The Tango Dancer (from the Squash Novel ‘Breaking Glass’)

She glanced at the elegant gold watch adorning her left wrist. A gift from an unknown admirer.

Eleven fifteen. Just over eighteen hours to the Grand Opening of the glass court. Eighteen hours to the spectacle, the excitement, the glamour. Eighteen hours to her performance in the privileged presence of Rio’s great, good…and not so good. It was time for the real challenge to begin. Tomorrow she would compete with the blonde American girl in the quarter-final. Her next step on the road to becoming the world’s number one player.

She was ready now.

Drawing her black lace shawl around her shoulders, she gazed through the window of the limousine as it picked its way through the city’s chaotic streets. Streets which she had visited many times in the past. Streets filled with traffic jostling for position, looking for an opening, poised to make a move. In a few hours, it would be quieter. It usually was by the time she returned from her night-time excursions into her special world. Nights when she indulged in her passion, when she shared moments of intimate connection. Nights when she felt the embrace of her partner’s arms as their bodies moved in unison. Special nights.

The limousine drew up outside a whitewashed three storey building on Rua do Catete. A single light shone down from above its entrance porch. She waited as the motorista climbed out of the driver’s seat, adjusted his peaked cap and opened the door for her to alight. She stepped out into the warm night, her sense of excitement beginning to mount.

“Have a good evening, senhorita.”

He smiled a knowing smile.

++++

As she entered the building, Florencia Perez could hear the music drifting from the salon on the first floor. The music born in her home town. Music from the birthplace of the father she had never known. Music from the Golden Age of tango.

She strode across the entrance hall towards the staircase, her low heels sounding on the black and white tiles. In her right hand, she held the straps of a small black sequinned purse and a black satin shoe bag. Her hair was drawn back in a simple ponytail, secured with a golden band. Gold hoops dangled from her ears. She was wearing a sheer black slit dress with a jagged hemline, adorned with fringes, swaying as she walked. Ready to join the dance, the milonga.

Ready to feel the bodies of others close to hers.

++++

In the salon, the dance floor filled with couples moving to the music played by the residente, a young DJ hunched over his sound equipment at the far end of the high-ceilinged room. From her table on the edge of the dance floor, she watched as the unattached men in the room nodded their invitations to women they wanted as their partners in the next set of dances. The next tanda.

She watched the men leading their partners around the floor to see which of them she would trust to lead her in the way she wanted to be led. To see which of them would be suitable for her to choose as a partner. She noticed too whose invitations were being ignored.

After an hour in the salon, she’d accepted two invitations to dance. One was from a young olive-skinned boy whose embrace proved to be rather too close for her liking. The other was from a tall middle-aged man with light skin and a long nose who led her elegantly in three exhilarating tango waltzes. She felt safe in his embrace, following him easily around the floor, swinging her body, moving sinuously around him, feeling like a woman. She thanked him, returned to her table and sipped her drink, suddenly feeling that the evening might just turn out to be…

She sensed his gaze before she saw it, before she’d had time to see who had arrived since she’d taken to the floor. To see who had seen her dancing, seen her feeling the passion.

She raised her eyes and met his. Dark eyes.

Eyes she had seen before.

++++

He glanced at his watch and entered the salon. It was almost one. Tonight he would meet the Australian in the glass room. A chance for him to raise his profile, to move up the world rankings in a sport he’d played and loved since he was a child.

But tonight, Andres Lopez was not thinking about the sporting challenge to come. He was thinking about someone who could be very special. Someone who had not been easy to find.

Since he had seen her compete in his home town, he had followed her progress with more than a little interest. He knew that she had begun to more than fulfil her potential in competition. But, until recently, he did not realise that her beauty had transcended both her athletic ability and her sporting success. Now, from conversations with his fellow professionals, he had also discovered that Florencia Perez shared another of his passions.

In the subdued light of the salon, he nervously ran his fingers through his long brown hair,   searching for her among the tables and the dancers moving around the crowded floor.

Suddenly he saw her, dancing with a smartly-dressed middle-aged man. She moved with cat-like grace, weaving an elegant path around her partner to the music of a tango waltz. He watched her as she thanked her partner and walked across the dance floor to her table.

Moving quickly, he found a table directly opposite hers and sat down, his heart suddenly racing as he tried to relax., to let the passion in the room be his inspiration in seeking her consent to dance with him. Usually, he would watch the women as they moved around the dance floor, looking for the qualities that he valued in a partner. Then he would invite them – with his eyes, with a nod of his head, with the cabeceo – to allow him to lead them, to reward their trust, and to show his own qualities as a dancer.

But now, it was too late. He could not tear his eyes away from her as she sipped her drink.
He was in danger now. Danger of…

Suddenly, her eyes met his.

In them, he sensed surprise, yes…and something else, something warmer. Much warmer. Instantly, he relaxed. And nodded. There was a pause as he sensed her curiosity, awaited her response. And then his nod was returned, his invitation accepted.

