Hitting Walls – Art Installations

It’s not often you come across an art film inspired by squash but here’s an entire series of them that have been presented as installations in art exhibitions worldwide. Carlin Wing’s “Hitting Walls” video pieces fall neatly into the genre of site-specific works designed to transform the perception of a space.

Wing was a professional squash player who changed careers. After several years on the women’s professional tour, playing alongside stars like Nicol David, Ivy Pochoda, and Sharon Wee, Wing headed to California to attend the California Institute of the Arts in Valencia. The “Hitting Walls” pieces are just some of the creations emerging from her  work.

In The Eye Of The Beholder (2006)

Wing’s dual identity as a squash player and a photographer has its beginnings in her time as an undergraduate.

In the Eye of the Beholder, 2006 from carlin wing on Vimeo.

Here, Wing’s “In The Eye Of The Beholder” single channel video-loop installation records the moment when the ball hits either side of the central front-wall horizontal line. The overall effect is both jarring and mesmeric.

Hitting Walls (v.VII) (2009)

The second iteration of this video was made for an exhibition at the Anthony Greaney Gallery in Boston in 2009. Accordingly, the Los Angeles footage was mostly swapped out for footage shot in Boston including clips of the John Hancock Building and the Carpenter Center for the Visual Arts. The latter was Le Corbusier’s only completed building in North America although he also submitted drawings for the UN building in New York City.

Hitting Walls (v.VII), 2009 from carlin wing on Vimeo.

The initial footage used in this 2009 piece refers back to “In The Eye Of The Beholder” but there are sections filmed in a variety of locations and spaces. Wing photographed the courts of international squash tournaments using long exposure times to capture the events from start to finish. The resulting installation is fragmentary but always engaging, drawing the viewer into a web of sounds and images.

Hitting Walls (v.I) site specific installation with audio piece (2010)

In another single-loop installation, this 2010 piece echoes the minimalist vein struck by Wing in her “In The Eye Of The Beholder”.

Hitting Walls (v.I) site specific installation with audio piece from carlin wing on Vimeo.

This time, the frosted glass-enclosed source of the sound of a squash ball hitting a wall stares blankly from the screen.

At the time of writing, Carlin Wing is an Assistant Professor of Media Studies at Scripps College in Claremont, California. Her work on “Hitting Walls” continues, supplemented by written reflections on squash and its artistic interpretation. Her 2014 article “Hitting Walls (v.XXVIII) – Captured  Play” “uses a thick description of a single point played by Ramy Ashour (Egypt) and James Willstrop (England) during the finals of a professional squash tournament in 2008 to evoke the rhythms of virtuosic play and to describe the vast infrastructures we construct for its capture.”

Whatever your view, WIng’s life as an artist has undoubtedly been and continues to be inspired by squash as a form of human expression.

Sources

The videos associated with Carlin WIng’s “Hitting Walls” installations can be found on Vimeo. Her article “”Hitting Walls (v.XXVIII) – Captured  Play” can be downloaded from the Sage Journals website.

 

 

The Play’s The Thing: Squash On Stage

Betrogen (Berlin Renaissance Theatre)

It’s one thing to write a serious play, particularly one using squash as a metaphor for the male social games played out by the protagonists of a classic love triangle. But it’s quite another to stage that play live on a set designed to replicate the closed space of a squash court.

Betrogen

Nevertheless, at least two attempts have been made in recent times to do just that. The play, of course, is Harold Pinter’s 1978 masterpiece ‘Betrayal’ in which Emma betrays her husband, Robert, a publisher, by conducting a seven-year affair with his best friend, Jerry, a literary agent.

Betrogen

2011’s Berlin Renaissance Theatre production of the play (‘Betrogen’) used a German translation of Pinter’s text by Heinrich-Maria Ledig Rowohlt and a modular ‘glass court’ stage set. In his review, theatre critic Andrew Haydon observes:

“… the entire play turns out to be set in a squash court. The glass fourth wall does gradually recede throughout the actio, which, at least, has the effect of situating each scene in a different space, even if they are all white with a red line running round them about halfway up the wall. But even this hardly feels like an outrageous exercise in regietheater gone mad.

“The squash court is no doubt a cunning reference to one the famous motifs of Pinter’s text being Jerry and Robert […] repeatedly mentioning that they haven’t played squash together for years. Here the squash court surrounds them like an emblem of this failure, and a monument to the reason behind it.”

Betrayal

In 2017’s Derby Theatre production, director Lakan Lawal used a fixed ‘glass court’ stage set, the significance of which is initially missed by theatre critic Alfred Hickling in his review for ‘The Guardian’:

“Even more peculiarly, the action is encased within a rotating plastic box full of modish, transparent furniture. You can appreciate what Lawal and his designer Neil Irish are attempting to do here, since the play is written in reverse chronological order that first shows the end of the affair and eventually arrives at its beginning. But the backwards-spinning box comes with the unavoidable side-effects of isolated, artificial sound, while the walls – which could do with a wipe – heighten the impression that you might be glimpsing the action though grimy bus windows.”

Betrayal (Derby Theatre)

However, Hickling then recovers, suggesting:

“Or perhaps it’s all meant to be happening in one of those see-through courts in which competition squash matches are played. It’s a plausible solution, given that the play’s homoerotic subtext bubbles up in a speech celebrating the testosterone-rich rituals of racket sport (first the game, then the shower, then the pint – women not welcome). And what emerges most keenly from the performances, which are generally good, is what a vituperatively misogynistic play Betrayal can be.”

