Squash, Gold and the English…

In winning the squash men’s singles gold medal at the 2014 Commonwealth Games in Glasgow, England’s Nick Matthew repeated the feat he had first achieved at the 2010 Games in Delhi. The Delhi final was Matthew’s first as it had been for his opponent, fellow Englishman James Willstrop, who was also destined to finish as silver medallist in Glasgow.

Yet Matthew’s achievement in reaching two consecutive finals was not exceptional. The previous three men’s singles finals had all featured another prominent Briton and erstwhile England representative.

Scotland’s Peter Nicol.

Born in Inverurie, Aberdeenshire, Nicol represented Scotland in the 1998 Games in Kuala Lumpur, the first in which squash made its appearance. In a tight five-game match, Nicol beat Canadian – and reigning World Open champion – Jonathon Power to the gold. By the time both players had again reached the final four years later, Nicol had switched his allegiance to England, claiming that he felt he was not receiving sufficient support from Scottish Squash, his sport’s national governing body. Unsurprisingly, many of Nicol’s compatriots resented this switch, even going so far as calling it traitorous. To the satisfaction of some, perhaps, Nicol lost 3-1 to Power in the gold medal match.

Amazingly, four years later and still representing England, Nicol reached his third consecutive men’s singles final. This time, it was in Melbourne where, once more, he met a reigning World Open Champion in the form of Australian David Palmer. In a tough four-game final, it was Nicol who outlasted the tenacious Palmer to take gold. Amongst the team-mates congratulating Nicol as he came off court in Melbourne was Nick Matthew, the newly-crowned British Open champion. Matthew was to finish outside the medals in fourth place but four years later would start his own gold collection.

Nicol himself had announced his retirement shortly after his success at the 2002 Games, a quarter-final defeat in that year’s World Open being his last competitive match.

But what of 2018 when the Games are due to be staged in and around Brisbane on the Australian Gold Coast? Well, I certainly wouldn’t bet against an Englishman reaching the men’s singles final.

After all, he might not be.

Sources

To find out more about the careers of Nick Matthew, Peter Nicol, Jonathon Power and David Palmer, see Wikipedia. Details of all Commonwealth Games squash competitors can be found at the Commonwealth Games Federation website.

Red Sea Showdown

Both hailing from Egypt and having brothers on the World Squash Tour, Ramy Ashour and Mohamed El-Shorbagy have plenty in common. Both have also won the World junior squash championship twice, Ashour in 2004 and 2006 being the first to achieve the double with El-Shorbagy picking up the 2008 and 2009 titles.

Yet, even more remarkably, El-Shorbagy’s achievement has since been matched by his younger brother, Marwan, who in January become the first qualifier to reach the quarter-finals of the Tournament of Champions in New York for 10 years.

At the same tournament Mohamed El-Shorbagy reached the semi-finals losing to France’s Gregory Gaulter. But three months later, on the shores of the Red Sea, El-Shorbagy he was to gain revenge on Gaultier beating him in four games to reach the final of the El Gouna International…where, coincidentally, he was to meet his fellow two-time World Junior Squash Champion, Ramy Ashour.

Here are some of the highlights from the semi-finals and the final. Maybe you’d like to try some of the shots they play during your next match.

On the other hand…

Semi-Final #1 – Ramy Ashour beat Amr Shabana

11-9 11-5 11-5

Semi-Final #2 – Mohamed El-Shorbagy beat Gregory Gaultier

11-6 14-16 11-9 12-10

Final – Ramy Ashour beat Mohamed El Shorbagy

11-7 12-10 8-11 11-8

Acknowledgements

You can find full details of the 2014 El Gouna International at the tournament website. Thanks to PSA Squash TV for posting the highlights.

Jansher’s Last Title

In the 1990s I was living in a small village in Hertfordshire about 35 miles north of London. As far as my own participation in squash was concerned, I played at local clubs and helped to organise competitions at one of them on the Cambridgeshire border. It wasn’t, and still isn’t, a highly-populated area. Yet 40 minutes away by road was the Galleria Shopping Centre at Hatfield. And from 1996 to 1998, the top eight male squash players in the world gathered there to compete in the World Super Series event.

Jansher Khan 150x150 Janshers Last Title

Jansher Khan

In March 1996, local boy Del Harris from Essex took the title, beating Australia’s Brett Martin 10-8 7-9 9-4 6-9 9-2. It was the second noisiest squash match I’ve ever witnessed. En route to the final, Harris had knocked out World Number 1 Jansher Khan in the noisiest. It was Khan’s first defeat on the World Tour for over two years during which he had beaten Harris in the 1995 World Open final in Nicosia.

Twelve months later, Jansher and Martin contested the final, Jansher winning 9-7 9-5, 9-2. As in the previous year, point-a-rally scoring was used with a tennis-style ‘advantage’ system coming into operation should the score reach 8-all.

In 1998, two of the world’s top eight players, Jonathon Power and Ahmed Barada, were absent through injury, their places being taken by world-ranked number 9, Del Harris, and number 10, Simon Parke. To the surprise of many, it was Parke who reached the final where he found himself up against Jansher, now ranked World Number 2.

Simon Parke 150x150 Janshers Last Title

Simon Parke

To say that Parke was a popular figure at the time would be an understatement. In December 1995, he had been diagnosed with testicular cancer. The following month,  he underwent surgery followed by treatment which included chemotherapy. Just four months after his surgery, he had returned to the professional squash circuit. Now, playing as well has he had ever played, he had a shot at Jansher, who was then British Open champion and had won eight titles in 1997 alone.

Despite vociferous local support, the match proved a challenge too far for Parke who lost 15-12, 13-15, 15-11, 15-10. But, unbeknownst to me and the rest of the Galleria audience that Sunday evening in March, the encounter was have a final twist in its tail.

Having won 99 tournaments during his long and illustrious career, Jansher Khan would not win another title again.  

Sources

Thanks to Squashtalk for their listing of Jansher Khan’s 99 titles.

Swedish Squash Balls

Living just outside London, I’ve managed to get to some major squash tournaments over the years both in and outside the capital. There was the British Open during its residency at Wembley, the Super Series at Hatfield (and then The City), the Canary Wharf Classic in Docklands and the World Series Finals in West Kensington. Hailing from Manchester, I’ve also combined trips back home with visits to the National Championships (and one World Series event) at the National Squash Centre. Some footage from these events can be found on the Web and, for my own amusement and gratification, I’ve decided to post it here as and when I stumble across it.

But, to start the ball rolling, here are some highlights from the recent 2014 Swedish Open held in Linköping which, unfortunately, I didn’t get to. But I wish I had.

Semi-Final #1 – Ramy Ashour beat Amr Shabana

9-11 11-2 11-8 6-11 11-7

Semi-Final #2 – Nick Matthew beat Gregory Gaultier

12-10 11-8 11-1

Final: Nick Matthew beat Ramy Ashour

11-13 11-6 11-8 6-11 11-4

Acknowledgements

You can find full details of the 2014 Swedish Open at the tournament website. Thanks to PSA Squash TV for posting the highlights.

Back Wall Boast (A Squash Play in One Act)

SCENE

The late-1990s. Somewhere in South East England. A squash club bar. It is a Thursday evening in late October. Outside, it is dark. The bar is furnished with a selection of tables and chairs, and a solitary pool table. The floor is covered with a carpet bearing a geometrical pattern consisting of interlocking orange, blue and cream figures. The walls are hung with framed photographs and posters. A trophy cabinet containing engraved silver cups and shields stands against the far wall. A jumble of sports bags and racket covers is piled by a coat-stand next to the bar entrance. Music can be heard emanating faintly from the tannoy.

Behind the bar, Ange Whittaker, a blonde-haired woman in her fifties is filling the sink with hot water. She is wearing a black-and-white print dress. Four men are seated around one of the tables drinking beer from straight glasses.

Jack Sugden, a white-haired man in his early seventies, is the Club Secretary and has been for over twenty years; he still plays in the Club’s internal leagues.