He slipped on his dance shoes beginning to notice the other people in the room. People whose passion he shared.

He was passionate about many things in his life. His country, his sport, the dance he had been introduced to in his home town. Passion that had landed him in trouble with the authorities more than once. But now, he was calm, waiting for the cortina, the musical interlude preceding the next set of dances, when she would be his partner.

When the time arrived, he stood and walked towards her, threading his way through the other dancers leaving and joining their partners. Reaching her table he bowed and held out his hand, inviting her onto the floor. She rose and stepped towards him.

The music, a tango canyengue, began to play. Instinctively, he sought her embrace and was accepted. Leaning towards her, he moved slightly from side to side, sensing the music, breathing her perfume, feeling her body close to his. Then, without knowing, as their hearts beat together, he stepped towards her. Leading them both into the dance, into the rhythm of the music.

Into the passion.

++++

It had been easy to follow her to the salon.

He had waited until she entered the building on Rua do Catete before climbing out of the taxi and striding towards the entrance. He was dressed smartly in a dark grey tailored suit and white shirt which perfectly fitted his tall, lean frame. Like the girl, he had carried his dance shoes in a small bag which dangled on a strap circling his wrist. His greying hair was swept back from his narrow face with its long nose.

After so many years, he was nervous, but ready. Ready to meet her on a night which could change both their lives forever. Inside, he paid his entrance fee and found a table from which he could make eye contact with her. But first he invited other women to dance with him, eager to take a few turns around the floor before seeking her consent.

When the time came, it felt natural. Something he had done many times before. He met her eyes, nodded and was accepted. They danced, and after they had danced, he returned to his table and sought out other women to dance with as the room filled and the floor became a single rotating embrace.

He watched her dance with other men, including the Colombian boy who returned to his table with what he sensed was more than just an air of satisfaction. The boy danced well, his dark good looks and long brown hair attracting the attention of the women, the invitations made with his dark eyes winning their consent. Using the cabeceo, following the code.

He glanced at his watch. Now, as the milonga entered its fourth hour, he made her a second invitation with his eyes. She caught his gaze and nodded with a hint of a smile. Now she trusted him.

This time he led her in three tangos, leaving her space to decorate, to hook, to tap her toes as they moved effortlessly around the busy floor. He felt a sense of pride as they paused in silence after each dance, waiting for the next to begin.

As the last chord of their final dance died away, he escorted her to her table knowing that now, after all these years, he must speak to her. He waited for her to sit, then leaned towards her and whispered into her ear.

“Listen to me, my child. You do not have much time.”

She paused, listening to his voice with surprise…and recognition. It was a soft voice, a caring voice. The voice of a porteno, a native of her home town.

“Tonight at the Grand Opening there will be great danger. You must not go there.”

She turned her head to look at him. To look into his eyes.

“How do you know this?”

“Trust me.” he replied. “Trust one who has always loved you. One who has always cared.”

He placed something on the table in front of her, touched it with his forefinger and looked into her eyes.

“I am sorry,” he said, then turned and walked quickly away.

++++
Florencia Perez looked down at the table. On its surface lay a plain, white card. Her heart racing, she reached out to pick it up, half knowing what she would find. She touched its smooth surface, closing her eyes and letting her fingers seek out the indentations she sensed would be present.

As she found them, an image formed in her mind. An image which had been with her for as long as she could remember. Since she was a child.

An image of a very tall man with a long nose. A kind man. A caring man.

She stared at the elegant gold watch adorning her left wrist. A gift she had received on her eighteenth birthday, on the eve of her first international tournament. In the home town of a Colombian boy. A gift from an unknown admirer. A gift accompanied by a plain, white card.

Embossed with the image of a stork.

Characters

The story focuses on two characters, both of whom are competing in an international squash tournament in Rio de Janeiro.

Florencia Perez, 19, is an up and coming Argentinean squash player who has burst onto the international squash scene, competing on a ‘wild card’ in a tournament in Bogota. Her birthplace, parentage and even her true sexuality are a mystery. She speaks no English. Tall and broad-shouldered, her dark good looks have led many aficionados of the sport to regard her as the ‘Kournikova’ of the squash world.

Andres Lopez, a native of Colombia, is a young squash player seeking to make his mark on the international circuit. He has already won a lucrative sponsorship with a leading international soft drinks manufacturer. With his long wavy brown hair and vividly inviting dark eyes, he is a favourite with many of the female players competing on the World Squash Tour. In the past, his temper tantrums on court have led to him being banned by the authorities from playing.

In this chapter, a third character appears whose identity and purpose in the plot are, as yet, unknown.

Acknowledgement

‘The Tango Dancer’ was first published as Chapter 11 of ‘Breaking Glass’, a collaborative squash-themed novel conceived by Ted Gross of The Daily Squash Report. Written in weekly installments by a team of 11 squash writers, chapters are posted by Ted on the DSR website where you can read it in its entirety.

