The Big Squash (à la Raymond Chandler) – Part 2

It was raining hard and the rain came through the soft top of my car.

I stuffed the magazines under the front passenger seat, put on my coat and went to buy some whisky. Then I sat in the car and drank while I watched Geiger’s store.

Business was good at Geiger’s. Very nice cars stopped, and very nice people walked in and came out with packets in their hands. Not all of them were men. At a quarter to five a white sports−car stopped in front of the store. The driver prised himself out and hoisted himself onto the sidewalk. He was wearing a Chinese silk coat. He looked like the kind of guy who dines at an ‘eat all you want’ restaurant and just loses track of time.

I saw the fat face and the moustache as he ran in out of the rain. Before the door could close, a tall, dark and very good−looking boy came out to park the car.

Just after five the store closed and the brunette left. Another hour passed and then another. The minutes went by on tiptoe, with their fingers to their lips.

It got dark. The rain eased and then stopped. I smoked more cigarettes than was good for me before the tall boy came out of the store. He brought the car back to the door, got out and opened the driver’s door as Geiger came out of the store. The boy went back into the store and Geiger drove off.

It was ten fifteen.

++++

I followed him thinking that he was going home to Laverne Terrace. But I thought wrong again. He headed east on Santa Monica, then took the freeway. It started to rain again. I turned on the wipers, straining to see Geiger’s tail-lights as he weaved through the traffic.

At the Chinatown exit he turned off and headed downtown.

The office buildings were deserted, their windows staring blankly. The streets felt dark with something more than night.

Fifteen minutes later, Geiger pulled up outside a grey six-storey building on West 7th Street. I stopped thirty yards behind him and watched as he entered through a set of double doors. A single porch light cast a sad glow on the slick sidewalk.

I opened the glove compartment, took out my revolver and slipped it into its holster.

File:TheBigSleep 13.jpg

I got out of the car and walked towards the double doors. A brass plaque on the wall said ‘Los Angeles Squash Club.’

I tried the door. It was open. I stepped into a lobby with faded black and white checkered tiles and a worn welcome mat that had seen better days. There was a second set of doors with frosted glass panels. Through them, I could see a light.

I stepped closer and watched for any signs of movement behind the doors, listening for any sounds. There were none. I pushed the left hand door open, slowly.

A large wood-panelled desk stood in the reception area, its surface lit by an anglepoise lamp. A telephone stood at its right-hand corner. I walked towards it across a threadbare carpet, treading softly. On the walls, signs pointed to the changing rooms, the courts, the bar.

I stopped to listen. Somewhere, in the distance, I heard the faint sound of voices in conversation. Male voices.

On the desk, a visitors book lay open beside the telephone. Geiger’s name wasn’t in it. The last entry was made three days ago. Next to it sat a large, thick ledger, bound in buckram with gold lettering on its cover. ‘Court bookings.’ I opened it and flicked through the pages. None of the names looked familiar.

I turned around. Behind the desk was a glass-panelled door labelled ‘Club Manager’s Office.’ It was dark behind the door. The door was locked.

I looked around the room. Glass cases contained silver trophies engraved with the names of tournament winners. Framed photographs hung from the walls showing smiling players, wearing white.

The clock on the wall showed eleven forty-five.

++++

I followed the sign pointing to the courts. It led to a corridor with a smell of old carpet and furniture oil and the drab anonymity of a thousand shabby lives.

After a few yards, the corridor opened out into a brightly-lit windowless room with seats and a water-cooler. To the left, a darkened corridor led to the courts. The walls of the lobby were lined with notice-boards filled with tournament announcements, competition rules, members’ names and telephone numbers, score-sheets, posters. At one end were the club’s ‘role of honour’ boards with their lacquered surfaces, carved frames and gilded letters.

I went up to them and read down the list of Men’s champions.

1930 D.Wilson

1931 L.Thornbury

1932 D.Wilson

1933 D.Wilson

1934 M.Regan

1935 M.Regan

Michael Regan.  Rusty Regan.

A big red−haired Irishman with sad eyes and a wide smile.

Suddenly, somewhere behind me, I heard a scream. It was a terrible scream, a woman’s scream, a scream made by someone insane or heading that way. Coming from the squash courts. I cursed myself for not checking where the voices had been coming from, where they’d gone to.

Then, I heard three shots. I took out my revolver and turned into the corridor leading to the courts. I looked for the light switch. Before I could flick it, there was a flash of gunfire in the corridor ahead of me. I dropped to the ground and fired back, not seeing what I was aiming at. There was the sound of a crash.

Everything went quiet. I waited until I could see well enough to be sure that the corridor was clear, then hit the lights. The doors to the squash courts lined the right hand side of the corridor. I kicked them open and checked that nobody was hiding in them.

At the far end of the corridor, I could see an open fire door swinging in the breeze. I reached it and stepped quickly outside with my revolver raised. Whoever had fired at me was gone.

Back inside, the corridor turned sharply to the right.

The club’s fourth squash court lay at its far end, light blazing from its open door.

++++

I kicked the door hard and went in.

Neither of the two people in the room paid any attention to the way I came in, although only one of them was dead.

Geiger was sitting on the floor with his back resting on the bottom right hand corner of the front wall. He was still wearing his Chinese silk coat. The front of the coat was covered in blood. He was very dead.

The centre of the court had been transformed to look like a Chinese bordello. Bamboo   screens formed the walls. There were Chinese paintings on the walls and a pink Chinese carpet on the floor. The chairs were covered in yellow silk.

There was a lot of silk in that room.

I saw some silk underclothes on the floor, too. The other thing I noticed was the smell. The sick smell of ether.

Carmen Sternwood was sitting on orange silk. She sat very straight, with her hands on the arms of the chair and her knees together. Her small teeth shone white in her open mouth. Her eyes were wide open, too. They stared crazily at nothing.

She was wearing a pair of long green ear−rings. They were nice ear−rings. She wasn’t wearing anything else.

She had a beautiful body, small and finely made, with skin like silk. I looked at her and felt no excitement at all. To me she was never really a woman. She was always just a stupid kid.

A camera on a tripod pointed at her. She was lit by studio lights positioned around the court.

The scream I’d heard had come from the drugged girl. The three shots were someone else’s idea.

++++

I took off my coat and picked up Carmen Sternwood’s clothes.

`Now, Carmen,’ I said. `Let’s get you dressed.’

She looked at me with empty eyes.

`G−g−go to hell,’ she said.

I hit her a couple of times. She didn’t mind, but it didn’t help at all. I managed to push her into her dress. She giggled and fell into my arms. I sat her in a chair and put her shoes on her feet.

`Let’s walk,’ I said. `A nice little walk.’

In the distance I could hear police sirens.

I lifted her onto her feet and looked over at Geiger, slumped in the front right-hand corner of the court.

What did it matter where you lay once you were dead?  In a dirty sump or in a marble tower on top of a high hill.  You were dead, you were sleeping the big sleep, you weren’t bothered by things like that.  Oil and water were the same as wind and air to you.  You just slept the big sleep, not caring about the nastiness of how you died or where you fell. 

Me?

I was standing on a squash court with a dead man on the floor, a gun in my hand and a drugged blonde in my arms.

I was part of the nastiness now.

Acknowledgements

Thanks to Rosalie Kerr for her masterly re-telling of ‘The Big Sleep’ and the ‘Good Reads’ website for its compendium of Raymond Chandler quotes. I’ve incorporated quotes from Chandler’s ‘The Big Sleep’, ‘The Lady in the Lake’ and ‘The Little Sister’ in this story.

The Tango Dancer (from the Squash Novel ‘Breaking Glass’)

She glanced at the elegant gold watch adorning her left wrist. A gift from an unknown admirer.

Eleven fifteen. Just over eighteen hours to the Grand Opening of the glass court. Eighteen hours to the spectacle, the excitement, the glamour. Eighteen hours to her performance in the privileged presence of Rio’s great, good…and not so good. It was time for the real challenge to begin. Tomorrow she would compete with the blonde American girl in the quarter-final. Her next step on the road to becoming the world’s number one player.

She was ready now.

Drawing her black lace shawl around her shoulders, she gazed through the window of the limousine as it picked its way through the city’s chaotic streets. Streets which she had visited many times in the past. Streets filled with traffic jostling for position, looking for an opening, poised to make a move. In a few hours, it would be quieter. It usually was by the time she returned from her night-time excursions into her special world. Nights when she indulged in her passion, when she shared moments of intimate connection. Nights when she felt the embrace of her partner’s arms as their bodies moved in unison. Special nights.

The limousine drew up outside a whitewashed three storey building on Rua do Catete. A single light shone down from above its entrance porch. She waited as the motorista climbed out of the driver’s seat, adjusted his peaked cap and opened the door for her to alight. She stepped out into the warm night, her sense of excitement beginning to mount.

“Have a good evening, senhorita.”

He smiled a knowing smile.

++++

As she entered the building, Florencia Perez could hear the music drifting from the salon on the first floor. The music born in her home town. Music from the birthplace of the father she had never known. Music from the Golden Age of tango.

