Amazing what you can stumble across rummaging around on the Web, isn’t it? Take, for example, what happens when you shove the word ‘squash’ into Google. As well as links to information about the racket sport we all know and love, it tends to throw up all sorts of pointers to cookery, the policing of public demonstrations and the repression of popular uprisings. Although not necessarily in that order, or indeed disorder.
But when you inadvertently find yourself straying into the imaginary realm of elves, orcs and hobbits, well that’s another thing entirely. Which just goes to show that internet search engines and squash know no boundaries.
The Lord Of The Rings
In 2003, Director Peter Jackson’s film, ‘The Return of the King’ won 11 Academy Awards including Best Picture. The film was the third of a trilogy based on ‘The Lord of the Rings’, an epic fantasy novel written by English philologist and University of Oxford professor J.R.R.Tolkien.
The title of the novel refers to the story’s main antagonist, the Dark Lord Sauron, who in an earlier age created the One Ring to rule all the other Rings of Power. The One Ring is Sauron’s ultimate weapon in his campaign to conquer and rule all of Middle-earth, complete with elves, orcs, hobbits etc.
The story follows the adventures of Frodo Baggins, a hobbit, and his comrades in his quest to destroy the One Ring by casting it into the fires of Mount Doom in the Land of Mordor where Sauron’s power holds sway. A rather nasty place by the sound of it and certainly not a tourist destination.
Along with the other two films in the trilogy, ‘The Return of the King’ was filmed in New Zealand, home to a thriving squash community with a distinguished history (think Susan Devoy and Ross Norman), as well as to plenty of conveniently-located squash courts.
A Squash Court in Queenstown
At the time of filming scenes on location for ‘The Lord of the Rings’, one such squash court proved particularly useful to Peter Jackson and his crew. Located in the resort town of Queenstown on the West Coast of New Zealand’s South Island, it was used to film a scene in which Frodo, accompanied by his trusty gardener Sam Gamgee and their less than trustworthy guide Gollum climb the secret stairway of Cirith Ungol into Mordor as Sauron’s forces march out to battle far below.
Frodo, Gollum and Sam on a squash court in Queenstown
Jackson’s decision to film the scene was triggered by the suspension of outside filming in the Queenstown area due to bad weather, the town itself being hit by extensive flooding. The Cirith Ungol stair ledge was quickly built on a squash court located in a Queenstown hotel.
Actors Elijah Wood (Frodo) and Sean Astin (Sam) both baulked at having to perform such a pivotal scene without any preparation. At the time, Andy Serkis had not yet been cast in the role of Gollum, so the part was played by a stand-in member the crew. Filming went ahead, with Astin’s scenes being successfully completed.
The following day, however, the sun re-appeared, the floods abated and exterior filming was resumed. The intent was always to return to the squash court (where the set remained standing) to film Elijah Wood’s scenes but, for the next five weeks, there was no rain to interrupt exterior filming. The crew moved on to a new outdoor location with Wood finally returning to do his part of the Cirith Ungol scene almost year later.
During the whole of the intervening period, the squash court still contained the film set, the hotel presumably having agreed an amount of compensation greater than the income it could have earned from a year’s worth of court fees. Action shots involving all three characters in the scene were the last to be shot before the set was finally dismantled in late 2000.
So the next time you watch ‘The Return of the King’, spare a thought for the squash lovers of Queenstown whose playing options were reduced for over a year.
And try to imagine what it might have been like to play squash in Mordor.
Postscript: Walking Into Mordor
If you head over to Google Maps and ask for walking directions from “The Shire”(the home of Frodo of Sam) to “Mordor”, this is what you’ll get…
The warning is the same as that delivered to Frodo et al by another character from ‘The Lord of the Rings’, Gandalf the Wizard. All of which means that I think I’ll give it a miss for the time being.
But, Queenstown? Well that’s another thing entirely. I’ve been there myself and had absolutely no problem with the Dark Lord Sauron. But I wouldn’t go via the Cirith Ungol route if I were you.