For the record, the writing team comprised, in no particular order, Alan Thatcher (who conceived the overall theme for the novel), John Nimick, Mick Joint, Georgetta Morque, Will Gens, Framboise Gommendy, Richard Millman, Pierre Bastien, Jamie Crombie, James Zug and yours truly.

Why not check out The Daily Squash Report and read the full novel? You know you want to!

The Big Squash (à la Raymond Chandler) Part One

It was about eleven o’clock in the morning, one day in October. There was no sun, and there were rain−clouds over the distant hills. I was a neat, clean, shaved and sober private detective, and didn’t care who knew it.

What’s more, I was about to meet four million dollars.

I was waiting in the entrance hall of General Sternwood’s home in West Hollywood. It had been less than twenty-four hours since I got a call from Bernie Ohls at the DA’s office.

‘Whatever he wants, the General’s not saying,’ said Ohls, ‘at least he’s not saying anything to me. Seems he wants the best in the business.’

I waited for the punch-line.

‘I recommended you anyway. Don’t let me down, Marlowe.’

‘I’ll try not to.’

Through the hall window I could see a lot of smooth green grass and a white windowless building with a sloping roof and one door. Beyond it was a large greenhouse and beyond that there were trees and then the hills. There was oil in those hills and oil was where Sternwood had made his money.

I heard footsteps.

‘The General will see you now, Mr Marlowe.’

The butler was a tall, thin, silvery man of about sixty, with expressionless blue eyes. He led me out of the house and headed for the greenhouse. As we were passing the white building, the door opened and two women came out. They were both wearing white tops, shorts and sneakers. I guessed they were Sternwood’s daughters. They were both sweating. Whatever they’d been doing in there, they were hot. Very hot.

The younger one saw me and gave me a smile I could feel in my hip pocket. A smile showing little, sharp, white teeth. Then she put her thumb in her mouth and giggled. She was about twenty, small but tough−looking. Her blonde hair was cut short and she was carrying a towel in her left hand. The other woman was tall and strong-looking with black hair, late 20s maybe. She looked at me with cold, dark eyes. I wouldn’t be asking her out on a date anytime soon.

I followed the butler to the greenhouse. He opened the door and ushered me in. It was hot, the air thick and wet and the light green. From a wheelchair in the middle of the greenhouse an old man with black eyes and a white moustache watched us. Despite the temperature, he was covered in blankets.

The butler said, `This is Mr Marlowe, General.’

The old man didn’t move or speak. He just looked at me. Then he said, `Fetch the brandy please, Norris. You’ll take a drink Mr Marlowe? I can’t join you, I’m afraid. Doctor’s orders.’

I nodded. The butler went and the old man spoke again, slowly, using his strength as carefully as an out-of-work show-girl uses her last good pair of stockings.

‘Take off your coat, sir. It’s too hot in here for a healthy young man. You may smoke. I like the smell of cigarettes.’

I took off my coat and lit a cigarette. The butler brought the brandy and I drank some.

`Tell me about yourself, Mr Marlowe.’

`There’s very little to tell. I’m thirty−three. I used to work for the DA until I got fired for thinking for myself. I’m not married and I don’t like policemen’s wives.’

The old man smiled.

‘What do you know about my family?’

`Your wife is dead. You have two young daughters. They’re both pretty and both wild. One of them has been married three times, the last time to a bootlegger called Rusty Regan.’

The General smiled his thin smile.

`I was very fond of Rusty Regan. He was a big red−haired Irishman with sad eyes and a wide smile. He spent hours with me. He was a grand story−teller and a great drinker. Of course, he wasn’t a suitable husband for my daughter. I’m telling you our family secrets, Mr Marlowe.’

`They’ll stay secrets,’ I told him. `What happened to Regan?’

The old man looked at me sadly. `He went away a month ago. Without saying goodbye. That hurt me. I hope he’ll come back. And now someone is blackmailing me.’

He stared at me. `Look at this,’ he said. `And have some more brandy.’

He handed me a packet. The address said: General Guy Sternwood, 3765 Alta Brea Crescent, West Hollywood, California. There was a card inside it with the name Mr Arthur Gwynn Geiger, Specialist Bookseller, with a business address. There were also three notes signed by Carmen Sternwood. Each promised to pay Geiger $1,000.

`Any ideas?’ the General asked.

`Not yet. Who is Arthur Gwynn Geiger?’

`I don’t know.’

`What does Carmen say?’

`I haven’t asked her. If I did, she’d put her thumb in her mouth and giggle.’

I said, `I saw her outside. She did that to me.’

The expression on his face didn’t change.

`Do the girls spend a lot of time together?’

`Not that I know of. Vivian is intelligent but cruel. Carmen is just a selfish child. Neither of them ever worries about the difference between right and wrong. Neither do I.’