She strode across the entrance hall towards the staircase, her low heels sounding on the black and white tiles. In her right hand, she held the straps of a small black sequinned purse and a black satin shoe bag. Her hair was drawn back in a simple ponytail, secured with a golden band. Gold hoops dangled from her ears. She was wearing a sheer black slit dress with a jagged hemline, adorned with fringes, swaying as she walked. Ready to join the dance, the milonga.

Ready to feel the bodies of others close to hers.

++++

In the salon, the dance floor filled with couples moving to the music played by the residente, a young DJ hunched over his sound equipment at the far end of the high-ceilinged room. From her table on the edge of the dance floor, she watched as the unattached men in the room nodded their invitations to women they wanted as their partners in the next set of dances. The next tanda.

She watched the men leading their partners around the floor to see which of them she would trust to lead her in the way she wanted to be led. To see which of them would be suitable for her to choose as a partner. She noticed too whose invitations were being ignored.

After an hour in the salon, she’d accepted two invitations to dance. One was from a young olive-skinned boy whose embrace proved to be rather too close for her liking. The other was from a tall middle-aged man with light skin and a long nose who led her elegantly in three exhilarating tango waltzes. She felt safe in his embrace, following him easily around the floor, swinging her body, moving sinuously around him, feeling like a woman. She thanked him, returned to her table and sipped her drink, suddenly feeling that the evening might just turn out to be…

She sensed his gaze before she saw it, before she’d had time to see who had arrived since she’d taken to the floor. To see who had seen her dancing, seen her feeling the passion.

She raised her eyes and met his. Dark eyes.

Eyes she had seen before.

++++

He glanced at his watch and entered the salon. It was almost one. Tonight he would meet the Australian in the glass room. A chance for him to raise his profile, to move up the world rankings in a sport he’d played and loved since he was a child.

But tonight, Andres Lopez was not thinking about the sporting challenge to come. He was thinking about someone who could be very special. Someone who had not been easy to find.

Since he had seen her compete in his home town, he had followed her progress with more than a little interest. He knew that she had begun to more than fulfil her potential in competition. But, until recently, he did not realise that her beauty had transcended both her athletic ability and her sporting success. Now, from conversations with his fellow professionals, he had also discovered that Florencia Perez shared another of his passions.

In the subdued light of the salon, he nervously ran his fingers through his long brown hair,   searching for her among the tables and the dancers moving around the crowded floor.

Suddenly he saw her, dancing with a smartly-dressed middle-aged man. She moved with cat-like grace, weaving an elegant path around her partner to the music of a tango waltz. He watched her as she thanked her partner and walked across the dance floor to her table.

Moving quickly, he found a table directly opposite hers and sat down, his heart suddenly racing as he tried to relax., to let the passion in the room be his inspiration in seeking her consent to dance with him. Usually, he would watch the women as they moved around the dance floor, looking for the qualities that he valued in a partner. Then he would invite them – with his eyes, with a nod of his head, with the cabeceo – to allow him to lead them, to reward their trust, and to show his own qualities as a dancer.

But now, it was too late. He could not tear his eyes away from her as she sipped her drink.
He was in danger now. Danger of…

Suddenly, her eyes met his.

In them, he sensed surprise, yes…and something else, something warmer. Much warmer. Instantly, he relaxed. And nodded. There was a pause as he sensed her curiosity, awaited her response. And then his nod was returned, his invitation accepted.

He slipped on his dance shoes beginning to notice the other people in the room. People whose passion he shared.

He was passionate about many things in his life. His country, his sport, the dance he had been introduced to in his home town. Passion that had landed him in trouble with the authorities more than once. But now, he was calm, waiting for the cortina, the musical interlude preceding the next set of dances, when she would be his partner.

When the time arrived, he stood and walked towards her, threading his way through the other dancers leaving and joining their partners. Reaching her table he bowed and held out his hand, inviting her onto the floor. She rose and stepped towards him.

The music, a tango canyengue, began to play. Instinctively, he sought her embrace and was accepted. Leaning towards her, he moved slightly from side to side, sensing the music, breathing her perfume, feeling her body close to his. Then, without knowing, as their hearts beat together, he stepped towards her. Leading them both into the dance, into the rhythm of the music.

Into the passion.

++++

It had been easy to follow her to the salon.

He had waited until she entered the building on Rua do Catete before climbing out of the taxi and striding towards the entrance. He was dressed smartly in a dark grey tailored suit and white shirt which perfectly fitted his tall, lean frame. Like the girl, he had carried his dance shoes in a small bag which dangled on a strap circling his wrist. His greying hair was swept back from his narrow face with its long nose.

After so many years, he was nervous, but ready. Ready to meet her on a night which could change both their lives forever. Inside, he paid his entrance fee and found a table from which he could make eye contact with her. But first he invited other women to dance with him, eager to take a few turns around the floor before seeking her consent.

When the time came, it felt natural. Something he had done many times before. He met her eyes, nodded and was accepted. They danced, and after they had danced, he returned to his table and sought out other women to dance with as the room filled and the floor became a single rotating embrace.

He watched her dance with other men, including the Colombian boy who returned to his table with what he sensed was more than just an air of satisfaction. The boy danced well, his dark good looks and long brown hair attracting the attention of the women, the invitations made with his dark eyes winning their consent. Using the cabeceo, following the code.

He glanced at his watch. Now, as the milonga entered its fourth hour, he made her a second invitation with his eyes. She caught his gaze and nodded with a hint of a smile. Now she trusted him.

This time he led her in three tangos, leaving her space to decorate, to hook, to tap her toes as they moved effortlessly around the busy floor. He felt a sense of pride as they paused in silence after each dance, waiting for the next to begin.

As the last chord of their final dance died away, he escorted her to her table knowing that now, after all these years, he must speak to her. He waited for her to sit, then leaned towards her and whispered into her ear.

“Listen to me, my child. You do not have much time.”

She paused, listening to his voice with surprise…and recognition. It was a soft voice, a caring voice. The voice of a porteno, a native of her home town.

“Tonight at the Grand Opening there will be great danger. You must not go there.”

She turned her head to look at him. To look into his eyes.

“How do you know this?”

“Trust me.” he replied. “Trust one who has always loved you. One who has always cared.”

He placed something on the table in front of her, touched it with his forefinger and looked into her eyes.

“I am sorry,” he said, then turned and walked quickly away.

++++
Florencia Perez looked down at the table. On its surface lay a plain, white card. Her heart racing, she reached out to pick it up, half knowing what she would find. She touched its smooth surface, closing her eyes and letting her fingers seek out the indentations she sensed would be present.

As she found them, an image formed in her mind. An image which had been with her for as long as she could remember. Since she was a child.

An image of a very tall man with a long nose. A kind man. A caring man.

She stared at the elegant gold watch adorning her left wrist. A gift she had received on her eighteenth birthday, on the eve of her first international tournament. In the home town of a Colombian boy. A gift from an unknown admirer. A gift accompanied by a plain, white card.

Embossed with the image of a stork.

Characters

The story focuses on two characters, both of whom are competing in an international squash tournament in Rio de Janeiro.

Florencia Perez, 19, is an up and coming Argentinean squash player who has burst onto the international squash scene, competing on a ‘wild card’ in a tournament in Bogota. Her birthplace, parentage and even her true sexuality are a mystery. She speaks no English. Tall and broad-shouldered, her dark good looks have led many aficionados of the sport to regard her as the ‘Kournikova’ of the squash world.

Andres Lopez, a native of Colombia, is a young squash player seeking to make his mark on the international circuit. He has already won a lucrative sponsorship with a leading international soft drinks manufacturer. With his long wavy brown hair and vividly inviting dark eyes, he is a favourite with many of the female players competing on the World Squash Tour. In the past, his temper tantrums on court have led to him being banned by the authorities from playing.

In this chapter, a third character appears whose identity and purpose in the plot are, as yet, unknown.

Acknowledgement

‘The Tango Dancer’ was first published as Chapter 11 of ‘Breaking Glass’, a collaborative squash-themed novel conceived by Ted Gross of The Daily Squash Report. Written in weekly installments by a team of 11 squash writers, chapters are posted by Ted on the DSR website where you can read it in its entirety.

For the record, the writing team comprised, in no particular order, Alan Thatcher (who conceived the overall theme for the novel), John Nimick, Mick Joint, Georgetta Morque, Will Gens, Framboise Gommendy, Richard Millman, Pierre Bastien, Jamie Crombie, James Zug and yours truly.

Why not check out The Daily Squash Report and read the full novel? You know you want to!

The Big Squash (à la Raymond Chandler) Part One

It was about eleven o’clock in the morning, one day in October. There was no sun, and there were rain−clouds over the distant hills. I was a neat, clean, shaved and sober private detective, and didn’t care who knew it.

What’s more, I was about to meet four million dollars.

I was waiting in the entrance hall of General Sternwood’s home in West Hollywood. It had been less than twenty-four hours since I got a call from Bernie Ohls at the DA’s office.

‘Whatever he wants, the General’s not saying,’ said Ohls, ‘at least he’s not saying anything to me. Seems he wants the best in the business.’

I waited for the punch-line.

‘I recommended you anyway. Don’t let me down, Marlowe.’

‘I’ll try not to.’

Through the hall window I could see a lot of smooth green grass and a white windowless building with a sloping roof and one door. Beyond it was a large greenhouse and beyond that there were trees and then the hills. There was oil in those hills and oil was where Sternwood had made his money.