Graham Adams is the League Organiser. A policeman in his mid-forties, he is tall, has cropped fair hair and plays for the Club’s Men’s First Team in the county leagues.

Ron Tetlow is a member of the Squash Club Committee and helps to organise competitions and social events. He is in his mid-sixties and has retired from playing but is a marker at team fixtures. He is of medium build, balding and wears black-rimmed spectacles.

Andrew McGrath is a club member. He is tall and has receding ginger hair, pale skin and freckles. He plays in the Club’s internal leagues.

The men are sitting in silence.

Back Wall Boast Bar2 Back Wall Boast (A Squash Play in One Act)Pause.

RON: Makes you think, doesn’t it?

He stares directly ahead of him, then takes a sip from his glass.

JACK: It certainly does, Ron. It certainly does.

Pause.

There’s no doubt about that.

RON: There but for the grace of God and so on.

JACK: True, true.

Pause.

RON: In the midst of life…

Pause.

I mean it was only last week he got a game off Terry.

GRAHAM: Did he? What, Terry Jackson?

RON: In the handicap.

Pause.

GRAHAM: Oh.

Pause.

Terry must have been giving him a few points then.

RON: Twenty-seven, I think.

GRAHAM: Right, right. Twenty-seven.

Pause.

Well he’d have to, wouldn’t he.

RON: Still, he must have played out of his skin to get a game off Terry.

Pause.

I mean how old is Terry? Forty-ish?

GRAHAM: I would have thought so.

RON: And Ernie must have been…

ANDREW: Sixty-two.

RON: No. Sixty-two? Was he?  

Pause.

I thought he was older than that.

Pause.

Still.

Behind the bar, ANGE is washing some glasses.

RON: He was looking forward to going on holiday.

JACK: Who? Terry?

RON: No, Ernie. With…you know…his missus…er…

ANDREW: Maureen.

RON: Is it?

Pause.

Yes, well.

JACK: Anywhere nice?

RON: Sounded Spanish I think…or it could have been Portuguese. I’m not that well up on place names, foreign countries, that sort of thing.

Pause.

I’ve been to France mind you.

JACK: Have you? What part?

RON: Now there’s a question. I’d have to ask the missus. She books everything, see.

Pause.

Or was it Belgium?

The group sits in silence.

Suddenly, the door swings open and GARETH Prosser enters. He is in his mid-forties, thick-set with black hair and sideburns. He is wearing a tweed cap, a light-coloured parka and a tartan scarf. He looks at the group, then at the bar, then back at the group.

GARETH: Christ! What’s wrong with you lot? It’s like a bloody morgue in here.

The members of the group turn around. ANGE starts crying.

JACK: You haven’t heard then?

GARETH: Heard what?

JACK: Ernie died last night.

GARETH: No! Ernie?

He takes his cap off. ANDREW stands up and walks to the bar, looking at GARETH. He lifts up the counter, goes behind the bar and puts his arm around ANGE.

We had a court booked for Tuesday.

GARETH walks over to the bar where ANGE is wiping her eyes with a handkerchief.

GARETH: Sorry, Ange, I didn’t realise.

He leans over the bar and touches her on the arm.

Pause.

Very insensitive of me.

Pause.

Pint of bitter when you’re ready, love. No hurry.

He takes off his parka and hangs it on the coat-stand with his scarf and cap.

Pause.

Accident was it?

He walks over to the group and sits down in Andrew’s chair.

RON: He dropped dead on court last night.

Behind the bar, ANGE starts crying again. She rests her head on ANDREW’s shoulder.

GARETH: No.

Pause.

Which court?

RON: Two. I was watching, wasn’t I. Dropped in to book a court, heard someone playing, went up to the balcony. Bob’s your uncle. There’s Ernie playing young Alan.

GARETH: League match, was it?

RON: Hell of a ding-dong. Ernie keeping it tight, lobbing. Alan running around like a blue-arsed fly, getting everything back. You know Alan.

GARETH: Only we’re…well we were all in the same league, like.

RON: Alan gets the first. Ernie levels it. Slows things down, you know, like he does…

Pause.

…did.

GARETH: Finishes a week on Sunday, doesn’t it Graham?

GRAHAM: What does?

GARETH: The league.

GRAHAM: That’s right. I’ll take the sheets down at six o’clock.

GARETH: Only I haven’t played all my matches yet.

RON looks at GARETH.

RON: Do you want to know what happened or not?

GARETH: Sorry, Ron. Go on.

RON: Alan gets the third. Ernie squares it at two-all. It’s nip and tuck in the fifth. Alan’s up, Ernie pegs him back, then Ernie’s up, then Alan squares it at nine all and Ernie calls ‘set one’!

He leans back in his chair, exhausted.

JACK: He must have been tired.

RON: They both looked buggered, Jack. Absolutely buggered. That’s when it happened.

RON looks towards the bar where ANDREW is chatting with ANGE. He is helping her with the washing up. He lowers his voice and leans forward in his chair.

Alan only goes and serves out, doesn’t he, so Ernie’s got match ball. He puts up one of his lob serves and moves to the T. Alan volleys it back cross-court. It whistles past Ernie on the forehand and bounces up onto the back wall. Ernie turns round and dives towards it, swinging through with his racket.

Pause.

Then he hits the floor and doesn’t move.

He leans back in his chair.

Pause.

GARETH: So Alan won then?

RON: What?

GARETH: Well it’s a walk-over isn’t it? Ernie can’t play on.

RON: No, no, no. Ernie won the match.

GARETH: How do you work that out then?

RON: You didn’t let me finish, did you?

He leans forward again.

On his way down, Ernie gets his racket to the ball and lifts it hard onto the back wall. It loops up towards the front wall, drops, brushes it and bounces twice. Dead.

Pause.

Alan doesn’t get anywhere near it.

RON leans back in his chair.

GARETH: A back wall boast you mean?

RON: Ernie’s signature shot. I’ve seen it get him out of trouble more times than I care to remember.

JACK: What a way to go, eh?

RON: You couldn’t make it up.

Pause.

GARETH: So you’re telling me that somebody who’s dead can win a rally?

RON: Well obviously he was alive when he hit the ball.

GARETH: Yes, but…

GRAHAM: The point is, Gareth, it wouldn’t have made any difference whether Ernie was dead before or after the ball was. Alan couldn’t get to it and Ernie wasn’t obstructing him.

RON: Neither of them was bleeding or injured either…

GRAHAM: …so there wasn’t any reason for them to stop playing, was there, let alone agree a walk-over.

Pause.

GARETH: But…

GRAHAM: Look, there’s nothing in the rules that says that a player has to be alive when they win a rally, or a point. They don’t even say that matches have to be between two players who are actually alive…

RON: …or that they have to remain alive for the entire duration of the match.

Pause.

GRAHAM: I’ve checked.

The group sits in silence. ANDREW comes out from behind the bar and walks over to the coat-stand.

GARETH: Anyway, nobody’s put the score down.

GRAHAM: What?

GARETH: On the score-sheet. I had a look just now.

Pause.

JACK: I suppose Alan was too upset.

Pause.

GRAHAM: I’m not surprised.

Pause.

RON: His girlfriend was hysterical.

The rest of the group look at RON.

JACK: Who?

RON: His girlfriend. That redhead with the…

JACK: You mean Samantha? Ernie’s daughter? You never said.

RON: Is she? Well I didn’t know, did I. I’m no good with names.

GRAHAM: …foreign countries, places…

JACK: So she was there then?

RON: It must have slipped my mind. What with all the confusion. You know…ambulance…police…looking for the first-aid box…

Pause.

GRAHAM: What’s it like being you, Ron?

Pause.

RON: Anyway, Ange looked after her, didn’t you Ange?

ANGE: Yes.

She dries a glass and places it on a shelf behind the bar.

ANDREW puts on his coat and scarf. He picks up his sports bag and walks to the door.

ANDREW: Well, I’d best be off. ‘Night all.

He opens the door and leaves the bar.

ALL: ‘Night, Andrew.

Back Wall Boast 1 Back Wall Boast (A Squash Play in One Act)Pause.

GRAHAM: So where does that leave your league then, Gareth?

