. With his long wavy brown hair and vividly inviting dark eyes, he is a favourite with many of the female players competing on the World Squash Tour. In the past, his temper tantrums on court have led to him being banned by the authorities from playing.

In this chapter, a third character appears whose identity and purpose in the plot are, as yet, unknown.

Acknowledgement

‘The Tango Dancer’ was first published as Chapter 11 of ‘Breaking Glass’, a collaborative squash-themed novel conceived by Ted Gross of The Daily Squash Report. Written in weekly installments by a team of 11 squash writers, chapters are posted by Ted on the DSR website where you can read it in its entirety.

For the record, the writing team comprised, in no particular order, Alan Thatcher (who conceived the overall theme for the novel), John Nimick, Mick Joint, Georgetta Morque, Will Gens, Framboise Gommendy, Richard Millman, Pierre Bastien, Jamie Crombie, James Zug and yours truly.

Why not check out The Daily Squash Report and read the full novel? You know you want to!

Brotherly Love (from the Squash Novel ‘The Club from Hell’)

The line went dead.

Weston pushed a button on the hand-set. There was a click and a low hum.

‘Did you get all that?’ asked Weston. There was a pause.

‘Loud and clear,’ came the reply. One of the workers looking after their queen, Weston thought.

‘She’s on her way.’

Weston hit the button again and swivelled towards Thorpe. The dusk was filtering into the Dubai offices of Global Trading prompting the ‘Sales Director, Middle East & North Africa’ to reach behind him for a bottle and two glasses. He poured a measure of whiskey into both and handed one to Weston.

‘So,’ said Thorpe, ‘it would appear that your efforts have generated more than a little movement on the chessboard.’

Weston glanced down and brushed a non-existent speck of dust from his slacks.

‘Well, you did ask me to find out what Grigoriev was up to,’ he responded, raising his eyes to meet Thorpe’s. ‘It turns out that he was up to quite a lot.’

Thorpe chose not to rise to the bait. Weston had form as a loose cannon. As well as a ladies’ man. But he could sniff out the opportunity for a big sale.

‘As I see it,’ continued Thorpe, employing a measured delivery which Weston sensed was tinged with disappointment mixed with curiosity, ‘not only do you seem to know rather more than you have, up to now, disclosed to your superiors, but you have now shared carefully chosen parts of it with a, shall we say, disparate group of individuals searching for a missing girl.’

Weston remained silent.

‘All this,’ continued Thorpe, ‘in the context of what would appear to be a rapidly-developing conflict of interests between two rather nasty players in the global drugs trade. Players who are not only related by marriage but who are also clearly prone to the influence of their family members – particularly in relation to the noble art of squash racquets.’

‘You could say that,’ responded Weston.

Sculpture, Fairmount Park, Philadelphia

Sculpture, Fairmount Park, Philadelphia

Thorpe took a sip at his malt and grunted. His analysis had given him time to appreciate what Weston had also chosen to disclose and, more importantly, not to disclose to Mr Matthew and his assembled guests. The present whereabouts of Grigoriev and the Ivanovs; the laundering record of Steve Dwyer; his surprise at hearing of the whereabouts of his old squash coach’s nephew.

‘Sense, adapt, exploit,’ mused Thorpe. ‘But don’t trouble yourself with the possible consequences.’

‘Ah, well,‘ he thought, ‘everyone’s entitled to a little white lie or two, now and again.’

++++

It was another hour before Weston left Thorpe’s office. He stepped into the warm Gulf evening and waved down a taxi. The call with London had been short. Plenty of questions but nothing in the way of instruction. Dispassionate, workmanlike, faint praise. ‘Await further instructions’ was the message. And Weston didn’t like it. No clearance to fly to Philadelphia, no  sign of calling in the cousins. What was she playing at?

++++

Thorpe re-filled his glass and settled into his chair. The return call was not long in coming.

‘Well, Thorpe?’ she enquired.

‘If I read this correctly, Ma’am,’ he began, ‘the Grigorieva woman wants to change the peripatetic yet somewhat high-risk lifestyle she currently enjoys with her brother. To achieve this, she appears to have enlisted the support of Weston, Miss Phipps and, almost certainly, her own sister, having made a big show of falling out with the latter in the past. The sister also wants to remove herself from her current, er, domestic situation and take her daughter with her. At the same time, Grigoriev wishes to, shall we say, terminate his relationship with his brother-in-law and replace him with a less conspicuous US distributor.’

He paused.

‘Go on.’

‘And then there’s Ivanov’s son, of course,’ he continued, warming to his task. ‘The boy is prone to exhibiting somewhat psychopathic behaviour which has led to him getting into trouble in the past, and is likely to do so in the future. A high profile is, as you would concede, Ma’am, not a desirable attribute for someone involved in the global drugs trade.’

‘I should have thought not, Thorpe,’ came the reply. A little frosty this time, he sensed, in direct contrast to the temperature of his office. He pressed on.

‘Finally, there’s the Smith girl. Ivanov junior has been particularly ineffective in his attempts to secure a ransom for her from her mother and Mr. Dwyer. His incompetence alone would seem to be enough to call his continued involvement in the business into some question.’

‘Which is why,’’ came the response, ‘Grigoriev has travelled to the US to make arrangements for the Ivanovs’ imminent retirement. Under the pretext of visiting a squash tournament, I understand. Very imaginative.’’

‘I believe that cover may have been suggested by his younger sister, Ma’am,’ said Thorpe. ‘She may also have advised him to invite the Ivanovs to Dubai whilst he travelled to the US to arrange their replacement unhindered.’

‘And Weston?’

‘Wants to be present at the, er, tournament,’ said Thorpe. ‘for obvious reasons, although perhaps not the ones that might occur to Mr Matthew and his friends.’

Silence. Then, just as he was about to ask…

‘Get him on the first flight, Thorpe. Let’s give him enough rope to hang himself, shall we?’

‘Yes, Ma’am.’

‘Oh, and Thorpe?’

‘Yes, Ma’am?’

‘You may want to make sure that the sales force is at full strength over the next few days. Business opportunities in your part of the world may be about to come thick and fast.’

++++

Steve Dwyer arranged himself as comfortably as he could in his seat and sipped at his drink. The lights in the cabin were dimmed as the night flight to London headed north-east across the Arabian peninsula.

After the debacle in Dubai, he and Jill had been forced to wait more than 24 hours for the next available flight, 24 hours during which her state had changed from despair to near hysteria as her hopes of being re-united with her daughter had been dashed. Now she slept soundly beside him as Steve tried to make sense of the situation they were now in.

There had been no meeting with Jessica’s kidnappers, no hand-over of ransom money, no electronic transfer of funds, no re-union. Just a voice-mail left on his ‘phone while he and Jill were still in the air heading for Dubai.

It was the same voice, the same accent, the same cocky delivery, the same menace. There had been a ‘change of plan’, it said. His journey to Dubai had been ‘a test’ to see whether he was serious about securing the girl’s release.’ He was ‘being watched’, it said. ‘I’ll be in touch.’

And the same mantra.

‘She dies.’