I heard footsteps.

‘The General will see you now, Mr Marlowe.’

The butler was a tall, thin, silvery man of about sixty, with expressionless blue eyes. He led me out of the house and headed for the greenhouse. As we were passing the white building, the door opened and two women came out. They were both wearing white tops, shorts and sneakers. I guessed they were Sternwood’s daughters. They were both sweating. Whatever they’d been doing in there, they were hot. Very hot.

The younger one saw me and gave me a smile I could feel in my hip pocket. A smile showing little, sharp, white teeth. Then she put her thumb in her mouth and giggled. She was about twenty, small but tough−looking. Her blonde hair was cut short and she was carrying a towel in her left hand. The other woman was tall and strong-looking with black hair, late 20s maybe. She looked at me with cold, dark eyes. I wouldn’t be asking her out on a date anytime soon.

I followed the butler to the greenhouse. He opened the door and ushered me in. It was hot, the air thick and wet and the light green. From a wheelchair in the middle of the greenhouse an old man with black eyes and a white moustache watched us. Despite the temperature, he was covered in blankets.

The butler said, `This is Mr Marlowe, General.’

The old man didn’t move or speak. He just looked at me. Then he said, `Fetch the brandy please, Norris. You’ll take a drink Mr Marlowe? I can’t join you, I’m afraid. Doctor’s orders.’

I nodded. The butler went and the old man spoke again, slowly, using his strength as carefully as an out-of-work show-girl uses her last good pair of stockings.

‘Take off your coat, sir. It’s too hot in here for a healthy young man. You may smoke. I like the smell of cigarettes.’

I took off my coat and lit a cigarette. The butler brought the brandy and I drank some.

`Tell me about yourself, Mr Marlowe.’

`There’s very little to tell. I’m thirty−three. I used to work for the DA until I got fired for thinking for myself. I’m not married and I don’t like policemen’s wives.’

The old man smiled.

‘What do you know about my family?’

`Your wife is dead. You have two young daughters. They’re both pretty and both wild. One of them has been married three times, the last time to a bootlegger called Rusty Regan.’

The General smiled his thin smile.

`I was very fond of Rusty Regan. He was a big red−haired Irishman with sad eyes and a wide smile. He spent hours with me. He was a grand story−teller and a great drinker. Of course, he wasn’t a suitable husband for my daughter. I’m telling you our family secrets, Mr Marlowe.’

`They’ll stay secrets,’ I told him. `What happened to Regan?’

The old man looked at me sadly. `He went away a month ago. Without saying goodbye. That hurt me. I hope he’ll come back. And now someone is blackmailing me.’

He stared at me. `Look at this,’ he said. `And have some more brandy.’

He handed me a packet. The address said: General Guy Sternwood, 3765 Alta Brea Crescent, West Hollywood, California. There was a card inside it with the name Mr Arthur Gwynn Geiger, Specialist Bookseller, with a business address. There were also three notes signed by Carmen Sternwood. Each promised to pay Geiger $1,000.

`Any ideas?’ the General asked.

`Not yet. Who is Arthur Gwynn Geiger?’

`I don’t know.’

`What does Carmen say?’

`I haven’t asked her. If I did, she’d put her thumb in her mouth and giggle.’

I said, `I saw her outside. She did that to me.’

The expression on his face didn’t change.

`Do the girls spend a lot of time together?’

`Not that I know of. Vivian is intelligent but cruel. Carmen is just a selfish child. Neither of them ever worries about the difference between right and wrong. Neither do I.’

‘Do they have any money of their own?’

`Vivian has a little. I’m generous to both of them.’

I drank some brandy. Then I said, `I can take Geiger off your back, General, if you want me to.’ I told him how much money I wanted for the job.

`I see,’ he said. `That seems fair. Very well, Mr Marlowe. The problem is now in your hands. And now you must excuse me. I’m tired.’

He touched a bell, stared at me once more, and closed his eyes.

I picked up my coat and went out of that hot greenhouse full of flowers. The cool air of the garden smelled wonderful. The butler was coming towards me.

`Mrs Regan would like to see you, sir.’

`Why?’

His blue eyes looked straight into mine.

`I believe that she misunderstands the reason for your visit, sir.’

I told him it was none of his business, let alone hers. But what the hell, I thought.

‘Take me to Mrs Regan.’

++++

It was a big white room, too big, too white. Long windows looked out onto the dark hills. It was going to rain soon. I walked across the floor and looked at Mrs Regan. She was lovely. She was trouble. She was lying in a chair with her shoes off, so I stared at her legs. They were long and beautiful. She was drinking, and looked at me over her glass with her hot black Sternwood eyes.

`So you’re a private detective,’ she said. `I imagined an awful little man.’

I said nothing.

‘Tall, aren’t you?’ she said.

‘I didn’t mean to be.’

Her smile was as faint as a fat lady at a fireman’s ball.

`How did you like Dad?’

`I liked him.’

`He liked Rusty. Do you know who Rusty is?’

`Yes.’

`Rusty was sometimes rough and noisy, but he was never dull. He was a lot of fun for Dad. Why did he just disappear like that? Dad wants you to find him. Isn’t that true, Mr Marlowe?’

`Maybe,’ I said. I sat on the edge of a deep, soft chair and lit a cigarette.

`Do you think you can find him?’

`I didn’t say I was going to try. Why don’t you go to the police?’

`Oh, Dad will never bring the police into it.’

She looked at me smoothly and drank what was left in her glass.

`You don’t make much money, do you?’ she said.

`You can’t make big money in this game if you’re honest.’

`Oh, are you honest?’ she said and lit a cigarette.

`Terribly honest.’

`So what made you become a detective?’

`What made you marry a bootlegger?’

She went red. Her hot black eyes looked angry. I just smiled at her. `Don’t play with me,’ she said. `I don’t like the way you’re behaving.’

`I’m not crazy about you either,’ I told her. `I didn’t ask to see you, you asked to see me. I don’t care if you show your legs and drink whiskey for lunch. I don’t care if you think I behave badly. You’re probably right. But don’t try to question me.’

`I hate big, dark, handsome men like you, Marlowe,’ she said. `I just hate them.’

`What are you afraid of, Mrs Regan?’ I asked.

Her expression changed. `You could find Rusty – if Dad wanted you to,’ she said.

`He told me about Mr Regan. He wanted to see me about something else. Is that what you wanted me to say?’

`I don’t care what you say!’ she shouted.

I stood up and left the room. I walked back to the entrance hall and stood on the steps outside, smoking my cigarette. In the distance I could see some old oil−wells. The Sternwoods’ money came from those oil−wells. Now they lived in their beautiful house, far from the machines and the smell of the oily water in the sump.

The sky was black when I reached my car. I heard thunder in the hills and put the top up.

She had lovely legs. They were a smooth act, General Sternwood and his daughters. `What do they really want?’ I wondered.

++++

Geiger’s bookstore was on the north side of the boulevard, near Las Palmas. As I stopped to look in the window, a man in the street gave me a knowing smile. The door closed quietly behind me and I stepped onto a soft blue carpet. A few customers were browsing the shelves. There were big comfortable blue armchairs and some expensive−looking books on small tables. In one corner a woman wearing wire-framed glasses sat at a desk.

She got up slowly and came towards me. She was wearing a short black dress, which looked good over long legs. She had brown hair and green eyes. Her fingernails were silver. You don’t often buy a book from a girl like that.

`Can I help you?’ she asked me.

I asked her for a book. It was a famous book, but she had never heard of it. I tried another name. Her eyes rounded. She was puzzled. She was thinking. I could see, even on short acquaintance, that thinking was always going to be a bother to her. She didn’t know about the book. She knew as much about books as I knew about painting my fingernails silver.

`I’ll have to speak to Mr Geiger,’ I told her. `Is he here?’

`I’m afraid not,’ she said. `He’ll be here later.’

‘Mind if I wait?’ I said. ‘I’ve got nothing to do this afternoon.’ I sat down in an armchair and lit a cigarette. The brunette looked unhappy.

After twenty minutes, the door to the street opened and a tall man wearing black-rimmed glasses and a Panama hat came in. He hurried past me and over to the brunette.

He took something out of his wallet and showed it to her. She touched a button and a door opened. He disappeared through it.

Minutes passed. I smoked another cigarette. The brunette was staring at me with an expression she probably would have said was thoughtful.

The door opened and the tall man came out. He was carrying a large packet. He looked quickly at me as he passed and went out into the street.

++++

I left the bookstore and followed him. Someone who looks like that is easy to follow. When he stopped to cross the street, I let him see me. He walked on quickly and turned left, between two houses surrounded by trees. I stood and waited, as rain began to fall. Minutes passed. Then he came back and walked straight past me. He didn’t have the packet any more. He was safe now.

I watched him go down the street. Then I went between the houses and found the packet behind a tree. Nobody saw me pick it up. I went back to the boulevard and found a phone booth. I looked in the book and found that Geiger lived on Laverne Terrace, a street off Laurel Canyon Boulevard. Then I went to visit some other stores. In one of them I found a girl who could describe Geiger. She said he was about forty, a fat man with a fat face and a moustache. He dressed fashionably.

I ran back to my car through heavy rain. Then I opened the packet. I thought I knew what would be inside it but I thought wrong. It wouldn’t be the last time.