Thanks to IMDB and Movie Mistakes for their background details on the making of ‘The Lord of the Rings’. Also thanks to Google for their warning about visiting Mordor.
In June 2011, Iran’s women footballers were banned from competing in the 2012 Olympics when their qualifying match with Jordan in Amman was called off moments before kick-off. The ban was due to the players’ kit which, following a FIFA ban in 2010, had been changed and (according to the Iran Football Federation’s head of women’s affairs) approved by none other than FIFA’s beleaguered president, Sepp Blatter. And the kit was designed to meet Iran’s mandatory dress code for women.
Iranian squash player Nazanin Heydari
Whatever the circumstances surrounding the football ban, the reality for female sports enthusiasts in Iran is clear. In the Islamic Republic, women can only take part in their favourite sports whilst wearing full tracksuits and head coverings that conceal their hair. The code, whether driven by religion, politics or culture, is known as hijab and encompasses both the traditional head covering worn by many Muslim women and modest styles of Muslim dress in general.
But Iranian women have been allowed to compete internationally in an increasing number of sports whilst still following the hijab dress code. In weightlifting, in taekwondo, in boxing…..and in squash.
The National Squash Scene
With less than two dozen functioning squash courts in what is a vast country, Iran doesn’t at first glance seem to be in a good position to develop a sustainable squash community at a national level. Government investment in squash is minimal yet there still exist small squash-playing communities in cities such as Esfahan, Yazd, Gorgan, Arak and Shiraz as well as in the capital, Tehran. The same lack of investment applies to the private sector although, in the last three years, international squash tournaments have been held in Rasht on the Caspian coast and on Kish Island in the Persian Gulf.
The participation of women in the game is reflected in the recent appearance of no fewer than nine Iranian players in the Women’s Squash Association Top 250 rankings for January 2012. The National Women’s squad is currently coached by Muqaddas Ashraf, a former Pakistan No.2 with the National Girls squad being managed by Iranian-born Nadjmesadat Kasfimofrad. The Iranian Squash Federation (SFIRI) also arranges coaching for National squad members by overseas players such as Pakistan’s Carla Khan, a former World No.18.
Carla Khan with Iranian National Girls Squash Team 2009
But whatever the limited resources available to the Iranian squash community, it’s the passion and enthusiasm of its members which helps it to survive and, occasionally, to show others how to overcome seemingly immovable obstacles to achieve success. Such as the involvement of its male and female players in squash competitions held overseas despite the restrictions placed on their participation by politics and prejudice. And to embody the achievement of that success, you need pioneers.
The Hijab Pioneers
In many ways, the relatively recent success achieved in helping female Iranian squash players compete abraaod is a tribute to the inclusive nature of the international squash community and those who govern the sport itself.
In March 2008, Sahar Saaremi became the first female Iranian squash player in history to take part in an international tournament wearing hijab. The 20 year old student of metallurgy at the Sharif University of Technology wore specially designed kit recognised by Iran’s Physical Education Organisation. The Iranian Squash Federation not only gave her permission to compete but negotiated with the tournament organisers to allow her to play wearing hijab-compatible kit. Saaremi’s family paid for her to travel to Switzerland for the tournament where she lost her qualifying match.
Just under a year later, Saaremi’s pioneering experience was repeated when three Iranian girls travelled to Chennai to compete in the Asian Junior Squash Championships. Pariya Ahinejad, Siadeh Mazidi and Sogol Samodi were leaving Iran for the first time in their lives, courtesy of their national governing body. Unsurprisingly, they draw curious looks from organisers, spectators and players alike at the SDAT stadium because of their ‘whole body’ squash kit. Although Iranian women chess players had been a common sight in the Tamil Nadu capital, it was the first time that their girls had been seen playing in an international squash tournament.
Sogol Samodi of Iran in action against Lee Ji-Hyun of Korea at the Asian Junior Squash Championship 2009
But after these initial successes, how can the Iranian squash community continue to press its case for more recognition, more support and more investment? Well, surprisingly enough, taking a leaf from football, or rather the artistic presentation of football as a passion shared by different sections of Iranian society, may help.