‘Do they have any money of their own?’

`Vivian has a little. I’m generous to both of them.’

I drank some brandy. Then I said, `I can take Geiger off your back, General, if you want me to.’ I told him how much money I wanted for the job.

`I see,’ he said. `That seems fair. Very well, Mr Marlowe. The problem is now in your hands. And now you must excuse me. I’m tired.’

He touched a bell, stared at me once more, and closed his eyes.

I picked up my coat and went out of that hot greenhouse full of flowers. The cool air of the garden smelled wonderful. The butler was coming towards me.

`Mrs Regan would like to see you, sir.’

`Why?’

His blue eyes looked straight into mine.

`I believe that she misunderstands the reason for your visit, sir.’

I told him it was none of his business, let alone hers. But what the hell, I thought.

‘Take me to Mrs Regan.’

++++

It was a big white room, too big, too white. Long windows looked out onto the dark hills. It was going to rain soon. I walked across the floor and looked at Mrs Regan. She was lovely. She was trouble. She was lying in a chair with her shoes off, so I stared at her legs. They were long and beautiful. She was drinking, and looked at me over her glass with her hot black Sternwood eyes.

`So you’re a private detective,’ she said. `I imagined an awful little man.’

I said nothing.

‘Tall, aren’t you?’ she said.

‘I didn’t mean to be.’

Her smile was as faint as a fat lady at a fireman’s ball.

`How did you like Dad?’

`I liked him.’

`He liked Rusty. Do you know who Rusty is?’

`Yes.’

`Rusty was sometimes rough and noisy, but he was never dull. He was a lot of fun for Dad. Why did he just disappear like that? Dad wants you to find him. Isn’t that true, Mr Marlowe?’

`Maybe,’ I said. I sat on the edge of a deep, soft chair and lit a cigarette.

`Do you think you can find him?’

`I didn’t say I was going to try. Why don’t you go to the police?’

`Oh, Dad will never bring the police into it.’

She looked at me smoothly and drank what was left in her glass.

`You don’t make much money, do you?’ she said.

`You can’t make big money in this game if you’re honest.’

`Oh, are you honest?’ she said and lit a cigarette.

`Terribly honest.’

`So what made you become a detective?’

`What made you marry a bootlegger?’

She went red. Her hot black eyes looked angry. I just smiled at her. `Don’t play with me,’ she said. `I don’t like the way you’re behaving.’

`I’m not crazy about you either,’ I told her. `I didn’t ask to see you, you asked to see me. I don’t care if you show your legs and drink whiskey for lunch. I don’t care if you think I behave badly. You’re probably right. But don’t try to question me.’

`I hate big, dark, handsome men like you, Marlowe,’ she said. `I just hate them.’

`What are you afraid of, Mrs Regan?’ I asked.

Her expression changed. `You could find Rusty – if Dad wanted you to,’ she said.

`He told me about Mr Regan. He wanted to see me about something else. Is that what you wanted me to say?’

`I don’t care what you say!’ she shouted.

I stood up and left the room. I walked back to the entrance hall and stood on the steps outside, smoking my cigarette. In the distance I could see some old oil−wells. The Sternwoods’ money came from those oil−wells. Now they lived in their beautiful house, far from the machines and the smell of the oily water in the sump.

The sky was black when I reached my car. I heard thunder in the hills and put the top up.

She had lovely legs. They were a smooth act, General Sternwood and his daughters. `What do they really want?’ I wondered.

++++

Geiger’s bookstore was on the north side of the boulevard, near Las Palmas. As I stopped to look in the window, a man in the street gave me a knowing smile. The door closed quietly behind me and I stepped onto a soft blue carpet. A few customers were browsing the shelves. There were big comfortable blue armchairs and some expensive−looking books on small tables. In one corner a woman wearing wire-framed glasses sat at a desk.

She got up slowly and came towards me. She was wearing a short black dress, which looked good over long legs. She had brown hair and green eyes. Her fingernails were silver. You don’t often buy a book from a girl like that.

`Can I help you?’ she asked me.

I asked her for a book. It was a famous book, but she had never heard of it. I tried another name. Her eyes rounded. She was puzzled. She was thinking. I could see, even on short acquaintance, that thinking was always going to be a bother to her. She didn’t know about the book. She knew as much about books as I knew about painting my fingernails silver.

`I’ll have to speak to Mr Geiger,’ I told her. `Is he here?’

`I’m afraid not,’ she said. `He’ll be here later.’

‘Mind if I wait?’ I said. ‘I’ve got nothing to do this afternoon.’ I sat down in an armchair and lit a cigarette. The brunette looked unhappy.

After twenty minutes, the door to the street opened and a tall man wearing black-rimmed glasses and a Panama hat came in. He hurried past me and over to the brunette.

He took something out of his wallet and showed it to her. She touched a button and a door opened. He disappeared through it.