The packet was full of squash magazines.

I sat and looked at the glossy covers. Pictures of matches in play. Headlines trailing interviews, stories, best-buy features, tournament reports. Men and women posing with squash racquets. Wearing white.

I stared at them. I used to play the game myself when I was at the DA’s office. Now I played different games. Games where I could make my own rules.

Then I opened one. What was inside made me feel sick. The worst pornography I’d ever seen. The magazine covers were a front, just like Geiger’s bookstore was a front for distributing ugly dirt. To run that business on the boulevard he must be paying someone a lot of protection money.

I sat in my car and smoked and thought about it. Something didn’t feel right.

Then I looked again at the covers.

I found what I was looking for at the bottom of the pile. The cover showed two women on court playing a rally. The shot had been taken from low down on the front wall. One woman was a brunette with her hair in a ponytail. She was wearing a red sweatband and was lunging into the back right hand corner of the court to play a shot.

The second woman was standing on the T, her head turned towards her opponent. Her face was in left profile, her mouth slightly open, taking in a breath. It was a pretty mouth, a mouth showing little, sharp, white teeth.

The woman’s blonde hair was cut short.

She was holding her racquet in her left hand.

Coming next…

In Part Two of ‘The Big Squash’ the mystery deepens as Marlowe waits for Geiger to appear.

Acknowledgements

Set in Los Angeles, California, Raymond Chandler’s ‘The Big Sleep’ was first published in 1939. Howard Hawks 1946 film version starred Humphrey Bogart as Marlowe, Lauren Bacall as Vivian Routledge (Vivian Regan in the novel), and Martha Vickers as Carmen Sternwood.

For an appreciation of Humphrey Bogart’s Philip Marlowe in Howard Hawks movie, read Leonard Pierce’s ‘Come Into My Boudoir.’

Thanks to Rosalie Kerr for her masterly re-telling of ‘The Big Sleep’ and the ‘Good Reads’ website for its compendium of Raymond Chandler quotes. I’ve used quotes from Chandler’s  ‘The Big Sleep’, ‘Farewell My Lovely’ and ‘The Little Sister’ in this story.

Dark Side of the Squash Court

In 1974, I hadn’t even heard of squash, never mind coming into contact with anyone who’d actually played it. But I had heard of English rock band, Pink Floyd who, the previous year, had released what is still one of the most commercially successful rock albums of all time.

Dark Side of the Moon Album Cover

The group’s concept album The Dark Side of the Moon was eventually to spend  seven years in the UK album chart whilst, in the US, it was to remain in the Billboard Top 100 chart for over fourteen years. Selling over 40 million copies worldwide, the album was to bring enormous wealth to the members of the group. Its monomaniacal leader, Roger Waters, and keyboard player Richard Wright would buy large English country houses whilst drummer Nick Mason would become a collector of expensive cars.

So, in 1974, the group’s followers and its record company had high expectations that an equally successful follow-up album would soon appear. The group was even rumoured to have written material for the new album and be at work in the recording studio.

But coming up with a worthy successor to The Dark Side of the Moon was proving exceptionally difficult. Relationships between the group’s members were strained and there was disagreement over the concept for their next album. What’s more, something else was about to distract some members of the group from turning up to the recording studio. Squash.

Shine On You Crazy Diamond

In the Winter of 1974, the group embarked on a tour of the UK playing a set including the entirety of The Dark Side of the Moon. The first part of each concert featured new material including Shine On You Crazy Diamond, Roger Waters’ tribute to Syd Barrett, an ex-band member whose mental breakdown had forced him to leave several years before. This, together with two other new compositions, Raving and Drooling and You’ve Got to be Crazy, seemed to be a reasonable choice as the centrepiece for a new album.

Pink Floyd on stage 1974

But, working from Studio Three at Abbey Road in London, the group were finding it difficult to devise any new material, especially as the success of The Dark Side of the Moon had left all four physically and emotionally drained. Richard Wright described the group’s early recording sessions as “falling within a difficult period” and Roger Waters as “torturous”. Guitarist David Gilmour was more interested in improving the band’s existing material and  was becoming increasingly frustrated with Mason, whose failing marriage had brought on a general malaise and sense of apathy, both of which interfered with his drumming.

And there were technical problems. On one occasion, sound engineer Brian Humphries inadvertently spoiled the backing tracks for Shine On, which Waters and Mason had spent many hours perfecting, with echo. The entire piece had to be re-recorded.

Several weeks into recording, Waters came up with another idea. He proposed splitting Shine On You Crazy Diamond and sandwiching two new – and, as yet, unwritten – songs between its two sections. Gilmour disagreed, but was outvoted three to one, leading to yet more disharmony between the group’s members.

Pink Floyd on court 1975

But just as it seemed that the camaraderie which had previously held the group’s members together was about to vanish, two of them found a new way of sharing their frustrations, re-energising themselves and, unknowingly, bringing the group back together.

They started playing squash.

Wish You Were Here

David Gilmour and Nick Mason became squash buddies spending so much time on court that their appearances in the Abbey Road recording studio became less frequent. Nearly forty years later, Brian Humphries was to recall how frustrating he found it to get them to agree to recording schedules which, by necessity, would oblige them to vacate the squash courts for the more mundane task of crafting a new Pink Floyd album – now provisionally entitled Wish You Were Here.

Pink Floyd on court 1975

But whatever scheduling difficulties were being experienced by Humphries, the concept behind the new album gradually became clearer to group leader Roger Waters. The two new songs he had proposed emerged in the shape of Welcome to the Machine and Have a Cigar, both barely-veiled attacks on the music business. The lyrics of the new songs  would work neatly with Shine On You Crazy Diamond to provide an apt summary of the rise and fall of Syd Barrett. “I wanted to get as close as possible to what I felt,” Waters was to say later. “That sort of indefinable, inevitable melancholy about the disappearance of Syd.”

The production of Wish You Were Here progressed in fits and starts, with Syd Barrett paying an impromptu visit to the studio during the recording of Shine On You Crazy Diamond. The album was eventually released in September 1975 with 250,000 advanced sales in the UK and 900,000 in the US.

Despite the many problems encountered during its production, the album was to become the firm favourite of both Richard Wright and David Gilmour. But even in 2011, Roger Waters, interviewed for a documentary about its making, still appeared to be moping about its flaws. Gilmour and Mason sounded like they’d rather be playing squash.

The Kings of the Palace

On December 9th, 1974, I attended one of the two concerts played by Pink Floyd at the Palace Theatre in Manchester. At the time, I’d never bought a Pink Floyd album although I’d heard plenty of their music. I hadn’t even sought out a ticket in advance but was offered one at short notice. So I went.

And I’m glad I did.

Because there was something about the concert that had a big effect on me, something that stayed with me, something I couldn’t quite put my finger on. It wasn’t the group’s performance, the music, the light show complete with landing lights and glitter-ball, the dry ice – although I remember all of those things. It wasn’t even the concert programme which was a memorable pastiche of British ‘Boy’s Own’ comics.

It was something else. Something which took me nearly forty years to understand.

Somehow, at that concert I wasn’t just listening to a rock band. I was watching squash buddies…doing their day job.

Acknowledgements

Thanks to Wikipedia for their entries on Pink Floyd and Wish You Were Here. Thanks also to The Arts Desk for its review of the BBC4 documentary on the making of Wish You Were Here.

Thanks to the Pink Floyd fan website A Fleeting Glimpse and to Magforum for its review of the Pink Floyd 1974 Tour Programme.

Finally, thanks to whoever recorded Pink Floyd’s December 9th, 1974 concert at Manchester’s Palace Theatre and, what’s more, uploaded it to YouTube. If you listen very  carefully, you can hear me shouting in the background!

A Walk in the Woods: Squash in New England

“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.” Henry David Thoreau

Hiking in New England during the US’s hottest summer since 1895 may not be everybody’s idea of a relaxing holiday. Whatever plans you might have had to explore the Great Outdoors tend to change daily, if not hourly, as the mercury rises, the forest shade beckons and a craving for the next ice-cold drink begins.

Well, that’s what it was like for me when I hiked the trails around Burlington, Vermont, where squash is still very much part of the varsity athletics scene. Not only that, one enterprising Burlington squash player had even built himself an outdoor court, with a slight gradient from front wall to back for drainage purposes.

The Appalachian Trail in New Hampshire

Things were much the same hiking the trails of Acadia, off the coast of Maine, where I came across a fellow traveller and hiker who just happened to play in Philadelphia’s squash leagues. I even experienced déjà vu on the Appalachian Trail in New Hampshire where a passing conversation with another hiker revealed yet another ex-college player and squash lover.

So, by the time I headed south towards Massachusetts, I already had a feeling that all I had to do to stay connected with squash was to keep travelling, hike trails and share stories with strangers. After all, I was wandering through a landscape which, over the years, has attracted travellers and hikers from all over the world. People who, just like me, wanted to go for a walk in the woods, whatever the temperature.

People drawn to the place where squash first took root in America.