GARETH takes a pen from his inside pocket and starts writing on a beer-mat.

GARETH: Right, let’s see. Well, Ernie’s got twenty-one, Alan’s got…nineteen, Andrew’s got…er…seventeen…

He mutters to himself as he calculates each player’s points.

…I’ve got eleven and Mike’s got…er…four.

GRAHAM: So you’re telling me that the promotion spots in your league are currently occupied by someone who’s dead and someone who’s lost to him?

GARETH: Well, at the moment, yes.

RON: So Ernie could go up then?

GRAHAM: Don’t be stupid, Ron.

GARETH: It could all change of course. Andrew’s still got to play Alan. Both of them could overtake Ernie.

Pause.

GRAHAM: As league organiser, Gareth, I can assure you that Ernie will not be promoted. Under any circumstances.

Pause.

GARETH: So that means I should go up then.

GRAHAM: How do you work that out?

GARETH: Well Andrew’s not playing in the next round of the league.

Pause.

He’s withdrawn, hasn’t he.

GRAHAM: How do you know? No, don’t tell me. He’s written it on the score-sheet.

GARETH: Exactly.

Pause.

RON: I wonder why that is? He never said anything.

JACK: Probably upset about Ernie, I shouldn’t wonder. Great friends they were. He used to go round there a lot you know.

Pause.

RON: Now you mention it I have seen him coming out of Ernie’s house. Yes. All hours of the day and night. While I’ve been passing, like.

GRAHAM: Yes, yes. Him and Ernie go way back.

Pause.

JACK: And Maureen.

Pause.

RON: Yes. That’ll be it. Maybe he feels he’d be a bit uncomfortable. You know, being around when Ernie’s not…around.

Pause.

GRAHAM: And Maureen’s on her own.

RON: Yes, yes.

Pause.

I could ask him, I suppose, but…

ANGE: Oh, for Christ’s sake, he’s going on holiday!

The group turns to look at ANGE who is staring at them from behind the bar.

JACK: Oh, is he? Anywhere nice?

ANGE: Yes.

Pause.

Benidorm!

LIGHTS

Acknowledgements

I got the idea for ‘Back Wall Boast’ from a UK television play broadcast in 1987. It was called ‘The Clinger’ and was set in a squash club somewhere in England. The play was one of a series of dramas entitled Love and Marriage. Taking place over a single evening, it traced the fortunes of Alan (Richard Hope) in his attempts to impress fellow club member Samantha (Sallyanne Law).

Running through The Clinger were a number of humorous story-lines dealing with the petty politics of squash club life including the point scoring rules for the internal leagues. These, of course, come sharply into focus following the dramatic conclusion of Alan and Ernie’s match.

You can find out more about ‘The Clinger’ here.

The Man in the Café Leblon (from the Squash Novel ‘Breaking Glass’)

He remembered that night. Clearly.

It had been three days before the start of the finals.

He had glanced at his watch. It was almost two fifteen in the morning. Out in the street, he could still hear  the music of the milonga drifting down from the windows of the salon. The traffic on Rua do Catete had died down by then but there were still people about, in groups, in couples, walking the warm Rio sidewalks, waiting for taxis, heading to the next drink, to the next dance. Heading home.

He had walked a few yards from the entrance porch of the building and fished his cellular from the inside pocket of his dark grey tailored suit. Pushed a few buttons. Waited.

‘Federico?’ said a man’s voice, a sleepy voice, a big voice. ‘Do you know what time it is?’

‘I’m sorry, Hector,’ he had answered. ‘I had to call. I just danced with my daughter. So did Andres.’

‘You and your tango, Federico. Does he know who she is?’

‘I don’t know. No. Not from the way they were dancing.’

There had been a pause, the sound of a light switch.

‘What about you?’

‘I think she may suspect,’ he had said, then hesitated. ‘I tried to warn her not to play tonight, Hector, to stop her being picked on by those jackals.’

He had felt himself getting angry. Then he had taken a deep breath, inhaling the night, catching the melody of a tango vals drifting down from above.

‘She knows what to expect, Federico. You knew this could happen eventually. Perhaps it’s time.’

‘I’m scared, Hector. They’re both so young, so passionate.’

He had heard a chuckle and felt annoyance. Had taken another deep breath.

‘There was never going to be a good time to tell them about each other, Federico. You know that.’

Then he had been the one to chuckle. A brief smile had flickered across his lips.

‘And then I suppose there’s the small matter of their mothers,’ his brother had observed.

He had grunted. ‘Now you’re just being cruel, Hector.’

A throaty laugh this time.

‘What do you expect at this hour? Never mind. I will see you tomorrow…or later today, that is. Buenas noches, hermano mio.’

The line had gone dead. He had lowered his cellulare from his ear and turned to walk to the kerb and hail a taxi.  

His son, the Colombian boy, had been standing in front of him, hands in the trouser pockets of his cream linen suit, long brown hair moving gently in the night breeze.

‘Hello, Papa,’ he had said calmly, unsmiling, fixing him with his dark eyes.

‘I think we need to talk.’

++++

It was the morning of the finals.

Renato Bulsara pushed open the door of the Café Leblon on Rua Dias Ferreira and removed his sunglasses. Today would be a busy day, a very busy day. But perhaps not so busy that he could not find the time to enjoy a morning coffee sitting at his favourite table.

He saw that it was free, as it always seemed to be when he visited his favourite café just behind the Copa Trade Tower. Senhor Ventura’s admirable establishment might not be the trendiest or even the quietest in the area, but he felt comfortable here. It was a traditional place occupying the ground floor of what had previously been a bank. A place where he could meet people without feeling conspicuous

Cafe in Rio de Janeiro The Man in the Café Leblon (from the Squash Novel Breaking Glass)He walked past the mahogany counter, greeting Senhor Ventura who was, as usual, involved in the unceasing process of marshalling his work-force in a state of mild concern. The elderly proprietor paused temporarily in his labours to smile and nod in return.

Sitting at his table, he ordered a cafezinho and scanned the interior of the café. Business was brisk, the high ceiling and chequered floor tiles of the former banking hall echoing with the clatter of crockery and the babble of conversation. The waiting staff criss-crossed the floor heading to and from tables, taking orders, carrying trays.

His coffee arrived, delivered by a young waitress wearing a black uniform with a starched white cap and pinafore. He smiled, thanked her and, as she walked away, lifted the cup and saucer from the table. Raising the cup to his lips, he took a deep breath, inhaling the aroma drifting up towards his nostrils.

He took a sip and began to return the cup to its saucer, savouring the taste lingering on his tongue. As he replaced the cup, he looked up and across the floor of the café.

Seated at a table at the other side of the room were a man and woman whose faces were familiar to him. The man was in his mid-30s,clean-shaven with a rugged face  framed with short fair hair. He wore an open-necked shirt under a navy linen jacket. The woman, was older, perhaps, with a diamond chin and short blonde bangs.

As he watched, the man handed what looked like a photograph to the woman. He pointed to it and began talking. The woman looked at the photograph, then at her companion. Suddenly, the man paused, placing his right hand over his mouth, leaving the other resting on the table. Without hesitation, the woman reached forward and took his left hand in hers.

Bulsara felt something leap in his chest, an excitement that he could not name. He quickly finished his cafezinho, paid  Senhor Ventura and left the building.

At their table in the Café Leblon, Tyler Wolf and Erika Hoskin were still deep in conversation.

++++

It was the afternoon of the finals.

In the Copa favela, the man and the boy sat talking in the shade on plastic seats. They gazed out onto a cleared area, here in the heart of the shanty. An area covered in deep golden sand. Children ran around, dressed in ragged clothes, ignoring the heat of the sun.They played queimada, chasing and tagging each other, the ‘living people’ and the ‘dead ones.’

The man smiled as he watched them. Shouting, running free, running barefoot across the sand, free of rubbish, free of the waste of the favela, free of the broken glass.

He remembered the time when he was a child. Clearly.