Minutes passed. I smoked another cigarette. The brunette was staring at me with an expression she probably would have said was thoughtful.

The door opened and the tall man came out. He was carrying a large packet. He looked quickly at me as he passed and went out into the street.

++++

I left the bookstore and followed him. Someone who looks like that is easy to follow. When he stopped to cross the street, I let him see me. He walked on quickly and turned left, between two houses surrounded by trees. I stood and waited, as rain began to fall. Minutes passed. Then he came back and walked straight past me. He didn’t have the packet any more. He was safe now.

I watched him go down the street. Then I went between the houses and found the packet behind a tree. Nobody saw me pick it up. I went back to the boulevard and found a phone booth. I looked in the book and found that Geiger lived on Laverne Terrace, a street off Laurel Canyon Boulevard. Then I went to visit some other stores. In one of them I found a girl who could describe Geiger. She said he was about forty, a fat man with a fat face and a moustache. He dressed fashionably.

I ran back to my car through heavy rain. Then I opened the packet. I thought I knew what would be inside it but I thought wrong. It wouldn’t be the last time.

The packet was full of squash magazines.

I sat and looked at the glossy covers. Pictures of matches in play. Headlines trailing interviews, stories, best-buy features, tournament reports. Men and women posing with squash racquets. Wearing white.

I stared at them. I used to play the game myself when I was at the DA’s office. Now I played different games. Games where I could make my own rules.

Then I opened one. What was inside made me feel sick. The worst pornography I’d ever seen. The magazine covers were a front, just like Geiger’s bookstore was a front for distributing ugly dirt. To run that business on the boulevard he must be paying someone a lot of protection money.

I sat in my car and smoked and thought about it. Something didn’t feel right.

Then I looked again at the covers.

I found what I was looking for at the bottom of the pile. The cover showed two women on court playing a rally. The shot had been taken from low down on the front wall. One woman was a brunette with her hair in a ponytail. She was wearing a red sweatband and was lunging into the back right hand corner of the court to play a shot.

The second woman was standing on the T, her head turned towards her opponent. Her face was in left profile, her mouth slightly open, taking in a breath. It was a pretty mouth, a mouth showing little, sharp, white teeth.

The woman’s blonde hair was cut short.

She was holding her racquet in her left hand.

Coming next…

In Part Two of ‘The Big Squash’ the mystery deepens as Marlowe waits for Geiger to appear.

Acknowledgements

Set in Los Angeles, California, Raymond Chandler’s ‘The Big Sleep’ was first published in 1939. Howard Hawks 1946 film version starred Humphrey Bogart as Marlowe, Lauren Bacall as Vivian Routledge (Vivian Regan in the novel), and Martha Vickers as Carmen Sternwood.

For an appreciation of Humphrey Bogart’s Philip Marlowe in Howard Hawks movie, read Leonard Pierce’s ‘Come Into My Boudoir.’

Thanks to Rosalie Kerr for her masterly re-telling of ‘The Big Sleep’ and the ‘Good Reads’ website for its compendium of Raymond Chandler quotes. I’ve used quotes from Chandler’s  ‘The Big Sleep’, ‘Farewell My Lovely’ and ‘The Little Sister’ in this story.

Brotherly Love (from the Squash Novel ‘The Club from Hell’)

The line went dead.

Weston pushed a button on the hand-set. There was a click and a low hum.

‘Did you get all that?’ asked Weston. There was a pause.

‘Loud and clear,’ came the reply. One of the workers looking after their queen, Weston thought.

‘She’s on her way.’

Weston hit the button again and swivelled towards Thorpe. The dusk was filtering into the Dubai offices of Global Trading prompting the ‘Sales Director, Middle East & North Africa’ to reach behind him for a bottle and two glasses. He poured a measure of whiskey into both and handed one to Weston.

‘So,’ said Thorpe, ‘it would appear that your efforts have generated more than a little movement on the chessboard.’

Weston glanced down and brushed a non-existent speck of dust from his slacks.

‘Well, you did ask me to find out what Grigoriev was up to,’ he responded, raising his eyes to meet Thorpe’s. ‘It turns out that he was up to quite a lot.’

Thorpe chose not to rise to the bait. Weston had form as a loose cannon. As well as a ladies’ man. But he could sniff out the opportunity for a big sale.

‘As I see it,’ continued Thorpe, employing a measured delivery which Weston sensed was tinged with disappointment mixed with curiosity, ‘not only do you seem to know rather more than you have, up to now, disclosed to your superiors, but you have now shared carefully chosen parts of it with a, shall we say, disparate group of individuals searching for a missing girl.’

Weston remained silent.

‘All this,’ continued Thorpe, ‘in the context of what would appear to be a rapidly-developing conflict of interests between two rather nasty players in the global drugs trade. Players who are not only related by marriage but who are also clearly prone to the influence of their family members – particularly in relation to the noble art of squash racquets.’

‘You could say that,’ responded Weston.