The First American Squash Court

St Paul’s School, New Hampshire

The first squash court in America was built at St. Paul’s School in Concord, New Hampshire in 1884. Two years previously, the headmaster of St. Paul’s had seen the game played in Montreal and wrote an article about it for the school magazine. In the article he favoured squash over rackets, largely on the grounds of its lower costs. But, despite his enthusiasm, the soft ball used in the sport proved to be unsuitable for use on the unheated squash courts of New Hampshire with its cold winters. Because of this, a harder ball was developed which was more suited for use in colder temperatures and on narrower courts.

In 1924, the US hardball squash court was standardized at 18.5 feet wide with a 17 inch “tin” – the out-of-play strip of metal at the bottom of the front wall. This contrasted with the British (international) court which, four years later, was finally to be standardised at 21.5 ft. wide with a 19 inch “tin”.

But whatever progress was being made on both sides of the Atlantic in standardising squash balls and squash courts, there was one milestone in the development of squash which proved to be ‘no contest’. In 1904, twenty years after the appearance of America’s first squash court, the world’s first national squash association was formed.

It was American and was to pre-date its British equivalent by almost a quarter of a century.

Harvard Connections

From its beginnings in New Hampshire, squash began to spread further into the US through the private boys schools of New England. This initial phase of squash development is still reflected in the distribution of squash courts throughout the country, the majority still being located in private universities and athletic clubs. Today, there are over 1,000 facilities across the US which house squash courts including those at the Ivy League universities of Yale in Connecticut and Harvard in Massachusetts.

Concord Acton Squash Club, Massachusetts

Not surprisingly, I found that Harvard featured on the fixture list of the Concord Acton squash club which I visited, and played at, between walking excursions. Before my visit to the area, I’d already discovered that Concord itself boasts a remarkably rich literary history centred in the mid-nineteenth century. So it was as a lover of traveller’s tales that I took a particular interest one of the town’s most famous natives, the author and philosopher Henry David Thoreau.

Henry David Thoreau

Thoreau is best known for his book ‘Walden or Life in the Woods’, a reflection upon simple living in natural surroundings. Published in 1854, the book is part personal declaration of independence, part social experiment, and part manual for self reliance in what were then physically demanding times. Thoreau was also a follower of transcendentalism, a philosophical movement that developed in the 1830s and 1840s in the Eastern region of the US as a protest against the current state of culture and society and, in particular, against the state of intellectualism at Harvard University.

Thoreau himself was no great traveller or walker, but others in the local area shared and outlook on life which combined intellectualism with more physical pursuits.

Including sport.

Harvard Squash

By the time transcendentalism had run its course in the early 1850s, Harvard had begun to embrace another new movement, that of intercollegiate athletics. In 1852, the first intercollegiate sporting event, a rowing race between Harvard and Yale, took place on Lake Winnipesaukee, New Hampshire. Other sports were to follow, tennis making its debut in 1880 and, eventually, squash, arguably Harvard’s most successful sport of all, in 1922. The first-ever intercollegiate squash match, Harvard versus Yale, followed in February 1923.

Harry Cowles’ ‘The Art of Squash Racquets’

Harvard squash was to produce its own successful exponents including the legendary Harry Cowles who coached its men’s team for its first 16 seasons, leading it to five national titles and mentoring no less than 13 individual champions. Cowles’ book ‘The Art of Squash Racquets’ was published in 1935 and is still available if you look in the right places.

Over the years, many other notable figures were to emerge from Harvard’s squash community including one who would come to be recognised as one of the leading all-round athletes of the first half of the 20th century.

Someone who was to blaze the trail for women’s participation in sport in America.

The First Women’s Squash Champion

Eleonora R. Sears, nicknamed “Eleo,” was born in Boston in 1881. The great-great-granddaughter of the 3rd President of the US, Thomas Jefferson, Sears enjoyed all the benefits of an aristocratic upbringing. In her youth she was part of the social elite that vacationed each summer in Newport, Rhode Island, where she learned to play tennis and golf, rode horses, swam, and sailed.

In 1911, Sears began to play tennis competitively, when she and her friend Hazel Hotchkiss Wightman won the US women’s doubles championship. Over the next five years, Sears won four more doubles championships, scandalizing crowds each time with her rolled up shirt-sleeves.  In 1912, Sears nearly lost her membership to the Burlingame Country Club in Southern California, when she rode front-saddle into the all-men’s polo arena wearing pants.

But, despite receiving criticism for her unfeminine style of dress and her avid participation in athletics, Sears was unfailingly popular among the upper class circles of Boston and New York.  She was a frequent guest at the all-men’s Harvard Club, where she first learned to play squash in 1918.

Eleanora Sears in 1929

In 1928, she helped to found the US Women’s Squash Racquets Association. In the same year, at the age of 46, she not only became its first singles champion but the first women’s squash champion in history. In 1929, she convinced Harvard’s officials to open its squash courts to women. She later served as the USWSRA’s president and was captain of the US national women’s team.

Sears frequently topped New York’s “10-best dressed” list, and the Prince of Wales (later King Edward VIII) claimed her to be his favourite dance, squash, and tennis partner. She played and coached women’s squash into her 70s, and was also famous for her frequent marathon hikes, her favourite being from Providence, Rhode Island to Boston, a distance of 44 miles. She once walked the 73 miles from Newport to Boston in 17 hours and during her 1912 visit to California, walked the 109 miles from the Burlingame Country Club to the Hotel Del Monte in 41 hours.

Sears, nicknamed ‘The Universal Female Athlete’ died in 1968 at the age of 86.

So the next time you travel to the US, why not visit some of the places where squash is still very much part of the local culture? New England, perhaps, or maybe further south even as far as Atlanta, Georgia where the 2000-mile Appalachian Trail ends. And while you’re there, why not take a walk in the woods?

You never know what squash stories you might hear.

Acknowledgements

Thanks, as always, to Wikipedia for its entries on squash, Eleanora Sears, Concord Massachusetts, Henry David Thoreau, Harvard University and the Appalachian Trail.

Thanks also to Peggy Miller Franck for her article ‘The Mother of Title IX: Trailblazing Athlete Eleonora Sears’ in The Daily Beast.

And, finally, thanks to the Concord Acton Squash Club for allowing me to play in its Sunday morning ‘round robin’.

Mr Darcy’s Squash Match (à la Jane Austen)

It is a truth universally acknowledged, that a single man in possession of a broken heart, must be in want of sportive diversion.

It had been above three months since Darcy, having declared to her his most ardent affection and love, had suffered the reproofs of Miss Elizabeth Bennet. Even now, his remembrance of her words caused him inexpressible pain despite his feeling reasonable enough to allow their justice.

“You are mistaken, Mr. Darcy, if you suppose that the mode of your declaration affected me in any other way, than as it spared me the concern which I might have felt in refusing you, had you behaved in a more gentleman-like manner.  You could not have made me the offer of your hand in any possible way that would have tempted me to accept it.”

How those words had tortured him.

In his great disappointment and frustration, he had first determined to busy himself in attending to various business matters which had long required his attention. Now, he found himself  travelling in the North Country with a party including his sister, Georgiana, his friend Bingley, and Bingley’s sisters.

During their travels, Darcy had prevailed upon the good will of Mr. W——– of Pontefract to further instruct him in the sportive art of squash racquets, a pastime in which he had long excelled. He had likewise succeeded, to the great joy of his beloved sister, in securing the services of Miss D——, a lady similarly proficient in that art, to provide her with sportive instruction. Now, as the other ladies of the party expressed their desire to return to Pemberley, he greatly wished to participate in further sportive diversion and healthful recreation as he struggled with his feelings of rejection.

On the morning before his party’s intended departure, Darcy’s spirits were lifted by the receipt of a letter from his steward, Mr. M——, begging his immediate presence to attend an urgent matter relating to his estate. He at once reasoned that his early return would also  provide him with the opportunity of engaging in a game of squash racquets with his steward, a player of not insubstantial experience and skill. However, he determined not to educate his travelling companions as to his intentions of seeking further sportive diversion and, following breakfast, begged his leave of them and set forth on his journey.

His ride being uneventful and the weather clement, Darcy’s thoughts turned towards his  arrival at Pemberley. Notwithstanding the urgency of his journey, he anticipated with pleasure the time he would be able to spend in gentleman-like competition with Mr. M——  in the squash racquets hall adjacent to the stables. Yet, even so, he reflected with regret that his sister knew no other young ladies in the area with whom she could prevail upon to play with her on her return, Miss Bingley and her sister being disinclined during their visits to partake in what they judged to be an un-ladylike manner of recreation. Neither could he, as a loving brother, find any suitable sportive companions for his sister although, as he drew closer to his destination, the person of Miss Elizabeth Bennet once more intruded upon his thoughts.

On this occasion, however, he did not hear Miss Bennet’s words but was perceptive only of her dark eyes, her lightness of movement and her healthful manner. Did she not love running? Did she not find joy in country dancing? Was she not determined to journey everywhere on foot if circumstances would allow it? At once he remembered her dancing at the ball at Netherfield, and, yes, the occasion of her walking from Longbourn to Netherfield to attend her sister! Now, as he drew near to his destination, Darcy made a firm resolve to explore every avenue which might be available to him to win the affection of the woman with whom, he now confessed to himself, he was still in love.