++++

He and Jill were in the queue in Heathrow immigration before Steve switched on his cell-phone. He scanned the SMS message and voicemail details, looking for patterns. Plenty from James Matthew, one from Angus, a few from business contacts, even one from a squash buddy. ‘Probably wants a game,’ thought Steve. ‘I could tell him a thing or two about games.’

‘Oh, my God!’

His thoughts were suddenly shattered by Jill’s cry. Their fellow supplicants in the queue turned to look. She was talking to someone on her cell. ‘When did it happen?’ then ‘Why did it take you so long to get me?’ and ‘I’m in immigration at Heathrow. I’ll ring you back later.’

She hung up and grabbed Steve’s elbow, dragging him out of the queue. Her face had turned white.

‘That was Stephanie. Frank’s been murdered at the Club,’ she said.

++++

Twenty minutes later they were making their way through the green channel. Jill appeared calm, thought Steve. Maybe Frank’s death had given her something else to focus on, for the time being at least.

He said nothing to her as they approached the exit. He glanced at his cell-phone and began to scan his message and voicemail again. Force of habit.

He was waking up now, feeling more alert. Looking for patterns.

Suddenly, he began to feel uncertain, anxious. So many issues to deal with, so many people needing his attention, so many plans to make. Just in case.

He looked up.

Less than 20 metres away, at the end of the exit channel, stood two uniformed police officers. Not airport police. With them stood a youngish man wearing a black leather jacket. Another officer Steve guessed. They seemed to be waiting for someone off a flight.

And they were looking directly at him.

++++

It was December 9th.

He stood across the street watching the blue and red flag flapping in the breeze.

It had been easy to follow the girl, to keep her in his sights as she made her way through the city to the building. He had the street-craft, the gift of noticing patterns,  the gift of remaining inconspicuous, unobtrusive. It came naturally to him. Natural after years of learning, and surviving, in a world of shifting urban landscapes.

And, he thought to himself, he was going to need it if he was going to survive. Not just today, but every day until the game had played itself out. Whatever that might mean. For him. For the girl. For the others.

Yes, he was going to need it when they began to follow him.

And in the last few minutes he knew that they were already following him.

He had thought that he’d have more time before they appeared. Before they made their presence felt.

Still, they were here now. Part of the ecosystem of the city with its steel and concrete towers, its manicured parks, its river, its history, its…brotherly love. Plying their own form of street-craft, he supposed but, surely, one more suited to different landscapes, different cultures?

He’d already spotted one of them. Across the park to his left, maybe a hundred metres away. And a second, standing on the corner with Walnut. Too easy.

There was something noticeable about them. A sense of disquiet, a sense of not quite being comfortable, a sense that maybe there were other players in the neighbourhood. In the game.

He glanced at his watch. Time to move. More people would be arriving soon for the tournament. To compete, to play the game, to watch. The endgame.

He reached inside his track suit top and felt the gun nestling in its holster under his left armpit. Just in case.

He bent down, hoisted his racquet case onto his shoulder and strode towards the building.

++++

Acknowledgement

‘Brotherly Love’ was first published as Chapter 19 of ‘The Club from Hell’, a collaborative squash-themed novel conceived by Ted Gross of The Daily Squash Report. Written in weekly installments by a team of 10 squash writers, the novel was posted by Ted on the DSR website where you can read it in its entirety.

For the record, the writing team comprised, in no particular order, Steve Cubbins, Aubrey Waddy, Alan Thatcher, John Branston, The Squashist, Tracy Gates, Rob Dinerman, Mick Joint, Will Gens and your truly.

Despite the appearance in the above instalment of the multi-faceted (and mysterious) ‘Jim Weston’, the real hero of ‘The Club from Hell’ is Ted Gross. Without his leadership, co-ordination and support, there would have been no ‘Club from Hell.’

Check out The Daily Squash Report for the new squash novel, Breaking Glass. You know you want to!

Squash and Human Nature: Part 1 – Playing by the Rules

Believe it or not, like all animals, we humans (and I’m including squash lovers here) display  idiosyncrasies and quirks that clearly set us apart as a species. In fact, anthropologists have identified hundreds of so-called human universals, characteristics shared by all people everywhere which make up a sort of parts list for our species.

A visiting alien, of course, wouldn’t have any trouble categorising us as a kind of clever, talkative, upright ape with a love of material possessions (or ‘stuff’ as it’s more commonly known.) But being human ourselves, it’s tricky for us to try and pin down the essence of our own ‘humanness.’ What is it that really sets us apart?

The Evolution of Squash

Now, scientists have used our human universals to look at the human animal in much the same way as they would study any other. What’s emerged is a unique suite of characteristics that encapsulates our nature. And a rather peculiar one it is. If you thought you knew what humans were like, then think again.

The suite is made up of six characteristics which together offer a surprising insight not just into what we all do, but into the underlying nature of squash.

Being Playful – Squash Skills

Humans aren’t nature’s only fun-lovers. All mammals play, as do some birds and a few other animals. But no other species pursues such a wide variety of entertainment or spends so much time enjoying themselves. The list of universals includes such diverse pleasures as music, games, jokes, hospitality, hairdressing, dancing, art, tickling and, last but not least, sports.

“What sets us apart is the fact that we play both with objects and with language,” says Clive Wynne from the University of Florida. And we can go beyond the literal. “What revolutionises human play is imagination,” says Francis Steen from the University of California.

“We’re a playful species,” says primatologist Frans de Waal from Emory University in Atlanta, “and we retain our juvenile sense of fun right into adulthood. Human society is also relatively relaxed,” notes de Waal, “and we’ll happily congregate with unrelated individuals, a situation that would leave chimpanzees and bonobos tearing strips off each other.”

“Play isn’t simply for fun,” states Marc Bekoff at the University of Colorado. He identifies four primary purposes: physical development, cognitive development (“eye / paw  co-ordination” as he calls it), social development and training for the unexpected. “Playing is an evolutionary adaptation for learning,” agrees Steen. “Mammals are born inept but can adapt, and playing helps us do that.” Noting that human social and physical environments are particularly complex, he sees playing as a sort of simulator that allows us to imagine and try out different scenarios with little risk. “In play we are most fully human,” he says.

Bekoff believes that social development is the most important purpose of play for humans, not least because it underpins morality. “Young children will not become properly socialised without it,” he says. For Robin Dunbar at the University of Oxford, playfulness is a mainstay of social cohesion. “Play often involves laughter, which is a very good bonding mechanism,” he says. “And physical play, especially coordinated team sports, produces feel-good endorphins.” “Sports also provide a release for competitive urges,” says de Waal. “If people watch others playing, that actually improves their own skills,” adds Steen. Even entertainment for sheer pleasure has benefits. “It’s fun, so it’s really good for mental health,” says Bekoff.

So, perhaps not surprisingly, squash seems to be a typical expression of human nature. It’s certainly a  vehicle for human play, allowing us to use and interact with objects and to use our imagination; think visioning, strategy and tactics. It also helps us to develop physically  and socially in a low risk way. And it’s helps us to meet and bond with others in situations which are good for our physical and mental health.

But what about its learning effect on our cognitive development? The answer, at least to a scientist like me, is unexpected.

