James Willstrop: Treading The Boards – Part 2

Some readers of this blog will remember that, in a previous post, I mentioned that former World Number 1 James Willstrop was, amongst other things, a dramatic actor. Since then, it’s been pointed out to me that two of the ‘other things’ may be of interest to the curious, not to say obsessive, squash fan.

Author

First up is Willstrop’s 2012 well-received autobiography “A Shot and a Ghost.” Unlike most ghost-written ‘in my own words’ sports ‘autobiographies’, Willstrop’s book was actually written by Willstrop and, therefore, really is an autobiography and a very personal one at that. It was journalist Rod Gilmour who originally approached Willstrop offering his services as ghost-writer, an action which possibly helped to motivate the latter to go it alone as an author.

Motivational Speaker

Second up, perhaps not surprisingly, is Willstrop’s role as a motivational speaker in the ‘up-and-coming and can’t-get-away-from-it’ field of personal development. As readers of “A Shot and a Ghost” will recognise, becoming an elite sports champion requires the ability to set and realise goals, overcome adversity, develop a winning mindset and adapt to changes in the competitive environment. No wonder sports metaphors play well in the world of business and management ‘role modelling.’

Artist

Third up. OK, this one is a bit of a stretch. We’ve already addressed James Willstrop’s off-court identities as an actor, an author and a motivational speaker. But what about the small matter of artistry on the squash court.

I don’t know about you, but I think that Willstrop’s execution of the “Triple Fake” or “Windmill” shot is, to all intents and purposes, performance art. See what you think and spare a thought for Willstrop’s opponent, Karim Abdel Gawad, in the quarter-final of 2018’s Grasshopper Cup in Zurich.

The rally leading up to Willstrop’s winning shot wasn’t bad either…

Sources

Thanks to the Daily Telegraph for Rod Gilmour’s review of “A Shot and a Ghost” and PSA Squash TV for the clip.

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