On his arrival at Pemberley, he rode through the woods, crossed the bridge and made directly for the stables where, as fortune would have it, he was greeted by his steward. Anticipating his master’s desire to enjoy some time in the squash racquets hall before attending to any matters of business,  Mr. M—— had prevailed upon Darcy’s valet to bring his master’s racquet and rubber-soled squash shoes to the court in advance of the latter’s arrival. Darcy declared himself pleased with his  steward’s initiative before removing his riding jacket, waistcoat and boots, putting on his shoes and taking his racquet before joining his steward on court.

The encounter proved to both players at once demanding and challenging, Darcy triumphing over his steward by the narrowest of margins in just under the hour. Having complimented each other on their endeavour, the two competitors agreed to meet in an  hour to discuss the issue which had caused Darcy’s early return. Darcy then put on his riding boots and began to walk along the road leading to the house where he could refresh himself and change into fresh clothing following his sportive exertions.

Carrying his clothes and racquet, he had reached the lawn when he became aware of the presence of the gardener whose expression of surprise, on beholding his master, must immediately have told it. He then spied at some yards distant, a party of two ladies and a gentleman, whom he took to be visitors, the latter of whom he overheard to be conjecturing as to the date of the house. But it was only as he approached further towards his destination that he at once found himself standing within but a few short yards of…Miss Elizabeth Bennet!

He advanced towards the party and spoke to her.

As she saw him, she had instinctively turned away; but stopping on his approach, received his compliments with, had he but know it, an embarrassment impossible to overcome.

Her companions stood a little aloof while he was talking to her whilst she, astonished and abashed, scarcely dared lift her eyes to his face, and seemingly knew not what answer she returned to his civil enquiries about her family.

The few minutes in which they continued together were some of the most uncomfortable of his life. Nor did she seem much more at ease; when he spoke, his own accent had none of its usual sedateness; and he repeated his enquiries as to the time of her having left Longbourn, and of her stay in Derbyshire, so often, and in so hurried a way, as plainly spoke the distraction of his thoughts.

At length, every idea seemed to fail him; and, after standing a few moments without saying a word, he suddenly recollected himself and took leave.

As he strode towards the house, Darcy at once became aware of the mode of his dress, the  dampness of his attire and the disarrangement of his hair, directly come as he was from his exertions in the squash racquets hall. Yet, as he entered the hallway, any consequent  embarrassment he had begun to experience surrendered itself to the intensity of his desire to return to the presence of Miss Bennet; and this, in its own turn, gave urgency to his thoughts as to how he could realise such a happy situation before she and her friends might  end their visit to Pemberley.

No sooner had he begun to cross the hall towards the staircase, however, than the appearance of his housekeeper, Mrs. Reynolds, gave him cause to believe that he would soon be able to re-join Miss Bennet’s party. Mrs. Reynolds’ astonishment at seeing her master  was quickly replaced by a willingness to assist him in fulfilling his earnest wish to know in which direction their visitors were going, and in having his valet attend him with all urgency. Expressing his profound gratitude for her assistance, Darcy then made to ascend to his dressing room with all speed.

Now, as he set aside his racquet and busied himself in preparing to follow Miss Bennet and her friends, Darcy at once vowed to himself that he would again begin to hope.

Notes

Extracts from Chapters XXXIV and LXIII of “Pride and Prejudice” by Jane Austen, published in 1813.

For further reading on women’s sport in the early 19th Century, see “Healthful Sports for Young Ladies” by Mademoiselle St. Sernin, published in 1822.

My Name Is Maximus Decimus Meridius…and I Will Play Squash

The recent appearance of New Zealand-born screen actor Russell Crowe in the British tabloid headlines wasn’t that much of a surprise. Over the last fifteen years or so, Crowe has been a regular visitor to the UK not least to work on a number of Hollywood blockbusters including Gladiator and Robin Hood. Shooting on both of those films, and on the forthcoming Les Miserables, took place at Pinewood Film Studios west of London and Crowe, you’d imagine, would be more than familiar with the area.

So much so that he should find it relatively easy to locate somewhere to wind down after a hard day’s filming. And, for the famously sports-loving Crowe, where better to relax than at one of the area’s best appointed leisure centres.

Except that staff at Crowe’s chosen venue ‘rudely’ refused him entry as he wasn’t a member. Feeling somewhat miffed, Crowe resorted to Twitter,  accusing the venue of having “hoity toity staff with chav accents.” Again, given Crowe’s reputation for being somewhat ‘difficult’, his attack – delivered via cyberspace – wasn’t particularly surprising either. What was surprising was that he’d travelled to the leisure centre on a combative mission.

Russell Crowe wanted to play squash.

Russell and Sport

Russell Crowe at Eight

Where Crowe first started to play squash isn’t a matter of public record. As a child, he played cricket and his cousins Martin and Jeff Crowe are both former captains of New Zealand’s ‘Black Caps’ Test side. In 2008, Crowe even captained an ‘Australian’ Team containing former Aussie Test captain Steve Waugh against an English side in a charity ‘Hollywood Ashes’ Cricket Match’.

Since childhood, Crowe has also been a keen supporter of the South Sydney Rabbitohs rugby league team and, in 2006, he and Australian businessman Peter Holmes á Court  bought  75% of the club, leaving 25% ownership with the members. In the US, he supports the University of Michigan Wolverines American football team and, in Canada, the Toronto Maple Leafs ice hockey team. Back in the UK, he follows English football teams Bristol City and Leeds United, both located well outside the London area.

But it’s in the relatively affluent English Home Counties that Crowe’s recent sports-related combat mission took place. And, based on his experience of filming and living in the area, you’d have thought  he’d be well aware of the options available to him to book a squash court.

Russell On Set

The filming of Russell Crowe’s latest film, Les Miserables, started in March 2012 in France and in a number of English locations including Winchester Cathedral Close, the naval base at Portsmouth, Oxford and Pinewood Film Studios.

Pinewood Studios were also used in 1999 to film Gladiator, the production for which Crowe received an Oscar nomination for his performance as Roman general Maximus Decimus Meridius. The opening battle scenes for the film, set in the thickly-wooded forests of Germania, were shot in three weeks in Bourne Woods near Farnham in Surrey. When director Ridley Scott learned that the UK Forestry Commission were planning to cut down the forest, he convinced them to allow the battle scenes to be shot there so that he could burn it down as part of the filming and save them the bother.

Russell Crowe as Maximus in 'Gladiator'

Ten years after the shoot, Scott and Crowe were back in a now rather less thickly-wooded  Bourne Woods filming scenes for Robin Hood. Following that film’s release, Crowe stormed out of a BBC radio interview at the exclusive Dorchester Hotel in London after it was suggested that his accent in the film sounded Irish.

But it wasn’t the first time in his life that Crowe had been involved in an altercation that would subsequently hit the headlines.

Russell On Court

In 1999, Crowe was involved in a ‘scuffle’ in a bar in Coffs Harbour, New South Wales in Australia which was caught on security video. Two men, including a Coffs Harbour nightclub owner, subsequently conspired to extort $200,000 from Crowe to keep the video secret. The matter went to court.

Three months earlier, Crowe was alleged to have attacked several people in a drunken rage outside a Coffs Harbour nightclub, one of whom suffered a bite to his neck and a broken thumb. The matter did not go to court.

In 2002, Crowe was alleged to have been involved in a ‘brawl’ with a businessman inside a trendy Japanese restaurant in London. The fight was broken up by a fellow actor and did not go to court.

In 2005, Crowe was arrested and charged with second-degree assault by New York City police after throwing a telephone at hotel employee who had refused to help him place a call when the system didn’t work from his room. He was charged with fourth-degree criminal possession of a weapon (the telephone). The employee, a concierge, was treated for a ‘facial laceration’.

All of which would seem to indicate that Russell has good eye-hand co-ordination occasionally, but not always, linked to an appearance in a court.

Although not necessarily a squash court.

Russell in Command

To end on a positive note, Crowe’s squash mission did come to a successful conclusion  when he gained entry to a nearby leisure centre. “A friendly spot, where regular folks hang” he later commented.

All’s well that ends well, you might say. And nobody hurt.

Sadly, I haven’t managed to find any images of Crowe actually playing squash. However, here he is dealing impressively with a large number of black balls flying towards him at enormous speed.

And he doesn’t even have his squash racket with him.

Acknowledgements

Thanks to the Daily Mirror for it’s article documenting Russell Crowe’s squash altercation. Also thanks to all at Maximum Crowe, a website dedicated to chronicling Russell’s ‘bad boy’ behaviour.

Plaudits as always to Wikipedia and to Gawker for its article “I Will Kill You with My Bare Hands and Other Fun Tales of Russell Crowe.’

Enjoy!

Hijab Stories: Squash in Iran

In June 2011, Iran’s women footballers were banned from competing in the 2012 Olympics when their qualifying match with Jordan in Amman was called off moments before kick-off. The ban was due to the players’ kit which, following a FIFA ban in 2010, had been changed and (according to the Iran Football Federation’s head of women’s affairs) approved by  none other than FIFA’s beleaguered president, Sepp Blatter. And the kit was designed to meet Iran’s mandatory dress code for women.

Iranian squash player Nazanin Heydari

Whatever the circumstances surrounding the football ban, the reality for female sports enthusiasts in Iran is clear. In the Islamic Republic, women can only take part in their favourite sports whilst wearing full tracksuits and head coverings that conceal their hair. The code, whether driven by religion, politics or culture, is known as hijab and encompasses both the traditional head covering worn by many Muslim women and modest styles of Muslim dress in general.

