Before finding fame as television’s “Sherlock“, British actor Benedict Cumberbatch had already acquired a sizeable following through his role as Captain Martin Crieff in John Finnemore’s radio comedy series “Cabin Pressure.”
A short film that explores the abstract narrative of an enthusiastic and passionate “squash” player.
Tim Patterson as Tommy Williams
John Hill as Jon Hill
Written and Directed by Derek Goulet and Tyler Chauncey
Director of Photography – Tyler Chauncey
Editor – Derek Goulet
Producer – Jill Bailey, Derek Goulet, and Tyler Chauncey
Gaffer – Ben King
Sound Recordist – Davis Bannister
There’s a lot to like about Goulet and Chauncey’s short film, not least the bewildering number and variety of ‘that’s not really squash‘ references, possibly referring to the ‘Ω’ of the fiilm’s title.
There was the actual squash reference, of course, namely the main character’s narrative tribute to his hero Jahangir Khan and his astonishing 555 match unbeaten run. But then the film introduced a series of images which, whilst not distracting from the story, kept this viewer at least wondering where the plot was heading. There was Tommy’s training regime which showed him roller-blading whilst playing air-shots with a racquetball racquet. Crossed badminton racquets adorned the wall of his room above a photograph of Jahangir. When the on-court action began, Tommy and his opponent, Jon, entered a giant glass-backed court with no wall markings or tin. The court’s floor bore several sets of markings, including (possibly) badminton, whilst and on-court umpire completed the surreal scene.
Finally, having been knocked unconscious during his match, a dream sequence (Tommy’s sitting fully-clothed in a milk-filled bath being sponged down by the umpire and two assistants) is intercut with unsuccessful on-court attempts to resuscitate him.
I have to admit that until recently I’d never heard of the Colombian city of Floridablanca.
True, thirty years ago I probably flew over it en route to a memorable stay in the Colombian capital of Bogota. but, at the time, my attention was focussed on reaching Lima where I was due to join a group destined for Andean adventure, Amazonian exploration and, although I didn’t yet know it, severe food poisoning. Nevertheless, at 928 metres above sea level, Floridablanca had, and presumably still has, something that, at 2640 metres, Bogota noticeably lacked; namely, enough air to breathe whilst playing squash.
In March this year, Floridablanca hosted the inaugural Ciudad de Floridablanca PSA Women’s World Tour tournament, the final rounds of which were played on an open air court located in the city’s Parque el Santisimo. In the final, former World Number 1 Nicole David defeated America’s Olivia Blatchford 11-3 11-4 11-8.
All this might not sound particularly special but the location of the court certainly was, sharing an elevated plaza with the tallest “Christ the Redeemer” statue in South America. At 43 metres, the Floridablanca statue dwarfs its 30 metres tall rival in Rio de Janeiro which, as I recently discovered first-hand, shares its vantage point on top of Corcovado mountain with up to 14,000 visitors a day most of whom spend their time getting in each others’ way and taking photographs of themselves and each other with smart-phones.
The Floridablanca venue joins other iconic squash court locations, including the Great Pyramid of Giza in Cairo, the Vanderbilt Hall at Grand Central Terminal in New York and The Peninsula in Shanghai, in providing an providing an incredible setting for some of the best on-court action.
So the next time you consider visiting Rio for the holiday of a life-time, why not check out ticket availability for the next Ciudad de Floridablanca? You could even fly down to the fascinating city of Bogota for a few days.
But if you do decide to visit Floridablanca, be sure to pack your umbrella. And if you decide to check out the capital too, you might want to consider an oxygen tank.
Thanks to Squash Site for its review of the inaugural final and to My Rio Travel Guide for its information on visitors to Rio’s “Christ the Redeemer” statue. Thanks also to Colombia Reports for its article on Floridablanca’s “Christ the Redeemer” statue.
With the Oscar-nominated “Manchester by the Sea” still playing in the local cinemas, a return visit to the National Squash Centre seemed appropriate. Located in the Ancoats district of Manchester (England) within spitting distance of the Ashton Canal, the Centre was hosting the finals of the 2017 British National Squash Championships.
The last time I’d been to the finals, in 2011, reigning men’s champion Nick Matthew had been denied a hat-trick of consecutive titles by Essex’s Daryl Selby in a combative five-game affair. Since then, however, top-seeded Matthew had reeled off five titles in a row and was now aiming for his ninth overall, this time against first-time finalist Joe Lee.
In the women’s final another top seed and reigning champion, Laura Massaro, was aiming for her fourth title, her opponent being another first-time finalist Sarah-Jane Perry. On my last visit to the finals, Massaro had won her first title against Jenny Duncalf in another five-game epic.
This time, there were to be no fairy-tale endings for Lee or Perry, both going down 3-0 in entertaining matches.
In the final of the men’s over-45 competition, former two-time men’s champion Peter Marshall lost 3-1 to Manchester’s Nick Taylor whom I’d seen take the over-35 title in 2011. In 1994, Marshall, with his distinctive double-fisted style, had reached the final of the World Open in Barcelona where he’d lost to eight-times winner Jansher Khan.