The Art of Sports Passion
In 2006, Iranian film director Jafar Panahi’s cult film, ‘Offside’, about a group of football-crazy girls trying to smuggle their way into a World Cup qualifying match successfully gave the outside world a peep into Iranian society, complete with its politics, prejudices and passion, not so long ago. The film, banned in Iran, won the Silver Bear at the Berlin International Film Festival Grand Jury Prize and was both critically and commercially successful worldwide.
Not so widely known is the Iranian short film, ‘In a Closed Room’ (‘Dar Otaghe Basteh’) also made in 2006 and directed by Ali Alaie and Roya Majdnia. The film follows an English squash player who is scheduled to coach members of the Iranian Men’s National squad. Players from the Women’s National squad also want to learn from him but are forbidden from doing so due to…well, you get the picture.
‘In a Closed Room’ didn’t gain such a wide release as ‘Offside’ but is nonetheless representative of a kind of storytelling about shared passion and community which is truly international.
And when you watch it or your friends watch it, in whatever country, it really doesn’t matter what clothes you’re wearing.
********************************************************************************* “There had been other dark moments in Freddie’s life. Once, back in London, Parker had sent him out into the heart of the West End without his spats and he had not discovered their absence till he was half-way up Bond Street. On another occasion, having taken on a stranger at squash for a quid a game, he had discovered too late that the latter was an ex-public-school champion.”
From “Jill The Reckless” by PG Wodehouse first published in the US in 1920 under the title “The Little Warrior”.
PG Wodehouse was, and arguably still is, England’s best-loved humorist. Born in 1881, his father was a British judge who spent much of his professional career in Hong Kong, then a colony of the British Empire. In fact, Wodehouse was born, prematurely, whilst his mother was on a visit to England from Hong Kong. When he was three, he was sent back to England and placed in the care of a nanny before being sent to a succession of boarding schools. Between the ages of three and fifteen, he was to spend less than six months with his parents.
PG Wodehouse in 1905
Despite his unusual childhood, Wodehouse was to enjoy enormous popular success as a writer, poet, lyricist and journalist during a career that lasted more than seventy years until his death in 1975. His many writings, including the Jeeves and Wooster stories, continue to be widely read. In many of them, he pokes fun at the English aristocracy, establishment figures (including judges), and American businessmen and philanthropists. All entertainingly embellished with the use of contemporary London clubroom slang.
But it was as a pupil of Dulwich College in South London that the young Wodehouse came into his own as a sportsman, gaining his school colours as a member of the cricket First XI and the rugby First XV. Not surprisingly, both sports were to feature heavily in his writings along with golf, tennis and a relatively new game which was emerging from the shadows of an older predecessor, racquets, then played at Dulwich.
The game of squash.
Racquets, Fives and the Rise of Squash
Classed as a Minor Sport, the game of racquets was well established at Dulwich by the time Wodehouse arrived as a pupil in the mid-1890s. The sport had originated as an 18th century pastime in London’s debtors prisons at King’s Bench and Fleet where the prisoners modified the even more ancient wall game of fives by using tennis rackets to speed up the action. They played against the prison wall, sometimes at a corner to add a sidewall to the game. Racquets then became popular outside the prisons and was played in alleyways, usually behind public houses.
Nowadays, racquets is played in an enclosed court measuring 9.14m by 18.28m) with a ceiling height of at least 9.14m (30 feet). The singles and doubles games are both played on the same court, the walls and floor being constructed from smooth stone or concrete; both walls and floor are generally dark in colour to contrast with the white ball. Players use a 77.5cm wooden racket, known as bat, to hit the hard 38mm diameter white ball which weighs 28 grams.
In Wodehouse’s time there, Dulwich College maintained courts for both racquets and fives, the latter being built in 1894 and destroyed by enemy bombs in the Second World War. The racquet courts at Dulwich are also long gone although about 20 courts still exist in England’s public schools.