Being Scientific – Squash Knowledge

From earliest infancy, humans are constantly sorting the world into categories, predicting how things work, and testing those predictions. This kind of thinking is the essence of  science and shows up in a range of human universals from time, calendars and cosmology to family names and measurement.

“Science is basically working at understanding the world around us,” says Edward Wasserman at the University of Iowa. But it’s not just confined to humans. All animals need scientific thinking to survive although no other animal ‘does’ science to quite the extent that we do. So what sets us apart?

One likely candidate, as any parent will tell you, is our drive to ask “Why?” Daniel Povinelli at the University of Louisiana taught both children and chimpanzees to stand an L-shaped block on its end, then secretly substituted an apparently identical block that would not stand up. “The chimps just kept trying,” he says, “but the kids would stop and turn the block upside down and feel the bottom of it. They’d shake the block, try to figure out what was inside it. They would do all kinds of things in an attempt to diagnose why it wouldn’t stand up”

Another unique feature of humans is our ability to grasp abstract concepts. Chimps struggle with this. For example, while they quickly learn that heavy rocks are better for smashing nuts, when it comes to grasping the concept of weight, they falter. “If they hear two objects drop and one goes ‘bam!’ and the other goes ‘click’ they can’t infer that one of those objects will be good for cracking a nut and the other won’t,” says Povinelli, “whereas we can.”

Crucially, this kind of understanding allows us to use what we have learned in one domain to make causal predictions in another. So, for example, we can predict that something that goes “bam!” will sink, whereas something that goes “click” may well float. Our nimbleness at abstract causal reasoning is tied up with our facility with language and probably underlies many of our other social skills, such as rituals and rules of behaviour too. Povinelli believes that this is what really sets humans apart from even the brightest apes.

But there’s one more trait that distinguishes us from less-scientific animals: an eagerness to share what we’ve discovered. Once we figure something out, we announce it to the world, which is why all scientifically minded humans, not just Isaac Newton, are able to Stand on the Shoulders of Giants.”

So maybe the science of squash, or the science in squash, shouldn’t be that unexpected. Categorising, predicting and testing are part and parcel of learning the game. “If I stand on the ‘T’, I should be able to reach all four corners of the court it a few strides. Let’s check it out. If I hit the ball down the middle of the court, my opponent will be able to intercept it and maybe play a winning shot. Oops! He just did.” Do’s and don’ts are learned quickly. Experiments are carried out (sometimes repeatedly), experiences gained and habits formed, whether good or bad!

But there’s a third characteristic which certainly shouldn’t be surprise to any follower of squash. And it’s all to do with our behaviour, on court and off.

Being Legislative – Squash Behaviour

The question of whether every human society has formal laws is far from settled, but they do all have rules. This is a peculiarly human trait. Our closest relatives, the chimps, may stick to simple behavioural rules governing things like territories and dominance hierarchies, but we humans, with our language skills and greater brainpower, have developed much more elaborate systems of rules, taboos and etiquette to codify behaviour. Though every society has different rules, they always involve regulating activity in three key areas, a sure sign that these are fundamental to human nature.

For a start, we are all obsessed with kinship, which brings rights, in particular to inheritance of goods and status. “There are always rules about who counts as kin, and what obligations you have to kinfolk,” says Robin Fox at Rutgers University in New Brunswick, New Jersey. The rules may favour maternal or paternal links, or treat both equally. Every society recognises the uniquely human concept of kinship by marriage, as well as believing that kinship entails duties to family members – for which there are rules. And all have incest taboos, usually prohibiting sexual intercourse between immediate family (though royalty are sometimes exempted).

After who’s who, everyone worries about safety, so every culture also has rules about when one person can kill another. “I don’t know of any society that doesn’t condemn murder,” says Sally Engle Merry at New York University. “However, what constitutes an illegitimate killing is complicated.” In some societies, any stranger is fair game. Others allow killing to avenge the murder of kin, and many allow the group to kill someone who violates its norms. But every group draws the line somewhere.

Every society also has rules governing the use of objects. The notion of private property is by no means universal but people everywhere do have rules that stipulate who is entitled to use certain things at particular times. These vary widely from a simple ‘first come, first served’ to the elaborate system of private ownership in industrialised societies.

Kinship, safety, stuff. Across the whole range of human cultures this is what our rules say we care about. But perhaps there is a deeper part of human nature that underlies all these concerns: a desire for rules themselves. “Rules help us navigate the hazardous waters of interpersonal relationships and provide a framework for knowing how to act,” says Justin Richland at the University of Chicago. That makes them an essential part of us. “It’s the most basic feature of human nature,” agrees Fox. “We’re the rule-making animal.”

So there we have it. Rules about what constitutes acceptable and ethical behaviour both on and off court. Arriving for matches on time. Wearing appropriate clothing, eye protection  and footwear.  Warming up. Keeping score. Rules for playing squash matches in leagues or tournaments. Asking for lets or strokes. Squash club membership rules. The list goes on. No rules about favouring kin, killing people, incest or other sexual activities, of course, but that’s typically where formal laws come in.

And, besides, we’re only halfway through our exploration of squash and human nature. Somewhere in the third game I’m guessing.

I hope you’re keeping score…

Coming Next…

In the second part of “Squash and Human Nature” we investigate the final three characteristics which encapsulate our human nature as we look at food, sex and a uniquely human form of communication. Now I’m not one to talk, but…

Acknowledgements

Thanks to Bob Holmes and Kate Douglas for their series of articles on “Six Things We All Do” in New Scientist magazine.

Snookered in Ooty: Squash in Tamil Nadu

In January, 20-year old Dipika Pallikal became the first Indian ever to contest the final of a World Squash Federation ‘silver event’ when she faced the Netherlands’ Natalie Grinham in the Tournament of Champions in New York.

Less than a month later, in her home city of Chennai, Pallikal was again in finals action in the inaugural WSF Under-21 World Cup. This time, the event was held before an ecstatic crowd at the Express Avenue Mall, the largest shopping complex in Southern India. Throughout the 3-match final, a significant percentage of the estimated 75,000 ‘walk through’ crowd were either surrounding the all-glass show-court or hanging over the balconies of the three floors overlooking it.

Squash Court in the Express Avenue Mall, Chennai

Squash Court in the Express Avenue Mall, Chennai

A week after the final, I arrived in the Tamil Nadu capital at the start of a journey across the subcontinent. I wasn’t exactly on the lookout for signs of squash, you understand, but sometimes you do tend to stumble across them.

Even if you’re just passing through.

Heat and Dust

With average day-time temperatures in the mid to high 30s Centigrade, Chennai in February isn’t exactly the ideal place to wander around seeing the sights. Except for Mad Dogs and  Englishmen that is. Even so, a fair amount of my time in the city was spent in the air-conditioned confines of my hotel and, on one memorable occasion, in a vegetarian restaurant overlooking a chaotic petrol station forecourt.

Despite India’s recent successes, I found absolutely no coverage of squash in the media, either in the newspapers or on any of Tamil Nadu’s numerous TV channels. Instead, there was wall-to-wall, non-stop coverage of India’s most popular sport, cricket, the main topic of interest being India’s performance in a tri-series ODI tournament being played in Australia. “Will Sachin (Tendulkar) get his 100th international century?” was the question on everyone’s lips. Three weeks later, when I was still travelling, India had been dumped out of the tournament, and he still hadn’t.