But there was something different in the favela now. In the centre of the makeshift beach stood an open-roofed structure with four walls and a single door. From within it, he could hear the sound of a ball thumping against its walls as its occupants played a different barefoot game.

‘So, Miguel,’ he said. ‘How would you like to like to show me how your game’s coming along?’

The boy sat up in his chair, looked at him and smiled, eyes twinkling from a face the colour of cafezinho. He stood up and grabbed the racket propped against his chair.

‘I’ll go and get them off court, Senhor Renato,’ he yelled, already halfway to the building.

Favela in Rio de Janeiro The Man in the Café Leblon (from the Squash Novel Breaking Glass)Renato Bulsara smiled and watched the boy hammer on the court door with his racket handle. Some things never changed.

Now, young Miguel Paixao was showing promise, just like his three brothers, one of whom had made it to the preliminary round of the Rio Squash Festival.

Paixao,’ he said to himself, and laughed. ‘Passion.’

He picked up his racket and followed the boy across the beach towards the court.

++++

It was the evening of the finals.

The last two matches of the tournament had sold out months before John Allenby’s woes had begun to surface. Now, as he waited to step onto the glass court, he hoped that the intrigue and crises of the last week were not about to repeat themselves. At least not until the night’s events were successfully, and safely, concluded.

If it was possible, the samba dancers, the music and the laser show leading up to the finals  had eclipsed the spectacle of the opening night. The atmosphere was still electric as the spectators settled noisily into their expensive seats. The sun was setting behind the city, leaving behind its warmth as the start of the Women’s Final drew near.

Allenby scanned the crowd, looking for familiar faces. He found plenty of them. The President and his wife, The Mayor of Rio and his, Prince Hamza Al Omani and his entourage,Philip Sanderson, Fritz and Anne Mallinson, Hector Lopez. He started to believe that everything would be…

Senhors and Senhoras!’ boomed the PA, jarring him out of his reverie. ‘Please welcome the organiser of the 2014 Rio Beach Squash Classic and your host for the final competitive matches of the tournament, Senhor John Allenby!’

He picked up the microphone and began to walk towards the glass court.

++++

It was less than ten minutes to the start of the women’s final.

Florencia Perez waited behind curtains woven with the yellow, green and blue of Brazil’s national flag. Her ravenesque black hair was tied back in a ponytail. She was wearing a light blue headband to match her dress, and white sneakers. She grasped her racket and bounced up and down on the spot just vacated by her opponent and Number 1 seed, Brigitta Krause.

Senhors and Senhoras!’ Allenby’s voice echoed around the stands. ‘Please welcome to the main court…Florencia Perez!’

Rio de Janeiro at Night The Man in the Café Leblon (from the Squash Novel Breaking Glass)

The curtains parted, the crowd applauded. She had friends here. There was even an Argentinian flag waving in the stand opposite, the Sol de Mayo gazing down at her from the light blue and white tri-band. She entered the court and shook Allenby’s hand, then her opponent’s, ready to begin the warm-up.

Allenby closed the door behind him and walked away from the glass court.

++++

It was less than two minutes to the start of the women’s final.

Florencia Perez sat in her chair outside the court and scanned the crowd, looking for familiar faces. She saw Erika, sitting a few yards away in the front row behind the back wall. She saw Tyler Wolf, wearing his familiar green and gold tracksuit, sitting beside her.

And there were others.

She sensed their gaze before she met it, before she found where they were sitting. Together, high up, behind the back wall of the glass court. Their eyes filled with pride. And more.

The boy from Bogota who had danced with her three nights ago. Sitting to his right, the man they called Mr. Fino. And, to his left, the tall man with the long nose who had sent her the elegant gold watch which now adorned her left wrist.

She smiled, picked up her racket and began to walk towards the glass court.

++++

It was less than an hour to the start of the men’s final.

Renato Bulsara was reaching the end of a busy day. A very busy day.

He picked his way slowly through the crowds milling around the arrivals hall at Galeão International Airport. At times like these he envied the natural footwork and movement of…who? Samba dancers? Squash players? He began to feel uncertain and, yes, mildly concerned. Like…like…Senhor Ventura! He chuckled to himself. A good sign.

He scanned the arrivals board. The flight he was to meet had landed. The passengers were now in baggage reclaim. Quickly, he summoned a porter and engaged his services. He glanced at his watch. It was eight forty-five.

He found a convenient spot from which to catch the eye of his employer’s guests and prepared to hold up the cardboard sign which his secretary had prepared for him. He looked again at the single surname it displayed.

Suddenly, the flight’s passengers began to emerge from the customs channel, looking for friends, relatives, hosts. He held up his sign, anxious that it should be in plain sight.

Then he saw them, both smiling broadly, both seeing his sign, both waving. He smiled back and waved, picking his way towards them, summoning the porter to follow him.

After what seemed like an age, they met.

Senhor Bulsara, I presume!’ said the woman, laughing. ‘I am so pleased to meet you!’ She grabbed his hand, shaking it warmly, thanking him for his welcome to Rio. He joined her laughter, looked into her eyes. Twinkling eyes, beaming from a face with high cheekbones. A face the colour of darkest ebony.

She turned, still smiling, towards her young companion.

Bulsara leaned forward and held out his hand to the child.

‘So, you must be Jeremy,’ he said.

Characters

The story focuses on characters involved in an international squash tournament in Rio de Janeiro.

Florencia Perez, 19, is an up and coming Argentinean squash player who has burst onto the international squash scene, competing on a ‘wild card’ in a tournament in Bogota. Her birthplace, parentage and even her true sexuality are a mystery. She speaks no English. Tall and broad-shouldered, her dark good looks have led many aficionados of the sport to regard her as the ‘Kournikova’ of the squash world. Unknown to her, she is the daughter of Federico Lopez, previously one of the most famous squash players in South America.  She has now reached the Women’s Final of the Rio Beach Classic tournament.

Andres Lopez, a native of Colombia, is a young squash player seeking to make his mark on the international circuit. He has already won a lucrative sponsorship with a leading international soft drinks manufacturer. With his long wavy brown hair and vividly inviting dark eyes, he is a favourite with many of the female players competing on the World Squash Tour. In the past, his temper tantrums on court have led to him being banned by the authorities from playing. Unknown to Lopez, he is the half-brother of Florencia Perez.

Lopez has reached the Men’s Final of the Rio tournament where he is due to face the veteran Australian, Tyler Wolf, himself estranged from his young son, Jeremy.

Renato Bulsara is a carioca, a native of Rio and right-hand man to the powerful owner of the SombraSoft Corporation, the man known as Mr. Fino. SombraSoft is a global sponsor of squash. Fino’s real identity has been revealed as Hector Peron Lopez, brother of Federico.

In this chapter, the fates of the characters become intertwined as the tournament reaches its final stages.

Acknowledgement

‘The Man in the Café Leblon’ was first published as Chapter 21 of ‘Breaking Glass’, a collaborative squash-themed novel conceived by Ted Gross of The Daily Squash Report. Written in weekly installments by a team of 11 squash writers, chapters were posted by Ted on the DSR website where the novel can be read it in its entirety.

For the record, the writing team comprised, in no particular order, Alan Thatcher (who conceived the overall theme for the novel), John Nimick, Mick Joint, Georgetta Morque, Will Gens, Framboise Gommendy, Richard Millman, Pierre Bastien, Jamie Crombie, James Zug and yours truly.

Why not check out The Daily Squash Report and read the full novel? You know you want to!

Squash and the London Olympics

The 1908 Olympic Games began on the afternoon of April 27th when Evan Noel, the eventual gold medallist, defeated Cecil Browning in the first round of the men’s singles  racquets tournament. At the time, racquets, along with the relatively recent game of squash rackets, was one of a range of racket sports played in Great Britain some of which also appeared on that year’s list of Olympic events.

Three versions of tennis were contested at the Games. Lawn tennis (nowadays abbreviated to ‘tennis’), royal tennis (played on an indoor court and now referred to as ‘real tennis’) and covered court tennis which was an indoor version of lawn tennis.

But there was no place for squash rackets at the Games and, looking back, perhaps it’s not surprising why.