So, Wodehouse would have been familiar with both games, even though he didn’t gain school colours in either of them. Squash, on the other hand, was a new, up and coming offshoot of racquets and, at the beginning of Wodehouse’s writing career, was just the kind of trendy activity sought out by the younger set of London’s upper middle-class.
Including certain members of some of the British capital’s gentlemen’s clubs.
Squash and the Drones
Located off Piccadilly in London’s Mayfair district, the fictitious Drones Club was a recurring setting in Wodehouse’s writing, with many of his stories featuring the club or its members. The Drones was meant to typify the kind of private club originally set up by British upper class men in the 18th century to provide an environment in which to carry out gambling, which was still illegal outside members-only establishments.
Wodehouse’s description of the Drones Club’s young members, precisely fitted the contemporary Edwardian idle rich stereotype. However, he was keen to point out in his writings that some of the club’s members did actually hold down prominent jobs. Reginald ‘Pongo’ Twistleton, for example, was described as studying for The Bar whereas G. D’Arcy ‘Stilton’ Cheesewright (a rival of Bertie Wooster) worked, albeit briefly, as a special constable.
Nevertheless, the Drones with its restaurant, swimming pool and squash court was typical of many of London’s gentlemen’s clubs, even down to its numerous sports competitions, from golf to tennis and squash. Competitions, of course, on which wagers could be made and around which humorous stories could be written.
And one favourite storyline of Wodehouse’s involved young men displaying, or at least attempting to display, their sporting prowess in order to impress young ladies.
Jeeves and the Squash Handicap
Perhaps the Drones Club’s most well-known member was Bertram Wilberforce Wooster.
In Wodehouse’s writing, Bertie Wooster is the young, amiable and naive man-of-leisure, whereas the older, and considerably wiser, Jeeves is his valet and friend. Most of the Jeeves and Wooster stories involve Bertie getting into some sort of scrape with a young lady, an aunt, a representative of the Law or, in some cases, all three. Typically, the omniscient and resourceful Jeeves comes to the rescue in his inimitably modest, no-nonsense style.
Hugh Laurie as Bertie Wooster and Stephen Fry as Jeeves in ITV's "Jeeves and Wooster"
In “Jeeves and the Yule-Tide Spirit”, Bertie and Jeeves arrive at the country estate of Lady Wickham whence they’ve been invited “for the festivities”. Bertie announces that he is in love with Lady Wickham’s daughter (and accomplished tennis player) Miss Roberta ‘Bobbie’ Wickham.
********************************************************************************* “During your stay here, Jeeves,” I said, “you will, no doubt, be thrown a good deal together with Miss Wickham’s maid. On such occasions, pitch it strong.”
‘You know what I mean. Tell her I’m rather a good chap. Mention my hidden depths. These things get round. Dwell on the fact that I have a kind heart and was runner-up in the Squash Handicap at the Drones this year. A boost is never wasted, Jeeves.”
“Very good, sir.”
From “Jeeves and the Yule-Tide Spirit” by PG Wodehouse first published in 1930.
As revealed Wodehouse’s “The Mating Season”, Bertie is actually a racquets blue, a sporting honour awarded during his time at public school. So the revelation that he’s also a squash player is not really that surprising. He also plays darts and billiards, swims, and plays tennis, all activities well-catered for at The Drones. But which sporting activity should he choose to impress the object of his affection?
A Squash Player at Blandings
The Drones Club also features in Wodehouse’s Blandings novels, written between 1915 and 1975. Blandings Castle is the fictitious seat of Lord Emsworth and home to many of his eccentric family, including his younger brother, Galahad Threepwood. Galahad is, in fact, a member of the Pelican Club, an older, more traditional version of The Drones with it’s more unruly younger membership.
Lord Emsworth is an amiable, absent-minded old chap who loves his home and gardens dearly and is never happier than when pottering about the grounds on a fine sunny day, poking at flower beds or inspecting his champion pig, The Empress of Blandings. For the Threepwood family and their friends, the castle is forever available for indefinite residence, and, in Wodehouse’s writing, is often a setting for love-struck young men and ladies to act out their personal dramas.