Before the men’s and women’s finals, I watched the winners and runners-up of the rest of the competitions taking place during the week presented with their medals. I distinctly remembered that during my last visit to the championships, the finalists of the first men’s over-75 competition had been presented with their medals; this year, it was the finalists of the first men’s over-80 competition that were added to the role-call.
I made a mental note to be around for the first men’s over-85 competition but not necessarily to take part.
If I had a pound – no, let’s make that a 2000 Indian rupee note – for every time I’ve heard a sporting figure described as the ‘new kid on the block’, I’d be rich. Well, richer than I already am, which is ‘not very’. Then there’s the popular soubriquet ‘baby-faced assassin’, used primarily to describe male competitors blessed with youthful features and a measure of sporting success. Again, I can hear the metaphorical cash registers ‘ker-ching’, or at least I could if any still existed.
But then along comes somebody referred to, by the media at least, using both epithets. I refer to Egyptian player Karim Abdel Gawad who recently reached a career-high ranking of World No. 3 after winning the 2016 World Championship and the Qatar Classic in the space of ten days.
Gawad’s successes were presaged two months before the World Championships when he failed to assassinate Ramy Ashour in the final of the 2016 Hong Kong Open. That match went the distance with Ashour eventually winning 3-2. But Gawad had run the former World No. 1 close and, in their next encounter, in the World Championship final, would turn the tables, Ashour retiring injured at 1-2 down. To reach the final, Gawad had beaten another fellow Egyptian, Mohamed El Shorbagy, for the first time ever in a world-ranked tournament. Their semi-final was another titanic struggle, Gawad eventually coming through in 90 minutes.
Eleven days later, in Doha, Gawad did it again, this time beating El Shorbagy 3-0 to take his first ever PSA world-ranked tournament. In the post-match interview, it transpired that they had first played each other at the age of eight.
Where his well-earned success leaves Gawad in terms of his ‘new kid’ and ‘assassin’ nicknames isn’t clear. But, at 25, the same age as his childhood rival Mohamed, it’s unlikely that he’ll hang on to at least one of his current monikers forever.
Maybe it’s just my imagination but there doesn’t seem to be any tailing off in the appearance of squash in TV series. In particular, the sport appears to be popular whenever characters are required to display extreme competitive behaviour bordering on psychopathy.
Take a recent (2015) episode (‘The Swedes’) of the US comedy ‘Brooklyn Nine-Nine’ set in the fictional 99th Precinct of the New York Police Department. The programme follows a team of detectives headed by newly appointed Captain Ray Holt and including Charles Boyle, a capable but quirky detective who wears his emotions on his sleeve.
In ‘The Swedes’, Holt enlists Charles to stand in as his squash partner for an annual doubles tournament. Boyle enthusiastically agrees although he confides to a colleague that he’s afraid he’ll let his competitive side out and start eating squash balls like he did in his college days. He begins the tournament trying to keep calm but, after losing the first game of their first match, Holt reveals that he’s picked him purely because of his squash insanity; he knew about Boyle’s crazy college antics and wants that on his team.
“I need you to unleash the beast,” says Holt.
Boyle and Holt (on the T) prepare to start the match
Boyle responds, loses his calm and proceeds to dominate the competition in his own unique, aggressive and unsettling way. He and Holt win the tournament but are then banned from entering ever again due to the trail of physical and emotional damage they have left behind them.
Now cast your mind back, a long long way back, to 1993 and the second ever episode (‘Space Quest’) of the long-running comedy ‘Frasier’. Over no less than eleven seasons radio psychiatrist Frasier Crane and his non-radio psychiatrist brother, Niles, would be portrayed as squash buddies of undisclosed playing ability. Yet, although they periodically appeared wearing squash kit and carrying squash racquets, not one scene was ever set on or near a squash court.
Frazier and Bulldog at KACL
In the ‘Space Quest’ episode Frasier engages in conversation with a colleague Bob ‘Bulldog’ Briscoe, a sports talk-show host at Seattle’s so-called KACL radio. The brash, womanising Bulldog is everything Frasier, a culture snob, loathes. After he tells Frasier that sports keep kids from fantasising or committing murder, Frasier mockingly agrees saying: “Yes. If only Jeffrey Dahmer had picked up a squash racquet“. At the time, Dahmer was a convicted American serial killer and sex offender who would be killed in prison thirteen months after ‘Space Quest’ first aired.
So, there you have it for Brooklyn, squash, Seattle and, er, psychopathy. Amazing how ideas can come together, isn’t it? That’s TV for you.
Thanks to ‘Spoiler TV’ for its review of ‘The Swedes’ and to the ‘Frasier Wiki’ for its review of ‘Space Quest.’ Thanks to Wikipedia for its entries on ‘Brooklyn Nine-Nine’ and ‘Frasier’.
I don’t know about you but I do like to watch the odd rally that either: a) involves both players hitting the ball so hard that it appears to occasionally enter (and return from) hyper-space or; b) includes phases where the initiative shifts over time from one player to another, preferably mixed with a).
Here are a couple of rallies from this year’s Grasshopper Cup in Zurich that fit the bill.