After leaving Chennai, I caught the India Railways sleeper to Vilapuram before heading for the former French colony of Pondicherry. Next stop was Madurai followed by Rameshwaram and then Thanjavur. The city was hotter, and dustier, than anywhere I’d visited so far but did provide me with the first sign of squash since leaving Chennai. In the window of the Deepu Sports shop, I spotted a squash racket.

Deepu Sports Shop, Thanjavur

Deepu Sports Shop, Thanjavur

Inside the shop, I asked one of the assistants whether I could play squash in the area. “Certainly!” she replied enthusiastically. After a lengthy pause, I cracked and asked where. “Chennai!” she beamed triumphantly. I decided not to point out that a 200 mile round trip to Chennai for a squash match might not be something that a Thanjavur-based squash player would wish to undertake. Even for a vital league match.

Back at the hotel, I switched on the TV to be rewarded with recorded highlights from the semi-finals of the Under-21 Squash World Cup. I started to feel that I was getting warmer. Figuratively speaking.

Into the Hills

Squash on Indian TV

Squash on Indian TV

To escape the heat of the plain, I did what European colonialists in India used to do in summer-time. I headed for the hills. Travelling from Thanjavur via  Erode to Mallapuram, I caught the Nilgiri Hill Railway via Wellington to Ootacamund, known to British colonialists as Ooty.

Situated at 2200m (nearly 7500ft) above sea level, Ooty, known as ‘The Queen of the Hill Stations’, is one of 80-odd high altitude towns used as places of refuge from the summer heat. The British Indian Army built 50 or so of the Stations, the remainder being built by various Indian rulers over the centuries as places of leisure or even as permanent capitals.

Before I got to Ooty, I knew that in 1890, His Highness the Maharaja of Vizianagaram presented a squash court to the Ooty Club. Nestled in the hills above Ooty, the Club is fondly referred to as the “Snooty Ooty Club” and also as “The Morgue” due to the many hunting trophies adorning its walls. It’s also the place where the rules of snooker were formally finalized in 1884 by Sir Neville Chamberlain. They’re still posted in the Club’s Billiards Room.

The Billiards Room in the Ooty Club

The Billiards Room in the Ooty Club

I asked the Ooty Club’s Secretary whether squash was still played there. “No” he said. “The squash court was dismantled many years ago and never replaced.” Despite searching for it, he still didn’t know where in the Club’s grounds the court had been located. He also told me that the rival Wellington Gymkhana Club no longer had any squash courts although he did know that the first one built there had been commissioned in 1927. However, he said, there were two courts at the Defence Services Staff College also located in Wellington.

Squash at Wellington Staff College

Squash at Wellington Staff College

So, squash appeared to be alive in the Nilgiri Hills and being played by the officer classes of the Indian Army, Navy and Air Force.

But what about the civilian population of Ooty?

Did any of them still play?

And, if so, where?

Back to School

On my second evening in Ooty, I stumbled across another sign of squash life in the Charing Cross district of the town. Painted on the wall next to the Shanghai Company Sports and Chinese Footwear shop was the legend ‘squash racket’. And, lo and behold, displayed in the window itself were several rackets….of varying vintage.

Shanghai Company Sports and Chinese Footwear shop, Ooty

Shanghai Company Sports and Chinese Footwear shop, Ooty

The mystery buyers of the shop’s rackets proved, in one instance, to be less than 15 minutes walk away from the shop. The Hebron School, located near Ooty’s Botanical Gardens, was founded in 1899 to serve the mission community of India and South-East Asia. Now, it’s a co-educational and predominantly boarding school for children aged 5 years to 19 years. And squash is one of the school’s ‘curriculum’ sports.

Slightly further out of town is the Good Shepherd International School, a full time boarding school located on a 70-acre campus near Ooty Lake. Established in 1977, the campus include classrooms, laboratories, lecture theatres and sports facilities including squash courts. All of which gave me the feeling that squash was being passed on to at least some of  India’s younger generation in the Hills of Tamil Nadu.

Outside the Shanghai Company shop

Outside the Shanghai Company shop

The day after my Shanghai Company experience, and amid reports that a leopard had been seen in the grounds of Hebron School, I left Ooty for Cochin in neighbouring Kerala. In many ways, I was sad not to have had the opportunity to meet Ooty’s squash players. But, on the other hand, I’ve never been keen on the idea of encountering a leopard on the way to the squash courts.

I don’t think having a racket with me would help much.

Acknowledgements

Thanks to The Hindu newspaper for its article on the Express Avenue Mall and to Al-Ahram for it’s report on the WSF Under-21 Squash World Cup.  Also, thanks to the Secretary of the Ooty Club for his insight into the local squash community.

Hijab Stories: Squash in Iran

In June 2011, Iran’s women footballers were banned from competing in the 2012 Olympics when their qualifying match with Jordan in Amman was called off moments before kick-off. The ban was due to the players’ kit which, following a FIFA ban in 2010, had been changed and (according to the Iran Football Federation’s head of women’s affairs) approved by  none other than FIFA’s beleaguered president, Sepp Blatter. And the kit was designed to meet Iran’s mandatory dress code for women.

Iranian squash player Nazanin Heydari

Whatever the circumstances surrounding the football ban, the reality for female sports enthusiasts in Iran is clear. In the Islamic Republic, women can only take part in their favourite sports whilst wearing full tracksuits and head coverings that conceal their hair. The code, whether driven by religion, politics or culture, is known as hijab and encompasses both the traditional head covering worn by many Muslim women and modest styles of Muslim dress in general.

But Iranian women have been allowed to compete internationally in an increasing number of sports whilst still following the hijab dress code. In weightlifting, in taekwondo, in boxing…..and in squash.

The National Squash Scene

With less than two dozen functioning squash courts in what is a vast country, Iran doesn’t at first glance seem to be in a good position to develop a sustainable squash community at a national level. Government investment in squash  is minimal yet there still exist small squash-playing communities in cities such as Esfahan, Yazd, Gorgan, Arak and Shiraz as well as in the capital, Tehran. The same lack of investment applies to the private sector although, in the last three years, international squash tournaments have been held in Rasht on the Caspian coast and on Kish Island in the Persian Gulf.

The participation of women in the game is reflected in the recent appearance of no fewer than nine Iranian players in the Women’s Squash Association Top 250 rankings for January 2012. The National Women’s squad is currently coached by Muqaddas Ashraf, a former Pakistan No.2 with the National Girls squad being managed by Iranian-born Nadjmesadat Kasfimofrad. The Iranian Squash Federation (SFIRI) also arranges coaching for National squad members by overseas  players such as Pakistan’s Carla Khan, a former World No.18.

Carla Khan with Iranian National Girls Squash Team 2009

But whatever the limited resources available to the Iranian squash community, it’s the passion and enthusiasm of its members which helps it to survive and, occasionally, to show others how to overcome seemingly immovable obstacles to achieve success. Such as the   involvement of its male and female players in squash competitions held overseas despite the restrictions placed on their participation by politics and prejudice. And to embody the achievement of that success, you need pioneers.