Mount Vesuvius

In 1908, racquets was primarily popular in Great Britain. In fact, there were no entrants or competitors from any other nation. The Official Olympic Games Report stated, “Racquets, it may be noted, is always so expensive a game that, except at the public schools, the number of players is always so restricted and, out of the United Kingdom, India and the United States of America are the only countries where the game is played, which may be a reason for not including it in future programmes for the Olympic Games.”

1908 Olympics Opening Ceremony  d9e979d8480c2ad2b8179c69a720d1b6 Squash and the London Olympics

1908 Olympics Opening Ceremony

At the time, it’s almost certain that squash was played even less than racquets, particularly in Great Britain. But it’s the background to the 1908 Games which offers another clue as to squash’s omission.

The Games had been scheduled to take place in Rome but, in 1906, Mount Vesuvius erupted near Naples. The Italian government felt that it needed the money to rebuild the area around the volcano and asked for the Rome Olympics to be relocated. In actual fact, it was widely believed at the time that the Italians had decided to make their request some time before the eruption, due to economic problems in Italy. Mount Vesuvius provided them with a convenient excuse.

Whatever the truth, London agreed to stage the Games. Rome would wait another 52 years for a second chance.

The British Empire

In the hands of the British, the 1908 schedule of events gave the Games the appearance of a European and British Empire championships. No Americans or Australian tennis players competed in London. Outside of Europe, the only other players were from Canada and South Africa. In the covered court tennis events, the representation was even more limited, with only players from Great Britain and Sweden taking part.

1908 Vane Pennell 207x300 Squash and the London Olympics

Vane Pennell

The racquets event drew its competitors from an even more limited gene pool, all seven  (and, unsurprisingly, all men) representing Great Britain which made a clean sweep of the (men’s) singles and doubles. The youngest competitor was Henry Brougham, aged 19, and the oldest Henry Leaf, aged 45. Leaf finished as the silver medalist in the men’s singles despite having to withdraw from the final due to an injury to his hand sustained during the men’s doubles.

Despite the British monopoly, the United States could claim some success in that John Jacob Astor, gold medalist in the men’s doubles together with Vane Pennell, had been born in New York. He was a boy of five when his family sailed for England in 1891, eventually becoming Lieutenant-Colonel John Jacob Astor V, 1st Baron Astor of Hever.

Astor also won bronze in the men’s singles.

Rules and Regulations

The non-appearance of squash in the London Olympics can also be linked to the circumstances at the time surrounding the sport’s regulation.  

It was only in April 1907, one year before the London Olympics, that Great Britain’s splendidly-named Tennis, Rackets & Fives Association had set up a sub-committee to set standards for squash. In the early years of the century, the game had increased in popularity with various schools, clubs and even private citizens building squash courts, but with no set dimensions.

Although the sub-committee managed to codify the rules of squash, it was not until 1923, five years after the end of the First World War, that the Royal Automobile Club was to host a meeting to ‘further discuss’ them. A further five years elapsed before the Squash Rackets Association was formed to set standards for squash throughout Great Britain

In direct contrast, the earliest national association of squash in the world was formed in 1904 as the United States Squash Racquets Association, (USSRA), now known as US Squash.

The 2020 Olympics

Today, squash again finds itself seeking entry to the Olympic family of sports in 2020 having undergone a series of reforms and re-organisations at the behest of the International Olympics Committee. In some ways, its circumstances appear to have changed, as have those of racquets, played in Britain by an even smaller number of people than that from which the competitors for the 1908 London Olympics were drawn.

And what about the circumstances of the IOC? Less than one year after the 2012 London Olympics, the organisation itself is seeking to add a new sport which will attract a younger audience.

Squash may well be it.

But, as in the case of racquets in 1908, it may take a natural disaster to make it happen.

Acknowledgements

Thanks to the Sports Reference website and Top End Sports for details of the 1908 London Olympics. Also thanks to Wikipedia for the biography of John Jacob Astor.

The Big Squash (à la Raymond Chandler) – Part 2

It was raining hard and the rain came through the soft top of my car.

I stuffed the magazines under the front passenger seat, put on my coat and went to buy some whisky. Then I sat in the car and drank while I watched Geiger’s store.

Business was good at Geiger’s. Very nice cars stopped, and very nice people walked in and came out with packets in their hands. Not all of them were men. At a quarter to five a white sports−car stopped in front of the store. The driver prised himself out and hoisted himself onto the sidewalk. He was wearing a Chinese silk coat. He looked like the kind of guy who dines at an ‘eat all you want’ restaurant and just loses track of time.

I saw the fat face and the moustache as he ran in out of the rain. Before the door could close, a tall, dark and very good−looking boy came out to park the car.

Just after five the store closed and the brunette left. Another hour passed and then another. The minutes went by on tiptoe, with their fingers to their lips.

It got dark. The rain eased and then stopped. I smoked more cigarettes than was good for me before the tall boy came out of the store. He brought the car back to the door, got out and opened the driver’s door as Geiger came out of the store. The boy went back into the store and Geiger drove off.

It was ten fifteen.

++++

Los Angeles Athletic Club BW 224x300 The Big Squash (à la Raymond Chandler) – Part 2I followed him thinking that he was going home to Laverne Terrace. But I thought wrong again. He headed east on Santa Monica, then took the freeway. It started to rain again. I turned on the wipers, straining to see Geiger’s tail-lights as he weaved through the traffic.

At the Chinatown exit he turned off and headed downtown.

The office buildings were deserted, their windows staring blankly. The streets felt dark with something more than night.

Fifteen minutes later, Geiger pulled up outside a grey six-storey building on West 7th Street. I stopped thirty yards behind him and watched as he entered through a set of double doors. A single porch light cast a sad glow on the slick sidewalk.

I opened the glove compartment, took out my revolver and slipped it into its holster.

800px TheBigSleep 13 The Big Squash (à la Raymond Chandler) – Part 2

I got out of the car and walked towards the double doors. A brass plaque on the wall said ‘Los Angeles Squash Club.’

I tried the door. It was open. I stepped into a lobby with faded black and white checkered tiles and a worn welcome mat that had seen better days. There was a second set of doors with frosted glass panels. Through them, I could see a light.

I stepped closer and watched for any signs of movement behind the doors, listening for any sounds. There were none. I pushed the left hand door open, slowly.

A large wood-panelled desk stood in the reception area, its surface lit by an anglepoise lamp. A telephone stood at its right-hand corner. I walked towards it across a threadbare carpet, treading softly. On the walls, signs pointed to the changing rooms, the courts, the bar.

I stopped to listen. Somewhere, in the distance, I heard the faint sound of voices in conversation. Male voices.

On the desk, a visitors book lay open beside the telephone. Geiger’s name wasn’t in it. The last entry was made three days ago. Next to it sat a large, thick ledger, bound in buckram with gold lettering on its cover. ‘Court bookings.’ I opened it and flicked through the pages. None of the names looked familiar.

I turned around. Behind the desk was a glass-panelled door labelled ‘Club Manager’s Office.’ It was dark behind the door. The door was locked.

I looked around the room. Glass cases contained silver trophies engraved with the names of tournament winners. Framed photographs hung from the walls showing smiling players, wearing white.

The clock on the wall showed eleven forty-five.

++++

I followed the sign pointing to the courts. It led to a corridor with a smell of old carpet and furniture oil and the drab anonymity of a thousand shabby lives.

After a few yards, the corridor opened out into a brightly-lit windowless room with seats and a water-cooler. To the left, a darkened corridor led to the courts. The walls of the lobby were lined with notice-boards filled with tournament announcements, competition rules, members’ names and telephone numbers, score-sheets, posters. At one end were the club’s ‘role of honour’ boards with their lacquered surfaces, carved frames and gilded letters.

I went up to them and read down the list of Men’s champions.

1930 D.Wilson

1931 L.Thornbury

1932 D.Wilson

1933 D.Wilson

1934 M.Regan

1935 M.Regan

Michael Regan.  Rusty Regan.

A big red−haired Irishman with sad eyes and a wide smile.