In ‘A Pelican at Blandings’, Galahad Threepwood, muses on the appearance of John Halliday, son of the late JD ‘Stiffy’ Halliday who had been a fellow Pelican Club member.
********************************************************************************* “There was about him something of the air of a rising young barrister who in his leisure hours goes in a great deal for golf and squash racquets. And that, oddly enough, is what he was. His golf handicap was six, his skill at squash racquets formidable, and he had been a member of The Bar for some five years”
From “A Pelican at Blandings” by PG Wodehouse first published in 1969.
Halliday later arrives at Blandings in the persona of a psychiatrist ostensibly hired to analyse Lord Emsworth but, in reality, hoping to press his suit with his fiancée Linda Gilpin who is visiting the castle with her uncle, Alaric, Duke of Dunstable. In fact, Galahad has been instrumental in smuggling Halliday, now his god-son, into the castle, having been called on for help after an estrangement between the man and his beloved Linda, caused by Halliday’s zealous devotion to his duty as a lawyer despite his fiancée being a witness in…
…well, you get the idea…
So, does the squash player get the girl? Well, there’s at least one way you can find out.
My first real taste of the exotic confection that is Hindi cinema came in the shape of a Saturday matinee at the celebrated Raj Mandir movie theatre in downtown Jaipur. The 1200-seat meringue-shaped auditorium, known as ‘The Pride of Asia’, originally opened in the mid-1970s. And, over the years, it’s hosted many Hindi film premieres attended, naturally enough, by their stars, fans, members of the Indian glitterati, and assorted media hacks.
Unfortunately, the premiere of Saudagar – a sprawling three and a half hour epic set in the Himalayas – had already taken place by the time I’d arrived in Jaipur, leaving me to settle for a star-less and media-free visit to the Raj. Nevertheless, I was treated to an enjoyable, if labyrinthine, story of love, romance, politics and violence punctuated only by the occasional high-energy dance ‘item number’ showcasing beautiful women in very revealing clothes.
The Raj Mandir Cinema in Jaipur
But, if my visit to the Raj Mandir was memorable, my next destination was a city which had not only given its name to the Hindi film industry, but which was at the throbbing heart of Indian celebrity culture and media gossip. The place for film stars and their significant others to be seen, photographed and talked about.
And to play squash.
At roughly the same time as the opening of the Raj Mandir, India overtook the US as the world’s largest film producer. And, as the commercial capital of the country and a source of much movie funding, the city of Bombay simultaneouslyfound its colonial name combined with that of America’s Hollywood movie industry to create a new and distinctive Asian entertainment brand. Bollywood!
Since then, Bombay has not only become Mumbai but has strengthened its position, both as India’s commercial centre and as the heart of the Hindi movie industry. Not surprisingly, the city has also attracted more than its fair share of celebrity residents, the more athletically-inclined of whom are able (in other words, wealthy enough) to use the exclusive sporting facilities provided by its private clubs and five star hotels. But perhaps what might be less expected in a country where cricket is the most popular sport, is the apparent popularity of squash as an activity with which many Bollywood celebrities are happy to be associated.
In fact, many Bollywood stars play squash, date squash players, support charity squash tournaments and generally contribute to the image of squash as a pretty cool sport to be involved with. All, of course, exhaustively reported in an astonishing number of celebrity magazines and gossip columns.
Introduced to the game by her brother, Mumbai-born film actress Hansika Motwani, plays squash regularly. “Squash is unique. It is fast, competitive, and provides an excellent workout” she says. “One hour of squash can burn up to 850 calories. The best part is, since you are playing a sport, you don’t feel that you are working out!” Not sure that I follow the logic of that, but never mind.
Another actress Minissha Lamba is enthusiastic squash player as is so-called ‘bong bombshell’ Rimmi (formerly Rimi Sen). She loves the sport and, at the end of a long, tiring day, all she pines for is a good game of squash. “The game requires high concentration, power and high energy levels,” says Rimmi, “and that’s what attracts me to the most.”