The Hijab Pioneers

In many ways, the relatively recent success achieved in helping female Iranian squash players compete abraaod is a tribute to the inclusive nature of the international squash community and those who govern the sport itself.

Sahar Saaremi

In March 2008, Sahar Saaremi became the first female Iranian squash player in history to take part in an international tournament wearing hijab.  The 20 year old student of metallurgy at the Sharif University of Technology wore specially designed kit recognised by Iran’s Physical Education Organisation. The Iranian Squash Federation not only gave her permission to compete but negotiated with the tournament organisers to allow her to play wearing hijab-compatible kit. Saaremi’s family paid for her to travel to Switzerland for the tournament where she lost her qualifying match.

Just under a year later, Saaremi’s pioneering experience was repeated when three Iranian girls travelled to Chennai to compete in the Asian Junior Squash Championships. Pariya Ahinejad, Siadeh Mazidi and Sogol Samodi were leaving Iran for the first time in their lives,  courtesy of their national governing body. Unsurprisingly, they draw curious looks from organisers, spectators and players alike at the SDAT stadium because of their ‘whole body’ squash kit. Although Iranian women chess players had been a common sight in the Tamil Nadu capital, it was the first time that their girls had been seen playing in an international squash tournament.

Sogol Samodi of Iran in action against Lee Ji-Hyun of Korea at the Asian Junior Squash Championship 2009

But after these initial successes, how can the Iranian squash community continue to press its case for more recognition, more support and more investment? Well, surprisingly enough, taking a leaf from football, or rather the artistic presentation of football as a  passion shared by different sections of Iranian society, may help.

The Art of Sports Passion

In 2006, Iranian film director Jafar Panahi’s cult film, ‘Offside’, about a group of football-crazy girls trying to smuggle their way into a World Cup qualifying match successfully gave the outside world a peep into Iranian society, complete with its politics, prejudices and passion, not so long ago. The film, banned in Iran, won the Silver Bear at the Berlin International Film Festival Grand Jury Prize and was both critically and commercially successful worldwide.

Not so widely known is the Iranian short film, ‘In a Closed Room’ (‘Dar Otaghe Basteh’) also made in 2006 and directed by Ali Alaie and Roya Majdnia. The film follows an  English squash player who is scheduled to coach members of the Iranian Men’s National squad. Players from the Women’s National squad also want to learn from him but are forbidden from doing so due to…well, you get the picture.

‘In a Closed Room’ didn’t gain such a wide release as ‘Offside’ but is nonetheless representative of a kind of storytelling about shared passion and community which is truly international.

And when you watch it or your friends watch it, in whatever country, it really doesn’t matter what clothes you’re wearing.

Acknowledgements

Thanks to James Hardy for his article ‘Iran’s Sportswomen: All Dressed Up and Raring To Go’ in The Times of India. Thanks also to Shirzanan, The First Iranian Women Sports Magazine, for its photographs of female Iranian squash players and its interview with Sahar Saremi ‘Think of the Future Generation’.

Squash and the World of Wodehouse

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“There had been other dark moments in Freddie’s life. Once, back in London, Parker had sent him out into the heart of the West End without his spats and he had not discovered their absence till he was half-way up Bond Street. On another occasion, having taken on a stranger at squash for a quid a game, he had discovered too late that the latter was an ex-public-school champion.”

From “Jill The Reckless” by PG Wodehouse first published in the US in 1920 under the title “The Little Warrior”.
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PG Wodehouse was, and arguably still is, England’s best-loved humorist. Born in 1881, his father was a British judge who spent much of his professional career in Hong Kong, then a colony of the British Empire. In fact, Wodehouse was born, prematurely, whilst his mother was on a visit to England from Hong Kong. When he was three, he was sent back to England and placed in the care of a nanny before being sent to a succession of boarding schools. Between the ages of three and fifteen, he was to spend less than six months with his parents.

PG Wodehouse in 1905

PG Wodehouse in 1905

Despite his unusual childhood, Wodehouse was to enjoy enormous popular success as a writer, poet, lyricist and journalist during a career that lasted more than seventy years until his death in 1975. His many writings, including the Jeeves and Wooster stories, continue to be widely read. In many of them, he pokes fun at the English aristocracy, establishment figures (including judges), and American businessmen and philanthropists. All entertainingly embellished with the use of contemporary London clubroom slang.

But it was as a pupil of Dulwich College in South London that the young Wodehouse came into his own as a sportsman, gaining his school colours as a member of the cricket First XI and the rugby First XV. Not surprisingly, both sports were to feature heavily in his writings along with golf, tennis and a relatively new game which was emerging from the shadows of an older predecessor, racquets, then played at Dulwich.

The game of squash.

Racquets, Fives and the Rise of Squash

Classed as a Minor Sport, the game of racquets was well established at Dulwich by the time Wodehouse arrived as a pupil in the mid-1890s. The sport had originated as an 18th century pastime in London’s debtors prisons at King’s Bench and Fleet where the prisoners modified the even more ancient wall game of fives by using tennis rackets to speed up the action. They played against the prison wall, sometimes at a corner to add a sidewall to the game. Racquets then became popular outside the prisons and was played in alleyways, usually  behind public houses.

Nowadays, racquets is played in an enclosed court measuring 9.14m by 18.28m) with a ceiling height of at least 9.14m (30 feet). The singles and doubles games are both played on the same court, the walls and floor being constructed from smooth stone or concrete; both walls and floor are generally dark in colour to contrast with the white ball. Players use a 77.5cm wooden racket, known as bat, to hit the hard 38mm diameter white ball which weighs 28 grams.

In Wodehouse’s time there, Dulwich College maintained courts for both racquets and fives, the latter being built in 1894 and destroyed by enemy bombs in the Second World War. The racquet courts at Dulwich are also long gone although about 20 courts still exist in England’s public schools.

So, Wodehouse would have been familiar with both games, even though he didn’t gain school colours in either of them. Squash, on the other hand, was a new, up and coming offshoot of racquets and, at the beginning of Wodehouse’s writing career, was just the kind of trendy activity sought out by the younger set of London’s upper middle-class.

Including certain members of some of the British capital’s gentlemen’s clubs.

Squash and the Drones

Located off Piccadilly in London’s Mayfair district, the fictitious Drones Club was a recurring setting in Wodehouse’s writing, with many of his stories featuring the club or its members. The Drones was meant to typify the kind of private club originally set up by British upper class men in the 18th century to provide an environment in which to carry out gambling, which was still illegal outside members-only establishments.

Wodehouse’s description of the Drones Club’s young members, precisely fitted the contemporary Edwardian idle rich stereotype. However, he was keen to point out in his writings that some of the club’s members did actually hold down prominent jobs. Reginald ‘Pongo’ Twistleton, for example, was described as studying for The Bar whereas G. D’Arcy ‘Stilton’ Cheesewright (a rival of Bertie Wooster) worked, albeit briefly, as a special constable.