Big Sleep Stairs books bogey 2 The Big Squash (à la Raymond Chandler) – Part 2Suddenly, somewhere behind me, I heard a scream. It was a terrible scream, a woman’s scream, a scream made by someone insane or heading that way. Coming from the squash courts. I cursed myself for not checking where the voices had been coming from, where they’d gone to.

Then, I heard three shots. I took out my revolver and turned into the corridor leading to the courts. I looked for the light switch. Before I could flick it, there was a flash of gunfire in the corridor ahead of me. I dropped to the ground and fired back, not seeing what I was aiming at. There was the sound of a crash.

Everything went quiet. I waited until I could see well enough to be sure that the corridor was clear, then hit the lights. The doors to the squash courts lined the right hand side of the corridor. I kicked them open and checked that nobody was hiding in them.

At the far end of the corridor, I could see an open fire door swinging in the breeze. I reached it and stepped quickly outside with my revolver raised. Whoever had fired at me was gone.

Back inside, the corridor turned sharply to the right.

The club’s fourth squash court lay at its far end, light blazing from its open door.

++++

I kicked the door hard and went in.

Neither of the two people in the room paid any attention to the way I came in, although only one of them was dead.

Geiger was sitting on the floor with his back resting on the bottom right hand corner of the front wall. He was still wearing his Chinese silk coat. The front of the coat was covered in blood. He was very dead.

The centre of the court had been transformed to look like a Chinese bordello. Bamboo   screens formed the walls. There were Chinese paintings on the walls and a pink Chinese carpet on the floor. The chairs were covered in yellow silk.

There was a lot of silk in that room.

I saw some silk underclothes on the floor, too. The other thing I noticed was the smell. The sick smell of ether.

Carmen Sternwood was sitting on orange silk. She sat very straight, with her hands on the arms of the chair and her knees together. Her small teeth shone white in her open mouth. Her eyes were wide open, too. They stared crazily at nothing.

She was wearing a pair of long green ear−rings. They were nice ear−rings. She wasn’t wearing anything else.

She had a beautiful body, small and finely made, with skin like silk. I looked at her and felt no excitement at all. To me she was never really a woman. She was always just a stupid kid.

A camera on a tripod pointed at her. She was lit by studio lights positioned around the court.

The scream I’d heard had come from the drugged girl. The three shots were someone else’s idea.

++++

I took off my coat and picked up Carmen Sternwood’s clothes.

`Now, Carmen,’ I said. `Let’s get you dressed.’

She looked at me with empty eyes.

`G−g−go to hell,’ she said.

I hit her a couple of times. She didn’t mind, but it didn’t help at all. I managed to push her into her dress. She giggled and fell into my arms. I sat her in a chair and put her shoes on her feet.

`Let’s walk,’ I said. `A nice little walk.’

In the distance I could hear police sirens.

I lifted her onto her feet and looked over at Geiger, slumped in the front right-hand corner of the court.

What did it matter where you lay once you were dead?  In a dirty sump or in a marble tower on top of a high hill.  You were dead, you were sleeping the big sleep, you weren’t bothered by things like that.  Oil and water were the same as wind and air to you.  You just slept the big sleep, not caring about the nastiness of how you died or where you fell. 

Me?

I was standing on a squash court with a dead man on the floor, a gun in my hand and a drugged blonde in my arms.

I was part of the nastiness now.

Acknowledgements

Thanks to Rosalie Kerr for her masterly re-telling of ‘The Big Sleep’ and the ‘Good Reads’ website for its compendium of Raymond Chandler quotes. I’ve incorporated quotes from Chandler’s ‘The Big Sleep’, ‘The Lady in the Lake’ and ‘The Little Sister’ in this story.

The Tango Dancer (from the Squash Novel ‘Breaking Glass’)

She glanced at the elegant gold watch adorning her left wrist. A gift from an unknown admirer.

Eleven fifteen. Just over eighteen hours to the Grand Opening of the glass court. Eighteen hours to the spectacle, the excitement, the glamour. Eighteen hours to her performance in the privileged presence of Rio’s great, good…and not so good. It was time for the real challenge to begin. Tomorrow she would compete with the blonde American girl in the quarter-final. Her next step on the road to becoming the world’s number one player.

She was ready now.

Drawing her black lace shawl around her shoulders, she gazed through the window of the limousine as it picked its way through the city’s chaotic streets. Streets which she had visited many times in the past. Streets filled with traffic jostling for position, looking for an opening, poised to make a move. In a few hours, it would be quieter. It usually was by the time she returned from her night-time excursions into her special world. Nights when she indulged in her passion, when she shared moments of intimate connection. Nights when she felt the embrace of her partner’s arms as their bodies moved in unison. Special nights.

The limousine drew up outside a whitewashed three storey building on Rua do Catete. A single light shone down from above its entrance porch. She waited as the motorista climbed out of the driver’s seat, adjusted his peaked cap and opened the door for her to alight. She stepped out into the warm night, her sense of excitement beginning to mount.

“Have a good evening, senhorita.”

He smiled a knowing smile.

++++

As she entered the building, Florencia Perez could hear the music drifting from the salon on the first floor. The music born in her home town. Music from the birthplace of the father she had never known. Music from the Golden Age of tango.

She strode across the entrance hall towards the staircase, her low heels sounding on the black and white tiles. In her right hand, she held the straps of a small black sequinned purse and a black satin shoe bag. Her hair was drawn back in a simple ponytail, secured with a golden band. Gold hoops dangled from her ears. She was wearing a sheer black slit dress with a jagged hemline, adorned with fringes, swaying as she walked. Ready to join the dance, the milonga.

Ready to feel the bodies of others close to hers.

++++

In the salon, the dance floor filled with couples moving to the music played by the residente, a young DJ hunched over his sound equipment at the far end of the high-ceilinged room. From her table on the edge of the dance floor, she watched as the unattached men in the room nodded their invitations to women they wanted as their partners in the next set of dances. The next tanda.

Tango BW IMGP1020 1024x494 The Tango Dancer (from the Squash Novel ‘Breaking Glass’)She watched the men leading their partners around the floor to see which of them she would trust to lead her in the way she wanted to be led. To see which of them would be suitable for her to choose as a partner. She noticed too whose invitations were being ignored.

After an hour in the salon, she’d accepted two invitations to dance. One was from a young olive-skinned boy whose embrace proved to be rather too close for her liking. The other was from a tall middle-aged man with light skin and a long nose who led her elegantly in three exhilarating tango waltzes. She felt safe in his embrace, following him easily around the floor, swinging her body, moving sinuously around him, feeling like a woman. She thanked him, returned to her table and sipped her drink, suddenly feeling that the evening might just turn out to be…

She sensed his gaze before she saw it, before she’d had time to see who had arrived since she’d taken to the floor. To see who had seen her dancing, seen her feeling the passion.

She raised her eyes and met his. Dark eyes.

Eyes she had seen before.

++++

He glanced at his watch and entered the salon. It was almost one. Tonight he would meet the Australian in the glass room. A chance for him to raise his profile, to move up the world rankings in a sport he’d played and loved since he was a child.

But tonight, Andres Lopez was not thinking about the sporting challenge to come. He was thinking about someone who could be very special. Someone who had not been easy to find.

Since he had seen her compete in his home town, he had followed her progress with more than a little interest. He knew that she had begun to more than fulfil her potential in competition. But, until recently, he did not realise that her beauty had transcended both her athletic ability and her sporting success. Now, from conversations with his fellow professionals, he had also discovered that Florencia Perez shared another of his passions.

In the subdued light of the salon, he nervously ran his fingers through his long brown hair,   searching for her among the tables and the dancers moving around the crowded floor.

Tango milonga los consagrados tango dancing The Tango Dancer (from the Squash Novel ‘Breaking Glass’)Suddenly he saw her, dancing with a smartly-dressed middle-aged man. She moved with cat-like grace, weaving an elegant path around her partner to the music of a tango waltz. He watched her as she thanked her partner and walked across the dance floor to her table.

