OK, I’ll admit that I don’t spend much time scouring squash club notice boards, internet websites or street signs looking for posters advertising squash tournaments. But wherever I am or whatever I’m doing, my squash radar is switched on, sweeping the environment for tell-tale signs of squash life. A bit like a squash archaeologist wandering through cultural landscapes, if you will.
Not only that, friends and family members are well aware that sniffing out traces of squash culture is a feature of my behaviour and actually provides me with what is, to them, a form of pleasure as inexplicable as it is baffling. So much so that some amongst them have been known to indulge me by drawing my attention to squash stories and artefacts I may not have encountered much in the manner as one might throw a bone to a hungry dog.
In the case of a Belgian friend with absolutely no interest in squash or, for that matter, dogs a recent event occurred which demonstrates the power of acquired squash autosuggestion. Walking through the arrivals hall at Cairo’s International Airport, she noticed a colourful poster in the style of an ancient Egyptian tomb painting. Further examination showed it to be for a squash tournament, the latter stages of which were to be staged outdoors at a site overlooking the Pyramids at Giza.
Equipped, as always, with a smart-phone and the patience to wait until she had a clear field of view, she took a photograph of the poster, a copy of which arrived on my own phone shortly afterwards. I present it here in the hope that I will not be breaking Egyptian copyright law which I understand does not prevent artists from drawing images of the monuments or historic sites, as long as said images are not exact copies.
So, as long as no tombs are unearthed which depict an anonymous Pharoah holding a squash racquet being offered squash balls by a servant girl, I think I’m safe.
Thanks to PSA Squash TV for covering the 2019 CIB Egyptian Squash Open and an anonymous friend for photographing the poster.