Sculpture, Fairmount Park, Philadelphia

Sculpture, Fairmount Park, Philadelphia

Thorpe took a sip at his malt and grunted. His analysis had given him time to appreciate what Weston had also chosen to disclose and, more importantly, not to disclose to Mr Matthew and his assembled guests. The present whereabouts of Grigoriev and the Ivanovs; the laundering record of Steve Dwyer; his surprise at hearing of the whereabouts of his old squash coach’s nephew.

‘Sense, adapt, exploit,’ mused Thorpe. ‘But don’t trouble yourself with the possible consequences.’

‘Ah, well,‘ he thought, ‘everyone’s entitled to a little white lie or two, now and again.’

++++

It was another hour before Weston left Thorpe’s office. He stepped into the warm Gulf evening and waved down a taxi. The call with London had been short. Plenty of questions but nothing in the way of instruction. Dispassionate, workmanlike, faint praise. ‘Await further instructions’ was the message. And Weston didn’t like it. No clearance to fly to Philadelphia, no  sign of calling in the cousins. What was she playing at?

++++

Thorpe re-filled his glass and settled into his chair. The return call was not long in coming.

‘Well, Thorpe?’ she enquired.

‘If I read this correctly, Ma’am,’ he began, ‘the Grigorieva woman wants to change the peripatetic yet somewhat high-risk lifestyle she currently enjoys with her brother. To achieve this, she appears to have enlisted the support of Weston, Miss Phipps and, almost certainly, her own sister, having made a big show of falling out with the latter in the past. The sister also wants to remove herself from her current, er, domestic situation and take her daughter with her. At the same time, Grigoriev wishes to, shall we say, terminate his relationship with his brother-in-law and replace him with a less conspicuous US distributor.’

He paused.

‘Go on.’

‘And then there’s Ivanov’s son, of course,’ he continued, warming to his task. ‘The boy is prone to exhibiting somewhat psychopathic behaviour which has led to him getting into trouble in the past, and is likely to do so in the future. A high profile is, as you would concede, Ma’am, not a desirable attribute for someone involved in the global drugs trade.’

‘I should have thought not, Thorpe,’ came the reply. A little frosty this time, he sensed, in direct contrast to the temperature of his office. He pressed on.

‘Finally, there’s the Smith girl. Ivanov junior has been particularly ineffective in his attempts to secure a ransom for her from her mother and Mr. Dwyer. His incompetence alone would seem to be enough to call his continued involvement in the business into some question.’

‘Which is why,’’ came the response, ‘Grigoriev has travelled to the US to make arrangements for the Ivanovs’ imminent retirement. Under the pretext of visiting a squash tournament, I understand. Very imaginative.’’

‘I believe that cover may have been suggested by his younger sister, Ma’am,’ said Thorpe. ‘She may also have advised him to invite the Ivanovs to Dubai whilst he travelled to the US to arrange their replacement unhindered.’

‘And Weston?’

‘Wants to be present at the, er, tournament,’ said Thorpe. ‘for obvious reasons, although perhaps not the ones that might occur to Mr Matthew and his friends.’

Silence. Then, just as he was about to ask…

‘Get him on the first flight, Thorpe. Let’s give him enough rope to hang himself, shall we?’

‘Yes, Ma’am.’

‘Oh, and Thorpe?’

‘Yes, Ma’am?’

‘You may want to make sure that the sales force is at full strength over the next few days. Business opportunities in your part of the world may be about to come thick and fast.’

++++

Steve Dwyer arranged himself as comfortably as he could in his seat and sipped at his drink. The lights in the cabin were dimmed as the night flight to London headed north-east across the Arabian peninsula.

After the debacle in Dubai, he and Jill had been forced to wait more than 24 hours for the next available flight, 24 hours during which her state had changed from despair to near hysteria as her hopes of being re-united with her daughter had been dashed. Now she slept soundly beside him as Steve tried to make sense of the situation they were now in.

There had been no meeting with Jessica’s kidnappers, no hand-over of ransom money, no electronic transfer of funds, no re-union. Just a voice-mail left on his ‘phone while he and Jill were still in the air heading for Dubai.

It was the same voice, the same accent, the same cocky delivery, the same menace. There had been a ‘change of plan’, it said. His journey to Dubai had been ‘a test’ to see whether he was serious about securing the girl’s release.’ He was ‘being watched’, it said. ‘I’ll be in touch.’

And the same mantra.

‘She dies.’

++++

He and Jill were in the queue in Heathrow immigration before Steve switched on his cell-phone. He scanned the SMS message and voicemail details, looking for patterns. Plenty from James Matthew, one from Angus, a few from business contacts, even one from a squash buddy. ‘Probably wants a game,’ thought Steve. ‘I could tell him a thing or two about games.’

‘Oh, my God!’