Moving quickly, he found a table directly opposite hers and sat down, his heart suddenly racing as he tried to relax., to let the passion in the room be his inspiration in seeking her consent to dance with him. Usually, he would watch the women as they moved around the dance floor, looking for the qualities that he valued in a partner. Then he would invite them – with his eyes, with a nod of his head, with the cabeceo – to allow him to lead them, to reward their trust, and to show his own qualities as a dancer.

But now, it was too late. He could not tear his eyes away from her as she sipped her drink.
He was in danger now. Danger of…

Suddenly, her eyes met his.

In them, he sensed surprise, yes…and something else, something warmer. Much warmer. Instantly, he relaxed. And nodded. There was a pause as he sensed her curiosity, awaited her response. And then his nod was returned, his invitation accepted.

He slipped on his dance shoes beginning to notice the other people in the room. People whose passion he shared.

He was passionate about many things in his life. His country, his sport, the dance he had been introduced to in his home town. Passion that had landed him in trouble with the authorities more than once. But now, he was calm, waiting for the cortina, the musical interlude preceding the next set of dances, when she would be his partner.

When the time arrived, he stood and walked towards her, threading his way through the other dancers leaving and joining their partners. Reaching her table he bowed and held out his hand, inviting her onto the floor. She rose and stepped towards him.

The music, a tango canyengue, began to play. Instinctively, he sought her embrace and was accepted. Leaning towards her, he moved slightly from side to side, sensing the music, breathing her perfume, feeling her body close to his. Then, without knowing, as their hearts beat together, he stepped towards her. Leading them both into the dance, into the rhythm of the music.

Into the passion.

++++

It had been easy to follow her to the salon.

He had waited until she entered the building on Rua do Catete before climbing out of the taxi and striding towards the entrance. He was dressed smartly in a dark grey tailored suit and white shirt which perfectly fitted his tall, lean frame. Like the girl, he had carried his dance shoes in a small bag which dangled on a strap circling his wrist. His greying hair was swept back from his narrow face with its long nose.

After so many years, he was nervous, but ready. Ready to meet her on a night which could change both their lives forever. Inside, he paid his entrance fee and found a table from which he could make eye contact with her. But first he invited other women to dance with him, eager to take a few turns around the floor before seeking her consent.

When the time came, it felt natural. Something he had done many times before. He met her eyes, nodded and was accepted. They danced, and after they had danced, he returned to his table and sought out other women to dance with as the room filled and the floor became a single rotating embrace.

Tango feet 4 tango The Tango Dancer (from the Squash Novel ‘Breaking Glass’)He watched her dance with other men, including the Colombian boy who returned to his table with what he sensed was more than just an air of satisfaction. The boy danced well, his dark good looks and long brown hair attracting the attention of the women, the invitations made with his dark eyes winning their consent. Using the cabeceo, following the code.

He glanced at his watch. Now, as the milonga entered its fourth hour, he made her a second invitation with his eyes. She caught his gaze and nodded with a hint of a smile. Now she trusted him.

This time he led her in three tangos, leaving her space to decorate, to hook, to tap her toes as they moved effortlessly around the busy floor. He felt a sense of pride as they paused in silence after each dance, waiting for the next to begin.

As the last chord of their final dance died away, he escorted her to her table knowing that now, after all these years, he must speak to her. He waited for her to sit, then leaned towards her and whispered into her ear.

“Listen to me, my child. You do not have much time.”

She paused, listening to his voice with surprise…and recognition. It was a soft voice, a caring voice. The voice of a porteno, a native of her home town.

“Tonight at the Grand Opening there will be great danger. You must not go there.”

She turned her head to look at him. To look into his eyes.

“How do you know this?”

“Trust me.” he replied. “Trust one who has always loved you. One who has always cared.”

He placed something on the table in front of her, touched it with his forefinger and looked into her eyes.

“I am sorry,” he said, then turned and walked quickly away.

++++
Florencia Perez looked down at the table. On its surface lay a plain, white card. Her heart racing, she reached out to pick it up, half knowing what she would find. She touched its smooth surface, closing her eyes and letting her fingers seek out the indentations she sensed would be present.

As she found them, an image formed in her mind. An image which had been with her for as long as she could remember. Since she was a child.

An image of a very tall man with a long nose. A kind man. A caring man.

She stared at the elegant gold watch adorning her left wrist. A gift she had received on her eighteenth birthday, on the eve of her first international tournament. In the home town of a Colombian boy. A gift from an unknown admirer. A gift accompanied by a plain, white card.

Embossed with the image of a stork.

Characters

The story focuses on two characters, both of whom are competing in an international squash tournament in Rio de Janeiro.

Florencia Perez, 19, is an up and coming Argentinean squash player who has burst onto the international squash scene, competing on a ‘wild card’ in a tournament in Bogota. Her birthplace, parentage and even her true sexuality are a mystery. She speaks no English. Tall and broad-shouldered, her dark good looks have led many aficionados of the sport to regard her as the ‘Kournikova’ of the squash world.

Andres Lopez, a native of Colombia, is a young squash player seeking to make his mark on the international circuit. He has already won a lucrative sponsorship with a leading international soft drinks manufacturer. With his long wavy brown hair and vividly inviting dark eyes, he is a favourite with many of the female players competing on the World Squash Tour. In the past, his temper tantrums on court have led to him being banned by the authorities from playing.

In this chapter, a third character appears whose identity and purpose in the plot are, as yet, unknown.

Acknowledgement

‘The Tango Dancer’ was first published as Chapter 11 of ‘Breaking Glass’, a collaborative squash-themed novel conceived by Ted Gross of The Daily Squash Report. Written in weekly installments by a team of 11 squash writers, chapters are posted by Ted on the DSR website where you can read it in its entirety.

For the record, the writing team comprised, in no particular order, Alan Thatcher (who conceived the overall theme for the novel), John Nimick, Mick Joint, Georgetta Morque, Will Gens, Framboise Gommendy, Richard Millman, Pierre Bastien, Jamie Crombie, James Zug and yours truly.

Why not check out The Daily Squash Report and read the full novel? You know you want to!

Brotherly Love (from the Squash Novel ‘The Club from Hell’)

The line went dead.

Weston pushed a button on the hand-set. There was a click and a low hum.

‘Did you get all that?’ asked Weston. There was a pause.

‘Loud and clear,’ came the reply. One of the workers looking after their queen, Weston thought.

‘She’s on her way.’

Weston hit the button again and swivelled towards Thorpe. The dusk was filtering into the Dubai offices of Global Trading prompting the ‘Sales Director, Middle East & North Africa’ to reach behind him for a bottle and two glasses. He poured a measure of whiskey into both and handed one to Weston.

‘So,’ said Thorpe, ‘it would appear that your efforts have generated more than a little movement on the chessboard.’

Weston glanced down and brushed a non-existent speck of dust from his slacks.

‘Well, you did ask me to find out what Grigoriev was up to,’ he responded, raising his eyes to meet Thorpe’s. ‘It turns out that he was up to quite a lot.’

Thorpe chose not to rise to the bait. Weston had form as a loose cannon. As well as a ladies’ man. But he could sniff out the opportunity for a big sale.

‘As I see it,’ continued Thorpe, employing a measured delivery which Weston sensed was tinged with disappointment mixed with curiosity, ‘not only do you seem to know rather more than you have, up to now, disclosed to your superiors, but you have now shared carefully chosen parts of it with a, shall we say, disparate group of individuals searching for a missing girl.’

Weston remained silent.

‘All this,’ continued Thorpe, ‘in the context of what would appear to be a rapidly-developing conflict of interests between two rather nasty players in the global drugs trade. Players who are not only related by marriage but who are also clearly prone to the influence of their family members – particularly in relation to the noble art of squash racquets.’

‘You could say that,’ responded Weston.

Love Sculpture Philadelphia 300x206 Brotherly Love (from the Squash Novel The Club from Hell)

Sculpture, Fairmount Park, Philadelphia

Thorpe took a sip at his malt and grunted. His analysis had given him time to appreciate what Weston had also chosen to disclose and, more importantly, not to disclose to Mr Matthew and his assembled guests. The present whereabouts of Grigoriev and the Ivanovs; the laundering record of Steve Dwyer; his surprise at hearing of the whereabouts of his old squash coach’s nephew.