Nevertheless, the Drones with its restaurant, swimming pool and squash court was typical of many of London’s gentlemen’s clubs, even down to its numerous sports competitions, from golf to tennis and squash. Competitions, of course, on which wagers could be made and around which humorous stories could be written.

And one favourite storyline of Wodehouse’s involved young men displaying, or at least attempting to display, their sporting prowess in order to impress young ladies.

Jeeves and the Squash Handicap

Perhaps the Drones Club’s most well-known member was Bertram Wilberforce Wooster.

In Wodehouse’s writing, Bertie Wooster is the young, amiable and naive man-of-leisure, whereas  the older, and considerably wiser, Jeeves is his valet and friend. Most of the Jeeves and Wooster stories involve Bertie getting into some sort of scrape with a young lady, an aunt, a representative of the Law or, in some cases, all three. Typically, the omniscient and resourceful Jeeves  comes to the rescue in his inimitably modest, no-nonsense style.

Lauria as Bertie Wooster and Stephen Fry as Jeeves in ITV's "Jeeves and Wooster"

Hugh Laurie as Bertie Wooster and Stephen Fry as Jeeves in ITV's "Jeeves and Wooster"

In “Jeeves and the Yule-Tide Spirit”, Bertie and Jeeves arrive at the country estate of Lady Wickham whence they’ve been invited “for the festivities”. Bertie announces that he is in love with Lady Wickham’s daughter (and accomplished tennis player) Miss Roberta ‘Bobbie’ Wickham.

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“During your stay here, Jeeves,” I said, “you will, no doubt, be thrown a good deal together with Miss Wickham’s maid. On such occasions, pitch it strong.”

“Sir?”

‘You know what I mean. Tell her I’m rather a good chap. Mention my hidden depths. These things get round. Dwell on the fact that I have a kind heart and was runner-up in the Squash Handicap at the Drones this year. A boost is never wasted, Jeeves.”

“Very good, sir.”

From “Jeeves and the Yule-Tide Spirit” by PG Wodehouse first published in 1930.
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As revealed Wodehouse’s “The Mating Season”, Bertie is actually a racquets blue, a sporting honour awarded during his time at public school. So the revelation that he’s also a squash player is not really that surprising. He also plays darts and billiards, swims, and plays tennis, all activities well-catered for at The Drones. But which sporting activity should he choose to impress the object of his affection?

A Squash Player at Blandings

The Drones Club also features in Wodehouse’s Blandings novels, written between 1915 and 1975. Blandings Castle is the fictitious seat of Lord Emsworth and home to many of his eccentric family, including his younger brother, Galahad Threepwood. Galahad is, in fact, a member of the Pelican Club, an older, more traditional version of The Drones with it’s more unruly younger membership.

Lord Emsworth is an amiable, absent-minded old chap who loves his home and gardens dearly and is never happier than when pottering about the grounds on a fine sunny day, poking at flower beds or inspecting his champion pig, The Empress of Blandings. For the Threepwood family and their friends, the castle is forever available for indefinite residence, and, in Wodehouse’s writing, is often a setting for love-struck young men and ladies to act out their personal dramas.

In ‘A Pelican at Blandings’, Galahad Threepwood, muses on the appearance of John Halliday, son of the late JD ‘Stiffy’ Halliday who had been a fellow Pelican Club member.

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“There was about him something of the air of a rising young barrister who in his leisure hours goes in a great deal for golf and squash racquets. And that, oddly enough, is what he was. His golf handicap was six, his skill at squash racquets formidable, and he had been a member of The Bar for some five years”

From “A Pelican at Blandings” by PG Wodehouse first published in 1969.
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Halliday later arrives at Blandings in the persona of a psychiatrist ostensibly hired to analyse Lord Emsworth but, in reality, hoping to press his suit with his fiancée Linda Gilpin who is visiting the castle with her uncle, Alaric, Duke of Dunstable. In fact, Galahad has been instrumental in smuggling Halliday, now his god-son, into the castle, having been called on for help after an estrangement between the man and his beloved Linda, caused by Halliday’s zealous devotion to his duty as a lawyer despite his fiancée being a witness in…

…well, you get the idea…

So, does the squash player get the girl? Well, there’s at least one way you can find out.

Acknowledgements

Thanks, as ever, to Wikipedia and it’s army of contributors to entries on rackets, PG Wodehouse and beyond. Also, thanks to the Russian Wodehouse Society and The Literature Network for various articles on the great man and his work.

Bollywood Squash

My first real taste of the exotic confection that is Hindi cinema came in the shape of a Saturday matinee at the celebrated Raj Mandir movie theatre in downtown Jaipur. The 1200-seat meringue-shaped auditorium, known as ‘The Pride of Asia’, originally opened in the mid-1970s. And, over the years, it’s hosted many Hindi film premieres attended, naturally enough, by their stars, fans, members of the Indian glitterati, and assorted media hacks.

Unfortunately, the premiere of Saudagar – a sprawling three and a half hour epic set in the Himalayas – had already taken place by the time I’d arrived in Jaipur, leaving me to settle for a star-less and media-free visit to the Raj. Nevertheless, I was treated to an enjoyable, if labyrinthine, story of love, romance, politics and violence punctuated only by the occasional high-energy dance ‘item number’ showcasing beautiful women in very revealing clothes.

The Raj Mandir Cinema in Jaipur
The Raj Mandir Cinema in Jaipur

But, if my visit to the Raj Mandir was memorable, my next destination was a city which had not only given its name to the Hindi film industry, but which was at the throbbing heart of Indian celebrity culture and media gossip. The place for film stars and their significant others to be seen, photographed and talked about.

And to play squash.

Celebrity Squash

At roughly the same time as the opening of the Raj Mandir, India overtook the US as the world’s largest film producer. And, as the commercial capital of the country and a source of much movie funding, the city of Bombay simultaneously found its colonial name combined with that of America’s Hollywood movie industry to create a new and distinctive Asian entertainment brand. Bollywood!

Since then, Bombay has not only become Mumbai but has strengthened its position, both as India’s commercial centre and as the heart of the Hindi movie industry. Not surprisingly, the city has also attracted more than its fair share of celebrity residents, the more athletically-inclined of whom are able (in other words, wealthy enough) to use the exclusive sporting facilities  provided by its private clubs and five star hotels. But perhaps what might be less expected in a country where cricket is the most popular sport, is the apparent popularity of squash as an activity with which many Bollywood celebrities are happy to be associated.

Hansika Motwani

Hansika Motwani

In fact, many Bollywood stars play squash, date squash players, support charity squash tournaments and generally contribute to the image of squash as a pretty cool sport to be involved with. All, of course, exhaustively reported in an astonishing number of celebrity magazines and gossip columns.

Introduced to the game by her brother, Mumbai-born film actress Hansika Motwani, plays squash regularly. “Squash is unique. It is fast, competitive, and provides an excellent workout” she says. “One hour of squash can burn up to 850 calories.  The best part is, since you are playing a sport, you don’t feel that you are working out!” Not sure that I follow the logic of that, but never mind.

Minissha Lamba

Minissha Lamba

Another actress Minissha Lamba is enthusiastic squash player as is so-called ‘bong bombshell’ Rimmi (formerly Rimi Sen). She loves the sport and, at the end of a long, tiring day, all she pines for is a good game of squash. “The game requires high concentration, power and high energy levels,” says Rimmi, “and that’s what attracts me to the most.”