His thoughts were suddenly shattered by Jill’s cry. Their fellow supplicants in the queue turned to look. She was talking to someone on her cell. ‘When did it happen?’ then ‘Why did it take you so long to get me?’ and ‘I’m in immigration at Heathrow. I’ll ring you back later.’

She hung up and grabbed Steve’s elbow, dragging him out of the queue. Her face had turned white.

‘That was Stephanie. Frank’s been murdered at the Club,’ she said.

++++

Twenty minutes later they were making their way through the green channel. Jill appeared calm, thought Steve. Maybe Frank’s death had given her something else to focus on, for the time being at least.

He said nothing to her as they approached the exit. He glanced at his cell-phone and began to scan his message and voicemail again. Force of habit.

He was waking up now, feeling more alert. Looking for patterns.

Suddenly, he began to feel uncertain, anxious. So many issues to deal with, so many people needing his attention, so many plans to make. Just in case.

He looked up.

Less than 20 metres away, at the end of the exit channel, stood two uniformed police officers. Not airport police. With them stood a youngish man wearing a black leather jacket. Another officer Steve guessed. They seemed to be waiting for someone off a flight.

And they were looking directly at him.

++++

It was December 9th.

He stood across the street watching the blue and red flag flapping in the breeze.

It had been easy to follow the girl, to keep her in his sights as she made her way through the city to the building. He had the street-craft, the gift of noticing patterns,  the gift of remaining inconspicuous, unobtrusive. It came naturally to him. Natural after years of learning, and surviving, in a world of shifting urban landscapes.

And, he thought to himself, he was going to need it if he was going to survive. Not just today, but every day until the game had played itself out. Whatever that might mean. For him. For the girl. For the others.

Yes, he was going to need it when they began to follow him.

And in the last few minutes he knew that they were already following him.

He had thought that he’d have more time before they appeared. Before they made their presence felt.

Still, they were here now. Part of the ecosystem of the city with its steel and concrete towers, its manicured parks, its river, its history, its…brotherly love. Plying their own form of street-craft, he supposed but, surely, one more suited to different landscapes, different cultures?

He’d already spotted one of them. Across the park to his left, maybe a hundred metres away. And a second, standing on the corner with Walnut. Too easy.

There was something noticeable about them. A sense of disquiet, a sense of not quite being comfortable, a sense that maybe there were other players in the neighbourhood. In the game.

He glanced at his watch. Time to move. More people would be arriving soon for the tournament. To compete, to play the game, to watch. The endgame.

He reached inside his track suit top and felt the gun nestling in its holster under his left armpit. Just in case.

He bent down, hoisted his racquet case onto his shoulder and strode towards the building.

++++

Acknowledgement

‘Brotherly Love’ was first published as Chapter 19 of ‘The Club from Hell’, a collaborative squash-themed novel conceived by Ted Gross of The Daily Squash Report. Written in weekly installments by a team of 10 squash writers, the novel was posted by Ted on the DSR website where you can read it in its entirety.

For the record, the writing team comprised, in no particular order, Steve Cubbins, Aubrey Waddy, Alan Thatcher, John Branston, The Squashist, Tracy Gates, Rob Dinerman, Mick Joint, Will Gens and your truly.

Despite the appearance in the above instalment of the multi-faceted (and mysterious) ‘Jim Weston’, the real hero of ‘The Club from Hell’ is Ted Gross. Without his leadership, co-ordination and support, there would have been no ‘Club from Hell.’

Check out The Daily Squash Report for the new squash novel, Breaking Glass. You know you want to!

Canary Wharf to Redbridge

A couple of weeks ago I attended the quarter-finals of the 2011 Canary Wharf Squash Classic in London’s Docklands. Not a particularly adventurous outing, I suppose, when you consider that I live within easy commuting distance of Canary Wharf where I used to work for a well-known investment bank. Which, of course, had its own squash courts. You get the picture.

But, as usual, turning up at locations where members of the squash community gather to share their passion can sometimes lead to chance encounters as well as new perspectives on the game and the people who play it.

And this occasion was no different.

Canary Wharf

For those of you who are unfamiliar with Canary Wharf, think glass, marble, corporate statement, Lego™, shopping and money. Lots of money. In fact, come to think of it, lots of glass, marble etc. too.

The Classic event has been held here for the last eight years and has become well established as London’s premier annual squash tournament. In doing so, it’s succeeded the SuperSeries event which used to take place in a shopping centre near London’s Liverpool Street railway station. Going even further back, the Superseries itself used to be held outside London in another shopping centre, The Galleria, located on, or in fact over, the A1(M) motorway at Hatfield, north of the capital.

East Wintergardens & Canary Wharf TowerBut now, the Classic is held in a glass and marble hall in the East Wintergardens district of Canary Wharf. And, with Europe’s tallest building, the Canary Wharf Tower, visible through the venue’s glass roof and soaring majestically upwards, it’s an impressive setting.

Just when you thought it was safe….