But it’s not just Bollywood’s female stars who are squash lovers.
Celebrity-turned-activist Rahul Bose plays squash as does Srinagar-born actor Sanjay Suri whose his elder brother, Raj, introduced him to the game when he was a child. Within two years, Suri was playing Sub-Junior squash for his home state of Jammu and Kashmir, and later went on to represent the state in the Indian Junior National Championships.
And then there’s actor Aamir Khan, a keen squash player and former smoker who’s regularly encouraged Bollywood’s star-struck fans to quit a habit still widely regarded as cool by many of India’s younger generation. “When I smoked,’” warned Khan in one interview, “I couldn’t play squash for more than 15 minutes. Two weeks after quitting…I could play for up to an hour. Nothing is more dangerous than cigarette smoking.” Just one example, perhaps, of a Bollywood role model promoting a healthy lifestyle as well as their latest movie.
Where there are squash girls and squash boys, it probably shouldn’t come as any surprise that there is a high probability of squash romance. And, in Bollywood, rumours of romance, actual romance, public displays of romance and the death of romance are endlessly played out against a backdrop of intense media scrutiny and…er…gossip.
Perhaps the most high-profile Bollywood squash romance in recent years was that involving actress and former Miss India Universe winner, Neha Dhupia, and India’s then Number 1 squash player,Ritwik Bhattaracharya. The former college classmates had known each other for at least a decade before they ‘got together’ at a time when both their careers were in the ascendant.
Unsurprisingly perhaps, the naturally-sporty Dhupia soon hired a squash coach to teach her the basics of the game and improve her racket skills. But, despite her new-found passion for squash – and for one of its most famous exponents – Dhupia’s romance with Bhattaracharya eventually came to end after three years. But not before the celebrity couple had received an inordinate amount of media coverage in the Bollywood gossip columns, and simultaneously raised the public awareness of squash as an activity which just might lead to love.
So, after the tale of a beautiful Bollywood starlet finding squash passion, how about the story of a beautiful squash starlet finding Bollywood? Read on….
The First Squash Item Girl
“She’s a very sexy and pretty Indian squash player,” announced the Indian CinemaBlog in 2010. The blog post went on to say that there were ‘rumours’ from Southern India that Chennai-born Dipika Pallikal had ‘a good chemistry’ with the film industry and ‘liked to be a friend to all film and sports people.’ Furthermore, and possibly most important of all for millions of young Indian men, Pallikal was reported as saying that she didn’t have “any boyfriends at all.”
Away from the gossip, Pallikal (known as the Indian Sharapova) is only the second Indian woman ever to break into the World top 100 squash players. Still only 19, she’s won the German, Dutch, French, Australian and Scottish Open tournaments and is currently training under Egyptian squash coachMohamed Essam Saleh. At the time of writing she’s reached Number 26 in the World rankings.
Dipika Pallikal on Court
And she has indeed been offered starring roles in Tamil movies which, like their Bollywood equivalents, also have a massive audience. Pallikal has so far refused, instead focusing on becoming the Number 1 squash player in Asia. However, she has started to endorse various brands and is now appearing in a range of television advertisements. Her popularity is undoubtedly on the rise.
And Bollywood, at least for one World-class squash player, is beckoning.
An item number in Indian cinema is a musical performance that has little to do with the film in which it appears but lends support to its marketability. The term is commonly used to describe a catchy, upbeat, often sexually provocative dance sequence or song.
A female actor, singer or dancer appearing in an item number (and especially one poised to become a star) is known as an item girl. Although the origin of the term is obscure, it’s likely that it derives its meaning from the objectification of sexually attractive women. This is because an ‘item’ in Mumbai slang is a ‘sexy woman.’
And finally, a bong babe is a girl from Bengal.