The first, involving the reliably hard-hitting Simon Rosner of Germany and Gregoire Marche of France is definitely in category a). I feel tired just watching it.
The second, involving Scotland’s Alan Clyne and Egypt’s Marwan El-Shorbagy is more of a category b) affair with an occasional sprinkling of category a). I lost concentration after counting 60 shots or so but I’m sure there were more.
Of course, I do realise that it’s highly unlikely I’ll ever come across any memorable rallies that involve soft-hitting and, say, half a dozen shots.
High-Rise, directed by Ben Wheatley, is a 2015 British film based on J.G.Ballard’s 1975 dystopian science fiction novel. Starring Tom Hiddlestone and Jeremy Irons, it tells the story of doctor and medical school lecturer Robert Laing who moves into a new apartment on the 25th floor of a state-of-the-art high-rise building on the outskirts of London. The tower provides its well-established tenants with all the conveniences of modern life: a supermarket, a swimming pool, a school, a restaurant, high-speed lifts and, naturally, a squash court.
Hiddlestone plays the cool, detached Laing with Irons taking on the role of the even more detached Anthony Royal, the building’s architect who lives with his dissatisfied wife in a grandiose penthouse flat. Laing forms an uneasy friendship with Royal, based partly on their playing squash together (on a court with alarmingly blue walls) but also on their mutual regard of each other as being high-status gentlemen of distinction. As the story progresses, the building’s occupants gradually become disinterested in the outside world; then, as the buildings amenities degrade order breaks down leading to violence and murder. In one scene, Royal saves Laing’s life (he is about to be thrown over his own balcony into the car park) with the explanation “You can’t do that! He owes me a game of squash!”
Thankfully, in the squash scenes, both Hiddlestone and Irons do seem to have played the game before.
Although not necessarily on blue squash courts.
Thanks to Wikipedia for its entries on J.G.Ballard and his 1975 novel ‘High-Rise.’
Most squash coaches and sport psychologists have got this one nailed down…haven’t they? Dominate the play from the ‘T’, force your opponent to chase the ball to the four corners of the court, then finish off the rally with a timely, unreachable shot. Piece of cake.
Which is just what Britain’s James Willstrop was in the process of doing during this rally with New Zealander Paul Coll at the recent Canary Wharf Classic. All except the ‘finish off the rally’ bit, that is.
Coll’s ‘never say die’ attitude, willingness to throw his body around (and onto the surface of) the court, and ability to play shots from a horizontal position resulted in Willstrop tinning his ‘winning’ shot due to what I imagine was a combination of gradually increasing incredulity and mirth.
What the response of the spectators was to Coll’s heroics you can hear mirrored in the reaction of the match commentators.
The Tournament of Champions, held every year in New York, originally started life in 1930 as a men’s only event named the US Professional Championships. In 1993, it acquired its current name and in 2001 added a women’s event.
In 1991, the tournament debuted at the Winter Garden in the World Financial Centre before making its home at the Vanderbilt Hall in Grand Central Terminal in 1995. It’s been held there ever since save for its temporary re-location, in 1996, to the Heights Casino in Brooklyn and, in 1996 and 1997 as the consequence of renovations to Grand Central.
In recent years, the ToC has developed into one of the most recognisable events on the PSA World Tour and has featured a multitude of famous winners during its 86-year history. The 2008 tournament, running from January 10th to the 16th, was typical in many ways. Involving 64 of squash’s highest-ranked male and female players, it drew over 4,000 paying spectators as well as thousands of commuters passing through Grand Central.
Yet, in one way, it was particularly significant. Within weeks of the end of the tournament its title sponsor, the global investment bank Bear Stearns, had collapsed.
The Big Short
Founded in 1923, Bear had become a victim of the global financial crisis and had been swallowed up by JP Morgan Chase, the ToC’s current title sponsor. Bear, and other Wall Street firms, had been heavily involved in issuing large amounts of asset-backed securities created by bundling together tranches of ‘sub-prime’ mortgages. In other words, mortgages whose holders were unlikely ever to pay back what they owed.
The asset-backed securities concerned were known as collateralized debt obligations (CDOs), a new unimproved version of which has now re-appeared in the global debt markets.
The story of several of the key players in the creation of the credit default swap market that sought to bet against the CDO bubble (and ended up profiting from the ensuing financial crisis) was told by Michael Lewis in his 2010 book ‘The Big Short’. The book highlights the eccentric nature of the type of person who bets against the market or goes against the grain.
The book has has now been turned into an Oscar-nominated film of the same name starring Christian Bale, Steve Carell and Brad Pitt.
Players in the world of global finance are nothing if not innovative. Yet herd behaviour again prevailed in the run-up to the global crisis. Banks, credit rating agencies, insurance companies and regulatory authorities alike failed to recognise that the system which they were gaming was rotten.
Since the crisis, nothing much has changed. Not even the event taking place every January in Grand Central Terminal, New York.
But, whatever the state of the global financial market, there will always be players to game the system, win, lose or just about break even. And some of them will pay for their name to be emblazoned across the front wall of a glass squash court in Vanderbilt Hall.