But it’s not just Bollywood’s female stars who are squash lovers.

Sanjay Suri

Sanjay Suri

 

Celebrity-turned-activist Rahul Bose plays squash as does Srinagar-born actor Sanjay Suri whose his elder brother, Raj, introduced him to the game when he was a child.  Within two years, Suri was playing Sub-Junior squash for his home state of Jammu and Kashmir, and later went on to represent the state in the Indian Junior National Championships.

 

Aamir Khan

Aamir Khan

And then there’s actor Aamir Khan, a keen squash player and former smoker who’s regularly encouraged Bollywood’s star-struck fans to quit a habit still widely regarded as cool by many of India’s younger generation. “When I smoked,’” warned Khan in one interview, “I couldn’t play squash for more than 15 minutes. Two weeks after quitting…I could play for up to an hour. Nothing is more dangerous than cigarette smoking.” Just one example, perhaps, of a Bollywood role model promoting a healthy lifestyle as well as their latest movie.

Squash Romance

Where there are squash girls and squash boys, it probably shouldn’t come as any surprise that there is a high probability of squash romance. And, in Bollywood, rumours of romance, actual romance, public displays of romance and the death of romance are endlessly played out against a backdrop of intense media scrutiny and…er…gossip.

Neha Dhupia

Neha Dhupia

Perhaps the most high-profile Bollywood squash romance in recent years was that involving actress and former Miss India Universe winner, Neha Dhupia, and India’s then Number 1 squash player, Ritwik Bhattaracharya. The former college classmates had known each other for at least a decade before they ‘got together’ at a time when both their careers were in the ascendant.

Ritwik Bhattacharya

Ritwik Bhattacharya

 

Unsurprisingly perhaps, the naturally-sporty Dhupia soon hired a squash coach to teach her the basics of the game and improve her racket skills. But, despite her new-found passion for squash – and for one of its most famous exponents – Dhupia’s romance with Bhattaracharya eventually came to end after three years. But not before the celebrity couple had received an inordinate amount of media coverage in the Bollywood gossip columns, and simultaneously raised the public awareness of squash as an activity which just might lead to love.

So, after the tale of a beautiful Bollywood starlet finding squash passion, how about the  story of a beautiful squash  starlet finding Bollywood? Read on….

The First Squash Item Girl

Dipika Pallikal

Dipika Pallikal

“She’s a very sexy and pretty Indian squash player,” announced the Indian Cinema Blog in 2010. The blog post went on to say that there were ‘rumours’ from Southern India that Chennai-born Dipika Pallikal had ‘a good chemistry’ with the film industry and ‘liked to be a friend to all film and sports people.’ Furthermore, and possibly most important of all for millions of young Indian men, Pallikal was reported as saying that she didn’t have “any boyfriends at all.”

Away from the gossip, Pallikal (known as the Indian Sharapova) is only the second Indian woman ever to break into the World top 100 squash players. Still only 19, she’s won the German, Dutch, French, Australian and Scottish Open tournaments and is currently training under Egyptian squash coach Mohamed Essam Saleh. At the time of writing she’s reached Number 26 in the World rankings.

Dipika Pallikal on Court

Dipika Pallikal on Court

And she has indeed been offered starring roles in Tamil movies which, like their Bollywood equivalents, also have a massive audience. Pallikal has so far refused, instead focusing on becoming the Number 1 squash player in Asia. However, she has started to endorse various brands and is now appearing in a range of television advertisements. Her popularity is undoubtedly on the rise.

And Bollywood, at least for one World-class squash player, is beckoning.

Glossary

An item number in Indian cinema is a musical performance that has little to do with the film in which it appears but lends support to its marketability. The term is commonly used to describe a catchy, upbeat, often sexually provocative dance sequence or song.

A female actor, singer or dancer appearing in an item number (and especially one poised to become a star) is known as an item girl. Although the origin of the term is obscure, it’s likely that it derives its meaning from the objectification of sexually attractive women. This is because an ‘item’ in Mumbai slang is a ‘sexy woman.’

And finally, a bong babe is a girl from Bengal.

Acknowledgements

Thanks to Wikipedia for its informative, not to say exhaustive, entry on the ‘item number’ in Indian cinema. Also thanks to the Indian Cinema Blog for its feature on Dipaka Pallikal.

Squash and the War on Terror: Part 3 – End Game

Jansher Khan

Jansher Khan

In 2001, just weeks before the 9/11 attacks on the US, one of the greatest squash players in history announced his retirement from the professional game. During his career, Jansher Khan had won 99 squash titles including eight World Open and six British Open championships.

Along with his fellow squash champion and compatriot Jahangir Khan, Jansher was a national hero of Pakistan, not least in the eyes of the President, Pervez Musharraf, himself a keen squash player. Musharraf was a four-star General in the Pakistani Army who, since 1999, had led a military government following a bloodless coup against the democratically elected government of Prime Minister Nawaz Sharif.

Pervez Musharraf

Pervez Musharraf

But now, on the eve of the War on Terror, Jansher was unaware that his international  success was about to be celebrated in a way, and in a place, that would create another link between the game of squash and the unfolding events of global geo-politics. That celebration was to be centred on a city located 150 kilometres north of the nation’s capital, Islamabad, and 200 kilometres east of Jansher’s birthplace, Peshawar.

The city of Abbottabad.

Squash and the Generals

General Sir James Abbott

General Sir James Abbott

Abbottabad was named after the British Army General Sir James Abbott, who settled the town and district in 1848 after the annexation of the Punjab. Abbott (seen here in a portrait  dressed as an Indian noble) founded the town in 1853 and even wrote a poem about it before he returned to Britain. Due to its strategic location and pleasant climate, Abbottabad subsequently became, and still is, an important military cantonment and sanatorium, being the headquarters of a brigade in the Second Division of Pakistan’s Northern Army Corps. The Kakul district of the city also became the home of Pakistan’s Military Academy whose sports facilities still include squash courts.

It was here in 1961 that Pervez Musharraf began his military training and acquired his love of squash. In Pakistan, squash is the glue that binds the British-influenced officer class together. During his dramatic coup of October 12th 1999, Musharraf knew that he could count on his army colleagues to neutralise the incumbent prime minister and president. As he later wrote in his 2006 memoir ‘In the Line of Fire’, this was because “apart from being their chief, I played squash with the two commanding officers, Shahid Ali and Javed Sultan” of the elite Triple One Brigade. In fact, Ali and Sultan were playing squash when the coup happened, and interrupted their match to lead the Triple One into Islamabad to secure the civilian rulers’ homes so that Musharraf could seize power.

But less that two years after the coup, Musharraf was to find himself, and Pakistan, at the centre of the world’s attention for a very different reason. President George W. Bush had announced the US’s War on Terror and was looking for allies.