But Iranian women have been allowed to compete internationally in an increasing number of sports whilst still following the hijab dress code. In weightlifting, in taekwondo, in boxing…..and in squash.

The National Squash Scene

With less than two dozen functioning squash courts in what is a vast country, Iran doesn’t at first glance seem to be in a good position to develop a sustainable squash community at a national level. Government investment in squash  is minimal yet there still exist small squash-playing communities in cities such as Esfahan, Yazd, Gorgan, Arak and Shiraz as well as in the capital, Tehran. The same lack of investment applies to the private sector although, in the last three years, international squash tournaments have been held in Rasht on the Caspian coast and on Kish Island in the Persian Gulf.

The participation of women in the game is reflected in the recent appearance of no fewer than nine Iranian players in the Women’s Squash Association Top 250 rankings for January 2012. The National Women’s squad is currently coached by Muqaddas Ashraf, a former Pakistan No.2 with the National Girls squad being managed by Iranian-born Nadjmesadat Kasfimofrad. The Iranian Squash Federation (SFIRI) also arranges coaching for National squad members by overseas  players such as Pakistan’s Carla Khan, a former World No.18.

Carla Khan with Iranian National Girls Squash Team 2009

But whatever the limited resources available to the Iranian squash community, it’s the passion and enthusiasm of its members which helps it to survive and, occasionally, to show others how to overcome seemingly immovable obstacles to achieve success. Such as the   involvement of its male and female players in squash competitions held overseas despite the restrictions placed on their participation by politics and prejudice. And to embody the achievement of that success, you need pioneers.

The Hijab Pioneers

In many ways, the relatively recent success achieved in helping female Iranian squash players compete abraaod is a tribute to the inclusive nature of the international squash community and those who govern the sport itself.

Sahar Saaremi

In March 2008, Sahar Saaremi became the first female Iranian squash player in history to take part in an international tournament wearing hijab.  The 20 year old student of metallurgy at the Sharif University of Technology wore specially designed kit recognised by Iran’s Physical Education Organisation. The Iranian Squash Federation not only gave her permission to compete but negotiated with the tournament organisers to allow her to play wearing hijab-compatible kit. Saaremi’s family paid for her to travel to Switzerland for the tournament where she lost her qualifying match.

Just under a year later, Saaremi’s pioneering experience was repeated when three Iranian girls travelled to Chennai to compete in the Asian Junior Squash Championships. Pariya Ahinejad, Siadeh Mazidi and Sogol Samodi were leaving Iran for the first time in their lives,  courtesy of their national governing body. Unsurprisingly, they draw curious looks from organisers, spectators and players alike at the SDAT stadium because of their ‘whole body’ squash kit. Although Iranian women chess players had been a common sight in the Tamil Nadu capital, it was the first time that their girls had been seen playing in an international squash tournament.

Sogol Samodi of Iran in action against Lee Ji-Hyun of Korea at the Asian Junior Squash Championship 2009

But after these initial successes, how can the Iranian squash community continue to press its case for more recognition, more support and more investment? Well, surprisingly enough, taking a leaf from football, or rather the artistic presentation of football as a  passion shared by different sections of Iranian society, may help.

The Art of Sports Passion

In 2006, Iranian film director Jafar Panahi’s cult film, ‘Offside’, about a group of football-crazy girls trying to smuggle their way into a World Cup qualifying match successfully gave the outside world a peep into Iranian society, complete with its politics, prejudices and passion, not so long ago. The film, banned in Iran, won the Silver Bear at the Berlin International Film Festival Grand Jury Prize and was both critically and commercially successful worldwide.

Not so widely known is the Iranian short film, ‘In a Closed Room’ (‘Dar Otaghe Basteh’) also made in 2006 and directed by Ali Alaie and Roya Majdnia. The film follows an  English squash player who is scheduled to coach members of the Iranian Men’s National squad. Players from the Women’s National squad also want to learn from him but are forbidden from doing so due to…well, you get the picture.

‘In a Closed Room’ didn’t gain such a wide release as ‘Offside’ but is nonetheless representative of a kind of storytelling about shared passion and community which is truly international.

And when you watch it or your friends watch it, in whatever country, it really doesn’t matter what clothes you’re wearing.

Acknowledgements

Thanks to James Hardy for his article ‘Iran’s Sportswomen: All Dressed Up and Raring To Go’ in The Times of India. Thanks also to Shirzanan, The First Iranian Women Sports Magazine, for its photographs of female Iranian squash players and its interview with Sahar Saremi ‘Think of the Future Generation’.

The First Squash Court in Cairo

In 2009, the number of functioning squash courts in the world was estimated at just under 50,000. England, with over 8500, was the country with by far the largest number of courts, followed by a number of countries with more than 1000 including Germany, the US, Australia, South Africa, Canada, Malaysia, France, the Netherlands, Spain…and one other.

In third place was the country whose players currently occupy four of the top ten positions in the men’s world squash rankings. Egypt.

But when and where was the first squash court in the country built? And by whom? Well, the answers to both questions probably won’t come as a big surprise. But their appearance during the course of a famous Academy Award-winning film just might.

The British Army in Cairo

After World War II, the Co-ordinating Council for the Welfare of the Troops in Egypt published a guide with ‘a view to providing useful information for Officers and Men of His Britannic Majesty’s Forces staying in and coming on leave to Cairo.’ The guide contained ‘particulars of Services Clubs, Restaurants and places of entertainment’ and included details of clubs operated specifically for service men and women from India, New Zealand and South Africa.

Also included in the guide were details of two sporting clubs which are still in operation today: the Gezira Sporting Club and the Heliopolis Sporting Club. Both were identified as providing facilities for playing squash.

Although the British had first taken control of Egypt in 1801, they were defeated by the Mameluke Army under Muhammed Ali in 1807 and forced to leave the country. It was not until 1882 that they returned as masters of Egypt, bringing with them their institutions, their administrators and their own forms of recreation. At the time, squash was not amongst them but the British love of sport was demonstrated by its establishment, in that very same year of 1882, of the Gezira Sporting Club, then called the Khedivial Sporting Club.

Squash on the Nile

Located on the island of Zamalek, the grounds of what is now the Gezira Sporting Club were carved out of the Khedivial Botanical Gardens, which is why acacias and gardens still decorate the area. After the island had been formally leased to the British military command, club rules were licensed and the land was divided into several recreational playing grounds. At first, the club was for the exclusive use of the British Army but, over the years, has developed into the most important squash training centre in Egypt with 16 courts.

The Squash Building at Gezira Sporting Club

The Squash Building at Gezira Sporting Club

The first squash courts at the Gezira Club were built in the mid-1920s. But are there any older courts in the city?

The Heliopolis Club was established later than the Gezira, in 1910, by the Cairo Electric Railways and Heliopolis Oases Company. The company managed the club until the end of 1921 after which the club members took over its management under the terms of a contract signed with the company.

It’s probable that the appearance of the first squash courts at the Heliopolis club took place after its takeover at the start of 1922. But when was squash first played in Cairo?

Lawrence of Arabia

In 1916, Sherif Hussein bin Ali initiated the Arab Revolt with the aim of securing independence from the ruling Ottoman Turks and creating a single unified Arab state stretching from Aleppo in Syria to Aden in Yemen.

At the time of the outbreak of the Revolt, Aircraftman T.E.Lawrence, later known as Lawrence of Arabia, was working as a cartographer with British military intelligence in Cairo. As someone who had for years travelled extensively within the Ottoman Empire he was sent to the Arabian peninsula to act as a liaison officer for Emir Faisal who commanded a force of Arab irregular troops carrying out guerrilla operations.

T. E. Lawrence

T. E. Lawrence

Lawrence documented his experiences in Arabia in a biography, ‘The Seven Pillars of Wisdom’, published in 1922. Many years later, a screenplay based on Lawrence’s book was written by Robert Bolt and filmed by director David Lean as ‘Lawrence of Arabia’. Released in 1962, the film won seven Academy Awards including Best Picture and Best Director. Lawrence was played by British actor, Peter O’Toole.

It includes the following scene, with Lawrence, now promoted to Lieutenant Colonel, returning to British military headquarters in Cairo. His fellow officers have some good news.

So did the British Army really build the first squash court in Cairo? In 1917 or 1918? And did Lawrence ever play on it?

Well, one for another article maybe…

Acknowledgements

For a fascinating view of life in Cairo for ex-servicemen and women, read the ‘The Services Guide to Cairo’.

The Psychology of Buying a Squash Racket: Part 2

In Part 1 of ‘The Psychology of Buying a Squash Racket’, we looked at the internal factors which influence us to make buying decisions. Our personal perception, knowledge, attitude, personality, lifestyle, motivation and the roles we play in our lives all affect the way we buy. Marketers know this and are experts in finding out just how potential buyers live their lives so that they can work out what kind of products to develop.

But apart from internal factors, there are external factors which influence our decision-making. Factors which are outside our control but which directly or indirectly affect our lifestyles and what we consume.

There’s also a well-known process that all buyers follow in making purchases. And, not only that, there’s a typical feeling that some buyers experience after they’ve made a certain kind of purchase.