‘Sense, adapt, exploit,’ mused Thorpe. ‘But don’t trouble yourself with the possible consequences.’

‘Ah, well,‘ he thought, ‘everyone’s entitled to a little white lie or two, now and again.’

++++

It was another hour before Weston left Thorpe’s office. He stepped into the warm Gulf evening and waved down a taxi. The call with London had been short. Plenty of questions but nothing in the way of instruction. Dispassionate, workmanlike, faint praise. ‘Await further instructions’ was the message. And Weston didn’t like it. No clearance to fly to Philadelphia, no  sign of calling in the cousins. What was she playing at?

++++

Thorpe re-filled his glass and settled into his chair. The return call was not long in coming.

‘Well, Thorpe?’ she enquired.

‘If I read this correctly, Ma’am,’ he began, ‘the Grigorieva woman wants to change the peripatetic yet somewhat high-risk lifestyle she currently enjoys with her brother. To achieve this, she appears to have enlisted the support of Weston, Miss Phipps and, almost certainly, her own sister, having made a big show of falling out with the latter in the past. The sister also wants to remove herself from her current, er, domestic situation and take her daughter with her. At the same time, Grigoriev wishes to, shall we say, terminate his relationship with his brother-in-law and replace him with a less conspicuous US distributor.’

He paused.

‘Go on.’

‘And then there’s Ivanov’s son, of course,’ he continued, warming to his task. ‘The boy is prone to exhibiting somewhat psychopathic behaviour which has led to him getting into trouble in the past, and is likely to do so in the future. A high profile is, as you would concede, Ma’am, not a desirable attribute for someone involved in the global drugs trade.’

‘I should have thought not, Thorpe,’ came the reply. A little frosty this time, he sensed, in direct contrast to the temperature of his office. He pressed on.

‘Finally, there’s the Smith girl. Ivanov junior has been particularly ineffective in his attempts to secure a ransom for her from her mother and Mr. Dwyer. His incompetence alone would seem to be enough to call his continued involvement in the business into some question.’

‘Which is why,’’ came the response, ‘Grigoriev has travelled to the US to make arrangements for the Ivanovs’ imminent retirement. Under the pretext of visiting a squash tournament, I understand. Very imaginative.’’

‘I believe that cover may have been suggested by his younger sister, Ma’am,’ said Thorpe. ‘She may also have advised him to invite the Ivanovs to Dubai whilst he travelled to the US to arrange their replacement unhindered.’

‘And Weston?’

‘Wants to be present at the, er, tournament,’ said Thorpe. ‘for obvious reasons, although perhaps not the ones that might occur to Mr Matthew and his friends.’

Silence. Then, just as he was about to ask…

‘Get him on the first flight, Thorpe. Let’s give him enough rope to hang himself, shall we?’

‘Yes, Ma’am.’

‘Oh, and Thorpe?’

‘Yes, Ma’am?’

‘You may want to make sure that the sales force is at full strength over the next few days. Business opportunities in your part of the world may be about to come thick and fast.’

++++

Steve Dwyer arranged himself as comfortably as he could in his seat and sipped at his drink. The lights in the cabin were dimmed as the night flight to London headed north-east across the Arabian peninsula.

After the debacle in Dubai, he and Jill had been forced to wait more than 24 hours for the next available flight, 24 hours during which her state had changed from despair to near hysteria as her hopes of being re-united with her daughter had been dashed. Now she slept soundly beside him as Steve tried to make sense of the situation they were now in.

There had been no meeting with Jessica’s kidnappers, no hand-over of ransom money, no electronic transfer of funds, no re-union. Just a voice-mail left on his ‘phone while he and Jill were still in the air heading for Dubai.

It was the same voice, the same accent, the same cocky delivery, the same menace. There had been a ‘change of plan’, it said. His journey to Dubai had been ‘a test’ to see whether he was serious about securing the girl’s release.’ He was ‘being watched’, it said. ‘I’ll be in touch.’

And the same mantra.

‘She dies.’

++++

He and Jill were in the queue in Heathrow immigration before Steve switched on his cell-phone. He scanned the SMS message and voicemail details, looking for patterns. Plenty from James Matthew, one from Angus, a few from business contacts, even one from a squash buddy. ‘Probably wants a game,’ thought Steve. ‘I could tell him a thing or two about games.’

‘Oh, my God!’

His thoughts were suddenly shattered by Jill’s cry. Their fellow supplicants in the queue turned to look. She was talking to someone on her cell. ‘When did it happen?’ then ‘Why did it take you so long to get me?’ and ‘I’m in immigration at Heathrow. I’ll ring you back later.’

She hung up and grabbed Steve’s elbow, dragging him out of the queue. Her face had turned white.

‘That was Stephanie. Frank’s been murdered at the Club,’ she said.

++++

Twenty minutes later they were making their way through the green channel. Jill appeared calm, thought Steve. Maybe Frank’s death had given her something else to focus on, for the time being at least.

He said nothing to her as they approached the exit. He glanced at his cell-phone and began to scan his message and voicemail again. Force of habit.

He was waking up now, feeling more alert. Looking for patterns.

Suddenly, he began to feel uncertain, anxious. So many issues to deal with, so many people needing his attention, so many plans to make. Just in case.

He looked up.

Less than 20 metres away, at the end of the exit channel, stood two uniformed police officers. Not airport police. With them stood a youngish man wearing a black leather jacket. Another officer Steve guessed. They seemed to be waiting for someone off a flight.

And they were looking directly at him.

++++

It was December 9th.

He stood across the street watching the blue and red flag flapping in the breeze.

It had been easy to follow the girl, to keep her in his sights as she made her way through the city to the building. He had the street-craft, the gift of noticing patterns,  the gift of remaining inconspicuous, unobtrusive. It came naturally to him. Natural after years of learning, and surviving, in a world of shifting urban landscapes.

philadelphia skyline with rippling american flag animation Brotherly Love (from the Squash Novel The Club from Hell)

And, he thought to himself, he was going to need it if he was going to survive. Not just today, but every day until the game had played itself out. Whatever that might mean. For him. For the girl. For the others.

Yes, he was going to need it when they began to follow him.

And in the last few minutes he knew that they were already following him.

He had thought that he’d have more time before they appeared. Before they made their presence felt.

Still, they were here now. Part of the ecosystem of the city with its steel and concrete towers, its manicured parks, its river, its history, its…brotherly love. Plying their own form of street-craft, he supposed but, surely, one more suited to different landscapes, different cultures?

He’d already spotted one of them. Across the park to his left, maybe a hundred metres away. And a second, standing on the corner with Walnut. Too easy.

There was something noticeable about them. A sense of disquiet, a sense of not quite being comfortable, a sense that maybe there were other players in the neighbourhood. In the game.

He glanced at his watch. Time to move. More people would be arriving soon for the tournament. To compete, to play the game, to watch. The endgame.

He reached inside his track suit top and felt the gun nestling in its holster under his left armpit. Just in case.

He bent down, hoisted his racquet case onto his shoulder and strode towards the building.

++++

Acknowledgement

‘Brotherly Love’ was first published as Chapter 19 of ‘The Club from Hell’, a collaborative squash-themed novel conceived by Ted Gross of The Daily Squash Report. Written in weekly installments by a team of 10 squash writers, the novel was posted by Ted on the DSR website where you can read it in its entirety.

For the record, the writing team comprised, in no particular order, Steve Cubbins, Aubrey Waddy, Alan Thatcher, John Branston, The Squashist, Tracy Gates, Rob Dinerman, Mick Joint, Will Gens and your truly.

Despite the appearance in the above instalment of the multi-faceted (and mysterious) ‘Jim Weston’, the real hero of ‘The Club from Hell’ is Ted Gross. Without his leadership, co-ordination and support, there would have been no ‘Club from Hell.’

Check out The Daily Squash Report for the new squash novel, Breaking Glass. You know you want to!