Squash and Abbottabad

Weeks after the 9/11 attacks, Musharraf allied Pakistan with the US against the Taliban government in Afghanistan in far from congenial circumstances. Five years later, on September 24th 2006, Musharraf was to reveal exactly what had happened during a US television interview. Richard Armitage, then US Deputy Secretary of State, had called Musharraf and threatened military action if Pakistan didn’t support the war on terror. According to Musharraf, Armitage warned him to “be prepared to be bombed. Be prepared to go back to the Stone Age.” Furthermore, during an interview with Jon Stewart of The Daily Show two days later, Musharraf said that US Secretary of State Colin Powell had also contacted him early in 2002 with a similar message: “You are with us or against us.”

Pervez Musharraf and Hosni Mubarak

Pervez Musharraf and Hosni Mubarak

But whatever the challenges he was facing both as President and as Head of the Army, Musharraf was still able to find time for his pet project: re-kindling the glory that was Pakistani squash. In 2003, he had become so concerned about the state of the game in Pakistan that he offered a 10 million rupee ($140,000) award for any Pakistani who achieved the World No. 1 ranking in squash. He also offered 5 million rupees to any Pakistani who won gold in the Asian Games or at the British Open. Musharraf pledged the money during the Chief of the Army Staff International Squash Tournament in Islamabad, won by two Egyptians – from the British-influenced squash-playing officer class typified by fellow  President, Army General and squash player Hosni Mubarak.

Jansher Khan Squash Complex

Jansher Khan Squash Complex

By 2004, another investment in the government-sponsored revival of Pakistani squash finally took form when the Jansher Khan Squash Complex was opened in Abbottabad. The Complex was located within jogging distance of Pakistan’s Military Academy and, by 2005, was being used to stage national and international squash trials and tournaments. But the Complex was also located within similar jogging distance of a non-descript high-security compound in the well-tended Abbottabad suburb of Bilal Town. A compound which, from early 2006 and known only to a few, was to be occupied by the most wanted man in the US War on Terror.

Osama bin Laden, the leader of Al Qaeda, had taken up residency in Abbottabad.

The Death of Osama Bin Laden

Osama Bin Laden

Osama Bin Laden

On August 18th, 2008 Pervez Musharraf resigned as President of Pakistan and went into self-imposed exile in London. Following his departure, Pakistan continued to play a vital role in the War on Terror and by early 2011 had captured or killed more than 700 members of Al Qaeda whilst losing over three thousand of its own soldiers. But despite all these efforts, Pakistan was regularly blamed by its partners for not doing enough, not least for its lack of success in finding Osama bin Laden.

The Al Qaeda leader was widely believed to be hiding in the tribal homelands of West Pakistan following his escape from Bora Bora in Afghanistan. But, in the early hours of May 2nd 2011, 24 US Navy SEAL commandoes arrived by helicopter in Abbottabad, breached the  wall of bin Laden’s compound using explosives, and entered the main building. Encounters between the SEALs and the residents took place in the building during which bin Laden was killed.

When informed of the raid, Pervez Musharraf described how, when he was in military training, he used to go running right by the spot where the world’s most wanted terrorist was found. “It surprises me it was next to the Pakistan Military Academy,” he told Britain’s Daily Telegraph. “The location is next to the place where I used to run nine miles, en route, maybe passing in front of the house. That is surprising.” he added.

In an unlikely way, Pakistani squash and the War on Terror were both back in the headlines.

Acknowledgements

Thanks to Alex Beam for his 2008 Vanity Fair article on Pervez Musharraf, ‘Big Man on the Court.’

Canary Wharf to Redbridge

A couple of weeks ago I attended the quarter-finals of the 2011 Canary Wharf Squash Classic in London’s Docklands. Not a particularly adventurous outing, I suppose, when you consider that I live within easy commuting distance of Canary Wharf where I used to work for a well-known investment bank. Which, of course, had its own squash courts. You get the picture.

But, as usual, turning up at locations where members of the squash community gather to share their passion can sometimes lead to chance encounters as well as new perspectives on the game and the people who play it.

And this occasion was no different.

Canary Wharf

For those of you who are unfamiliar with Canary Wharf, think glass, marble, corporate statement, Lego™, shopping and money. Lots of money. In fact, come to think of it, lots of glass, marble etc. too.

The Classic event has been held here for the last eight years and has become well established as London’s premier annual squash tournament. In doing so, it’s succeeded the SuperSeries event which used to take place in a shopping centre near London’s Liverpool Street railway station. Going even further back, the Superseries itself used to be held outside London in another shopping centre, The Galleria, located on, or in fact over, the A1(M) motorway at Hatfield, north of the capital.

East Wintergardens & Canary Wharf TowerBut now, the Classic is held in a glass and marble hall in the East Wintergardens district of Canary Wharf. And, with Europe’s tallest building, the Canary Wharf Tower, visible through the venue’s glass roof and soaring majestically upwards, it’s an impressive setting.

Just when you thought it was safe….

With some of the world’s top players on court, and over 3 hours of competitive squash, the quarter-finals certainly offered  good value. And, for a full house of squash enthusiasts, it also provided an opportunity to experience the latest  technology-driven feature of world-class squash – the video review.

This was the first time I’d come into contact with the review which gives players the right to request a video replay to support their personal appeal against a refereeing decision. Each player is allowed one appeal per game with an additional appeal being made available to each player should the score reach 10-10. Having seen a replay of the incident – also visible to the audience on monitors around the court – the referee may choose to change their decision.

During the session, video reviews were requested during all four matches – with varying reactions, and verbal advice, from the audience. But the feature of the review which provided the most entertainment was undoubtedly the accompanying music beamed into the hall while the review was going on.

Here’s the first musical theme. Ring a bell?

Subsequent themes included two pieces of music familiar to most UK listeners: the James Bond theme and the clock-ticking music used during the daytime television wordplay show Countdown. Entering into the spirit of the evening, the tournament’s No. 2 seed James Willstrop, in his post-match interview, suggested the theme to The Pink Panther as being one for future consideration by the organisers.

I think he was joking.

Redbridge

Between matches at Canary Wharf, I ran into one of my fellow squash coaches whom I’d last seen on the day we’d both qualified, four months previously. That memorable event had taken place at Redbridge in Essex. And, coincidentally, it was just three days after our chat that I re-visited Redbridge where the UK Inter-County Squash Finals were being held.

There was no video review technology or accompanying music on show here, just semi-final action in three competitions: the Men’s Over-35, Women’s Over-50 and Women’s League  team knockout tournaments. In other words, squash competition and squash passion. And plenty of it.

Played over two days, the Finals involved 60 players, 60 individual matches and an enormous amount of organisation by the unsung heroes of the squash community. For my part, I just dropped in, watched some of the action, talked to some of the players and organisers, and generally just soaked in the atmosphere. It was like breathing squash.

Alistair Coker of Herts plays Guy Olby of MiddlesexAnd, for the record, Norfolk won the Men’s Over-35 title for the first time in 42 years, South East Wales retaining their Women’s Over 50 title, and Berkshire taking the Women’s League title for the first time. You can find a full report of the Finals on the England Squash and Racketball website.

Postscript

Well I don’t know about you, but I regard pretty much any event organised by or on behalf of squash enthusiasts as being an opportunity to connect to others who share my passion for squash. And it’s not playing or even watching others play that really counts.

It’s just about turning up.