The wrong one…

Outside Edge

The Cultural Connection

Culture is made up of inter-woven sets of shared values, attitudes, goals and practices which we learn by observing or interacting with other members of society. It also incorporates shared behaviours  and actions based upon what is a uniquely human capacity for symbolic thought. In other words our capacity for associating strongly with stories, iconic objects and other cultural references.

In the context of squash, it’s easy to see squash balls and squash rackets as iconic objects forming an integral part of squash culture, much of which is passed on from one member of the broader  squash  community to another.  But culture is a broad concept which, to marketers, is less  important as understanding what happens within smaller communities or sub-cultures. Sub-cultures also have shared values but within smaller communities such as those influenced by age, ethnicity, gender, religious belief, geographical location or special interests. Think of women squash players, juniors, veterans, coaches and so on.

So, as part of their efforts to convince customers to buy their products, marketers often use cultural references, especially in targeted promotional appeals. The idea is to connect to consumers using cultural references that they will instantly recognise and embrace. By doing so, the marketer hopes that  the consumer will feel more comfortable with the product or relate to it better as it corresponds with their cultural values. Smart marketers also use culturally-informed research methods to try and identify differences in how sub-cultures behave. This helps them to identify changes in behaviour which they can then respond to by changing their marketing tactics, for example by developing new products, making new offers or opening new sales channels.

Leaders and Followers

As well belonging to specific cultures, consumers also belong to groups with whose members they share certain characteristics. Often these groups contain opinion leaders or other individuals who have a major influence over what members of the group decide to purchase. Some of the groups we typically belong to include:

  • Social Classes – which represent the social standing we have within a society based on such factors as income level, education and occupation
  • Families – which give us a strong sense of identity and can also affect how we make purchase decisions
  • Reference Groups – which many of us either belong to or feel the need to associate with (or, in certain cases, disassociate from)

Characterising the groups consumers belong to also helps marketers to identify target markets, develop new products, and create appealing marketing promotions to which consumers can relate. In particular, marketers try to identify group leaders and others to whom group members look for advice or guidance. These people, if well-respected by other group members, can often be used to provide an insight into group behaviour; and, by accepting promotional opportunities, they can act as effective spokes-persons for the marketer’s products.

So, not surprisingly, professional squash players are often sought out by marketers to lend their image and endorsement to certain (usually expensive) squash rackets.

Reviewing The Situation

The third external factor affecting purchase decisions is circumstance. In other words, the   situations people find themselves in when making decisions. Situations may arise from a  variety of personal circumstances such as someone’s physical environment, their emotional state, or even time constraints. And some situations are uncontrollable, in which case a consumer may not stick to their normal approach to making a purchase decision.

For example, if someone  needs a new squash racket quickly and their local retailer doesn’t carry the brand they usually purchase, they may choose to buy a competitor’s product.

Marketers typically try to take advantage of decisions made in uncontrollable situations in at least one of two ways. First, they can use promotional methods to reinforce a specific selection of products, perhaps by promising to service an item free of charge if the user accidentally damages it. This incentivises the buyer to use the purchased item rather than just keep it as a spare.

Second, marketers can try to convince consumers that a situation is less likely to occur if their product is used. In the case of a squash racket, this may be by claiming that particular materials used to make it are well in advance of those used to make other rackets, making it (almost) indestructible and imbued with magical properties.

Which, of course, it isn’t.

How We Buy

So, having thrashed every last ounce out of the factors that influence our buying decisions, what about the buying process itself? Just how do we buy? Well, researchers have identified five purchase decision steps although whether a consumer will actually carry out every step depends on the type of purchase decision they face.

Purchase Decision Steps

Purchase Decision Steps

In cases of routine, brand loyal purchases, for example, consumers may skip several steps in the purchasing process because they know exactly what they want; it may take them little or no time to come to a decision. For more complex decisions, however, such as those associated with major new purchases, the purchasing process may take days, weeks, months or even longer.

So, in considering the five purchase decision steps, marketers know that, depending on the circumstances surrounding the purchase, the importance of each step may vary. Even though they may not know exactly how.

Step 1: Recognising That We Need Something…or Want Something

In Step 1, the consumer feels that, for some reason, they are not satisfied with their current situation (their perceived actual condition) and wants to improve it; in other words, they want to achieve their perceived desired condition. With me so far?

So internal triggers, such as the dissatisfaction which some players may feel after a run of lost squash matches, may cause them to believe that a new squash racket is needed. External factors can also trigger a consumer’s needs. Marketers are particularly good at exploiting opportunities arising at this stage of the decision-making process through advertising; through features in  squash magazines or on squash websites, or using displays at squash events or  in sports retail outlets.

At this stage the may stall if the consumer is not motivated to continue – and we looked at what motivates people to buy in Part One of this article. However, if they do have the internal drive to satisfy their need they will continue to the next step in the process.

Step 2: Searching for Information

Motivated consumers will next look for information about possible purchases. To get the information they need, they may simply recall information from their past experience (memory), ask other people about their past experiences (always entertaining), or expend considerable effort to access information contained in outside sources such as advertisements, articles and videos. How much effort a consumer will choose to expend on  searching typically depends on such factors as: the importance of satisfying their need; their familiarity with the options available to them; and the amount of time they are prepared to spend on their search.

To appeal to buyers at the search stage, marketers generally make efforts to ensure that they can easily locate information related to their products. So, for marketers whose customers rely solely on the internet as a source of useful information, attaining high rankings on internet search engines is a critical part of their marketing strategies.

Step 3: Evaluating Options

Consumers’ search efforts may – or may not – result in a set of options which they can assess before making a choice. At this stage, a consumer may create a set of possible solutions to their needs simply in terms of product type or, additionally, in terms of the brands on offer for each product type. So, for an adult male wanting a new squash racket, a choice of brands will typically be available, each of which will provide a further range of options relating to racket head shape, stringing, weight and balance, grip, colour and accompanying promotional storyline.

So, marketers need to understand how consumers evaluate product options and why some products are selected to choose from whereas others are not. Most importantly, marketers need to discover which criteria consumers are using to select of possible options and how each criterion is being evaluated. Marketing tactics tend be most effective when the marketer can target their efforts based on accurate knowledge of which benefits are most valued by consumers when selecting purchase options and what is the relative order of importance of each benefit.

Not an easy task.

Step 4: Making a Purchase

In many cases,  the product chosen by a consumer is the same as that which they have evaluated as being the most suited to their needs. However, this may change when it is actually time to make the purchase. In other words, the intended purchase may be subject to alteration at the time of purchase. The product may be out-of-stock or have been discontinued, often a common situation with squash rackets as product lines are regularly changed. A retailer may offer an incentive at the point of purchase, for example by mentioning a competitor’s offer. A consumer may not have the money they need, or may be adversely influenced by members of their reference group who take a negative view of their proposed purchase.

For their part, current market leaders in particular have to make sure that purchase transactions go as smoothly as possible. Internet retailers in particular have tried to streamline their online shopping cart and checkout processes to reduce the likelihood of consumers abandoning their purchases before completion. Marketers whose products are not currently amongst the consumer’s first choice, may offer last chance marketing incentives, such as getting in-store salespersons to “talk up” their products at the checkout line.

Step 5: After-Purchase Evaluation

Surprisingly perhaps, the buying process isn’t over even after a purchase has been made. The consumer is still faced with an evaluation of their decision.

If a product performs markedly below a consumer’s expectations, then they will tend to re-evaluate their decision to buy it. If they are dissatisfied with their original decision, they may even want to return the product. In less extreme cases, they may still retain the item but hold a negative view of the product, making it less likely that they will purchase a similar product from the same marketer in future. This feeling of dissatisfaction even has a name – buyer’s remorse – and is particularly likely to occur in situations where the buyer regards their purchase as expensive or highly important.

Which leads us even further into the psychology of buying a squash racket

Buyer’s Remorse

Buyer’s remorse is thought to stem from a fear of making the wrong choice, from feelings of guilt about being extravagant, or from a suspicion of having been exploited by a salesperson.

The anxiety which characterises buyer’s remorse may be rooted in various factors, such as the consumer’s concern they may have purchased the wrong product, or even the right product but at too high a price. Other concerns may arise from: the purchase of a current model now rather than waiting for a newer model; purchases made in an ethically unsound way; purchases made using credit or a loan that will be difficult to repay; or even the  purchase of an item which may be unacceptable to others, such as fellow members of a reference group.

Before the buying process starts, a prospective buyer will often feel positive emotions towards their future purchase, including desire, a sense of heightened possibility, and an anticipation of the enjoyment that will accompany the use of the product. Having made their purchase, however, they are more likely to experience negative aspects such as worry that other people may later question their purchase or claim to know better alternatives.

Where evidence exists that it is justified, buyer’s remorse is a classical example of what psychologists call cognitive dissonance. One will either seek to discount the new evidence, or to experience true regret – and try to renounce the purchase.

And you thought you were making a simple choice about which squash racket to buy, didn’t you?

Ah well. Better luck next time.

Ackowledgements

Thanks to Wikipedia for their entry on ‘Buyer’s Remorse’ and to KnowThis.com for their  fascinating 2009 article on ‘Consumer Buying Behaviour.’