Thanks to Wikipedia for its informative, not to say exhaustive, entry on the ‘item number’ in Indian cinema. Also thanks to the Indian Cinema Blog for its feature on Dipaka Pallikal.
In 2008, three years after being awarded the Nobel Prize for Literature, British playwright Harold Pinter died following a six-year battle with cancer of the oesophagus. In its tribute to his work, The Swedish Academy said:
“Pinter restored theatre to its basic elements: an enclosed space and unpredictable dialogue, where people are at the mercy of each other and pretence crumbles. With a minimum of plot, drama emerges from the power struggle….”
“In his plays,” it went on, “(he) uncovers the precipice under everyday prattle and forces entry into oppression’s closed rooms.”
And nowhere did Pinter’s art resonate more effectively with the Academy’s description of his work than in his 1978 play, Betrayal, the story of a classic love triangle, in which Emma betrays her husband, Robert, a publisher, by conducting a seven-year affair with his best friend, Jerry, a literary agent. A play in which the game of squash serves as an icon for a whole set of male social games that evolve around its leading characters.
A game played in an enclosed space, a closed room, where drama emerges from the power struggle.
The Rules of the Game
The relationship between Emma and Jerry in Betrayal is basically a game with an elaborate system of rules set up by both sides. These are especially necessary as there is in fact a double system of relationships between them, as clandestine lovers and as, respectively, wife and best friend of Robert. There are external rules, about how to keep the affair secret, and internal rules, about what is permitted within. Even after the affair is over, Jerry corrects Emma when she asks about his son: “You remember the form. I ask about your husband, you ask about my wife.”
In fact, all the relations in the play assume the amusing shape of sophisticated social games and rituals, making the game logically precede the particular instance of its playing and disqualifying any originality in the behaviour of the characters.
The bitter twist is that the action moves backwards in time, beginning with the end of the affair and working remorselessly back to the first snatched kiss.
Pinter never reveals his point of view, but lets the audience draw its own conclusions, offering scenes of the affair alternating with scenes of the two male friends meeting, Robert baiting Jerry(who doesn’t think that his best friend suspects), always suggesting a game of squash, symbolic of male companionship, and Jerry always backing away from the direct competition.
In one scene Robert proposes a game at a social event with Emma present. She urges them to play together again and suggests she meet them after for lunch. Robert quickly says no:
“I mean a game of squash isn’t simply a game of squash, it’s rather more than that. You see, first there’s the game. And then there’s the shower. And then there’s the pint. And then there’s lunch […]. You don’t actually want a woman within a mile of the place, any of the places, really.”
Robert’s outburst reveals the nature of the series of male rituals he is describing. They are clearly meant to exclude women from what is perceived as exclusive male terrain. At the same time, the attack discloses a defensive attitude, an attempt to distance women so as to get rid of their sexually threatening presence. It’s implied that Robert and Jerry have not played squash for a long time because Jerry has engaged instead in the betrayal game, and Robert’s rather fierce speech is meant to win him back as a partner in the male game.
The same disjunction between affair-with-wife and squash-with-husband appears in Robert’s disclosure about another character, Casey: “I believe he’s having an affair with my wife. We haven’t played squash for years, Casey and me. We used to have a damn good game.”
The Seeds of Betrayal
There’s no evidence that Pinter had any particular interest in squash before writing Betrayal. In fact, he was an enthusiastic cricket player and approved of the “urban and exacting idea of cricket as a bold theatre of aggression.” But squash would certainly have been played by some of his friends and acquaintances.
One such was the British actor Robert Shaw, a close friend of Pinter who in 1962 appeared on stage as Aston in Pinter’s first major theatrical success, The Caretaker, and again in its film version two years later. As a boy he attended school in Cornwall and was an all-around athlete, competing in rugby, squash and track events.
Unfortunately, at the age of 18, Shaw was misdiagnosed with a chronic inflammatory arthritis and autoimmune disease which, perhaps not surprisingly, led him to curtail his involvement in sport. The disease was supposed to affect joints in the spine and it’s a measure of Pinter’s artistic approach that Shaw’s character in The Caretaker has a speech in which he expresses his fear of breaking his spine during a stay in a mental institution.