With some of the world’s top players on court, and over 3 hours of competitive squash, the quarter-finals certainly offered  good value. And, for a full house of squash enthusiasts, it also provided an opportunity to experience the latest  technology-driven feature of world-class squash – the video review.

This was the first time I’d come into contact with the review which gives players the right to request a video replay to support their personal appeal against a refereeing decision. Each player is allowed one appeal per game with an additional appeal being made available to each player should the score reach 10-10. Having seen a replay of the incident – also visible to the audience on monitors around the court – the referee may choose to change their decision.

During the session, video reviews were requested during all four matches – with varying reactions, and verbal advice, from the audience. But the feature of the review which provided the most entertainment was undoubtedly the accompanying music beamed into the hall while the review was going on.

Here’s the first musical theme. Ring a bell?

Subsequent themes included two pieces of music familiar to most UK listeners: the James Bond theme and the clock-ticking music used during the daytime television wordplay show Countdown. Entering into the spirit of the evening, the tournament’s No. 2 seed James Willstrop, in his post-match interview, suggested the theme to The Pink Panther as being one for future consideration by the organisers.

I think he was joking.

Redbridge

Between matches at Canary Wharf, I ran into one of my fellow squash coaches whom I’d last seen on the day we’d both qualified, four months previously. That memorable event had taken place at Redbridge in Essex. And, coincidentally, it was just three days after our chat that I re-visited Redbridge where the UK Inter-County Squash Finals were being held.

There was no video review technology or accompanying music on show here, just semi-final action in three competitions: the Men’s Over-35, Women’s Over-50 and Women’s League  team knockout tournaments. In other words, squash competition and squash passion. And plenty of it.

Played over two days, the Finals involved 60 players, 60 individual matches and an enormous amount of organisation by the unsung heroes of the squash community. For my part, I just dropped in, watched some of the action, talked to some of the players and organisers, and generally just soaked in the atmosphere. It was like breathing squash.

Alistair Coker of Herts plays Guy Olby of MiddlesexAnd, for the record, Norfolk won the Men’s Over-35 title for the first time in 42 years, South East Wales retaining their Women’s Over 50 title, and Berkshire taking the Women’s League title for the first time. You can find a full report of the Finals on the England Squash and Racketball website.

Postscript

Well I don’t know about you, but I regard pretty much any event organised by or on behalf of squash enthusiasts as being an opportunity to connect to others who share my passion for squash. And it’s not playing or even watching others play that really counts.

It’s just about turning up.

The Inner Game of Squash

Holistic Sports Coaching

In the 1970s, American tennis instructor Tim Gallwey wrote The Inner Game of Tennis, a book which described his own novel approach to sports coaching. His approach included aspects of what are now possibly best  known as sports psychology, performance coaching (or life coaching) and meditation. Gallwey proposed that, for each player, their sport is made up of an outer game – played against an opponent – and an inner game, which takes place inside the player’s mind.

Tim Gallwey

Tim Gallwey

Squash in the Mind

The inner game approach requires players to make specific non-judgmental observations about what Gallwey called critical variables associated with playing their sport. Amongst other things, these variables could include the flight or bounce of the ball during rallies, the position of the player’s feet or their squash racket head, or even the sound made when they or their opponent hit the ball. The purpose of making these observations is for the player to become increasingly aware of their playing state, leading their body to automatically adjust and correct itself to achieve the best performance it can. This inner game effectively takes place inside the player’s own mind and is played against lapses in concentration, nervousness, self-doubt and self-criticism. In other words, it’s played against self-imposed obstacles put in the way by players themselves – a problem which will be equally familiar to squash players as to tennis players!

Squash Health

In response to the book’s success, Gallwey followed up with further inner game books on golf, music, skiing, work and, in 2010, stress – possibly written in recognition of the increasing work life challenges faced by many people as a result of global economic uncertainty and changing employment trends. This series of writings has gradually expanded the range of tools and techniques which can be used to coach the inner game in different life contexts – from sport, to work and, increasingly, to health. In fact, the series could be seen as harmonising approaches to coaching the body and coaching the mind.

Squash for the Soul

The idea of harmonisation fits neatly with the concept of a balanced lifestyle or a healthy work life balance – something which many people strive to achieve during their lives and which squash coaches are expected to promote. And one strand of the inner game approach which Tim Gallwey describes at the end of The Inner Game of Tennis
deals directly with this. He talks about “the inner game off the court” and the need for players to realise that the skills they need to achieve their life goals and overcome barriers are the same whatever they are doing. Under the memorable (and very 1970s) heading ‘Unfreakability’ he outlines the need to acquire the ability to see the true nature of what is happening around you – “and to be able to respond appropriately”.

The skills Gallwey is describing are characteristic of meditation or what he calls ‘the art of quieting the mind’. And it’s the ability to concentrate and maintain a state of inner calm off court as well as on court which is a key teaching of the inner game approach.

Squash for the soul, you might say…