But around the time of London premiere of The Caretaker, another event occurred which was to directly influence the writing of Betrayal. Pinter, then married to his first wife Vivien Merchant began a seven-year clandestine affair with a married BBC-TV presenter and journalist, Joan Bakewell.
Throughout his career, many of Pinter’s plays were to feature characters trapped in an enclosed space menaced by some force they can’t understand.
In his first play, The Room, the main character, Rose, is menaced by Riley who invades her safe space, though the actual source of menace remains a mystery. Pinter later confirmed that his visit, in the summer of 1955, to the ‘broken-down room’ of the English writer, Quentin Crisp, in Beaufort Street, London inspired him to write The Room, “set in a snug, stuffy rather down-at-heel bedsit with a gas fire and cooking facilities.”
The First Production of The Room 1957
The first performances of The Room were staged in 1957 at the University of Bristol.
In a converted squash court .
Many thanks to Hanna Scolnicov whose article ‘Pinter’s Game of Betrayal’ provided much of the source material for this post. Her article was originally published in Cycnos, Volume 14 No 1 on June 11th, 2008.
I suppose that squash isn’t such a mainstream sport that it appears regularly in light entertainment TV programmes. Well, at least not in the UK. In fact, I can remember only two occasions where a squash club setting was used as a key feature in what’s now known as terrestrial television. Once in a comedy drama and once in a much-loved comedy sketch show.
Clinger nA ball running right along the side wall which is difficult to hit. A clinger may be the result of a straight drive or of a cross-court drive which squirts from the nick high up between the front and side walls.
The Clinger was a 60 minute play shown on UK television in 1986 as part of a series of dramas entitled Love and Marriage. Set in a squash club and taking place over a single evening, it traced the fortunes of Alan (Richard Hope) in his attempts to impress fellow club member Samantha (Sallyanne Law).
Alan (Richard Hope)
Samantha (Sallyanne Law)
Ernie (Ron Pember)
Jack (Alan David)
Playing an internal league match against old hand Ernie (Ron Pember), Alan finds himself battling not just against his own nervousness, but also against Ernie’s superior court craft and his strongest shot, the clinger. Alan’s romantic fantasies slowly turn into a nightmare as he’s given the run-around by Ernie only to be handed a lucky break as the match moves towards its inevitable conclusion. Ernie collapses and dies of a heart attack thereby forfeiting the match!
Running through The Clinger were a number of humorous storylines dealing with the petty politics of squashclub life including the point scoring rules for the internal leagues. These, of course, come sharply into focus following the dramatic conclusion of Alan and Ernie’s match.
An impromptu eulogy is given by club chairman Jack (Alan David) as Ernie is stretchered off court to a waiting ambulance. Jack pays tribute to Ernie and his clinger only to be lobbied by various club members anxious that, as a result of Ernie forfeiting his match, they will be denied promotion or relegated from their league.
Naturally, Alan wins the match by default….and gets the girl.
I do like a happy ending.
Ringer n One who misrepresents his or her identity or ability in order to gain an advantage in a competition.
A couple of months ago I found myself in a queue in a London bookshop with Ronnie Corbett, the surviving (and smaller) member of The Two Ronnies comedy partnership. It was recently Corbett’s 80th birthday, an event marked by repeat broadcasts of many of his best known TV sketches as well as a new programme involving a range of British comedians.
One such sketch with Ronnie Barker sees the two engaged in changing room banter after a squash match. Corbett plays the experienced club player with Barker, a complete novice who has apparently played his first game ever – wearing a business suit. Barker is seeking clarification of the squash scoring system from the humiliated Corbett having just beaten him 9-1, 9-0, 9-0. Corbett’s solitary point has apparently been won at the start of the match when Barker was still holding the wrong end of his racket.
I’ll leave it to you to decide whether Barker plays a ringer in this sketch but 25 years after its first broadcast, it still has the power to bring a smile to the face.