Sources

Thanks to the Berlin Renaissance Theatre website and the ‘Postcards from the Gods’ blog for reviews of ‘Betrogen’. Thanks to The Guardian and the ‘Behind The Arras’ website for reviews of ‘Betrayal’.

An Open And Closed Case

This year’s Women’s final at the British Open Squash Championship in Hull was the first in twenty-six years to feature two English players, namely Laura Massaro – from Manchester via Great Yarmouth – and Sarah-Jane Perry from Birmingham. Coincidentally, the match was a re-run of the British National Championships final held in Manchester earlier in the year with the same outcome, namely Massaro beating Perry to take the title.

Open

But what of the 1991 final and its participants? Where are they now and what are they doing?

Lisa Opie

Held at the Wembley Conference Centre in London, Guernsey’s Lisa Opie beat Kent’s Sue Wright to take her first and only British Open title. She was the first British woman to win the title for thirty years and it wasn’t through want of trying. Opie had previously reached four finals in five years (in ’82, ’83, ’84 and ’86*), all of which she had lost to Antipodean opponents, Australia’s Vicky Cardwell winning the first two and New Zealand’s Susan Devoy the last two.

*Footage from the 1986 final between Lisa Opie and Susan Devoy is shown below.

Lisa Opie was never to reach the final again.

Nine years later, however, Sue Wright did reach the final again, losing to New Zealand’s Leilani Joyce. This time, it was to be her final appearance.

Closed

Sue Wright with 1998 National trophy

During her career, Lisa Opie also won three British National Championships (‘81, ’86 and ’87). After retiring from the sport, she was awarded an MBE in 1995 for services to squash and now works as an osteopath in West London specialising in sports injury rehabilitation.

Sue Wright also gained success in the British National Championships winning four titles (in ’92, ’97, ’98* and 2001). The latter stages of her career were plagued by viral pneumonia, which left her with ear problems preventing her from flying to tournaments held outside the United Kingdom.

*Footage from the 1998 final against Cassie Jackman is shown below.

After retiring from squash, Wright founded the Sue Wright Squash Academy establishing a National Squash League Team purely from Academy players, the first time this had been done anywhere in the UK. Amongst other commitments, she’s now a presenter, commentator and interviewer at squash tournaments for the BBC and Sky, as well as being an ambassador for the London 2012 Olympics legacy programme ‘Sport Makers’.

Serendipity

A few months ago, I got to chatting with a dance partner at a local milonga. She told me that she’d recently been having treatment for back pain from a female osteopath specialising in sports injuries.

“She used to be a squash player,” she said. “Didn’t you say you were interested in squash?”

“Yes,” I said. “What’s her name?”

“Lisa,” she said. “Lisa Opie.”

Sources

Wikipedia, YouTube and the LinkedIn profiles of Lisa Opie and Sue Wright.

The Redeemer Of Floridablanca

I have to admit that until recently I’d never heard of the Colombian city of Floridablanca.

True, thirty years ago I probably flew over it en route to a memorable stay in the Colombian capital of Bogota. but, at the time, my attention was focussed on reaching Lima where I was due to join a group destined for Andean adventure, Amazonian exploration and, although I didn’t yet know it, severe food poisoning. Nevertheless, at 928 metres above sea level, Floridablanca had, and presumably still has, something that, at 2640  metres, Bogota noticeably lacked; namely, enough air to breathe whilst playing squash.

In March this year, Floridablanca hosted the inaugural Ciudad de Floridablanca PSA Women’s World Tour tournament, the final rounds of which were played on an open air court located in the city’s Parque el Santisimo. In the final, former World Number 1 Nicole David defeated America’s Olivia Blatchford 11-3 11-4 11-8.

All this might not sound particularly special but the location of the court certainly was, sharing an elevated plaza with the tallest “Christ the Redeemer” statue in South America. At 43 metres, the Floridablanca statue dwarfs its 30 metres tall rival in Rio de Janeiro which, as I recently discovered first-hand, shares its vantage point on top of Corcovado mountain with up to 14,000 visitors a day most of whom spend their time getting in each others’ way and taking photographs of themselves and each other with smart-phones.

The Floridablanca venue joins other iconic squash court locations, including the Great Pyramid of Giza in Cairo, the Vanderbilt Hall at Grand Central Terminal in New York and The Peninsula in Shanghai, in providing an providing an incredible setting for some of the best on-court action.

So the next time you consider visiting Rio for the holiday of a life-time, why not check out ticket availability for the next Ciudad de Floridablanca? You could even fly down to the fascinating city of Bogota for a few days.

But if you do decide to visit Floridablanca, be sure to pack your umbrella. And if you  decide to check out the capital too, you might want to consider an oxygen tank.

Sources

Thanks to Squash Site for its review of the inaugural final and to My Rio Travel Guide for its information on visitors to Rio’s “Christ the Redeemer” statue. Thanks also to Colombia Reports for its article on Floridablanca’s “Christ the Redeemer” statue.

Trump Loves Squash – Official!

Millionaire UK political party donor Arron Banks has been forced to apologise to squash clubs throughout the world by US President Donald J. Trump, unnamed sources have claimed.

Arron Banks Apology Tweet

Banks had complained that the UK Independence Party was “being run like a squash club committee” implying that it was dedicated to promoting social interaction, public health and personal well-being through sports participation rather than peddling fake news and alternative facts to racist, misogynistic and gullible people. As part of a well-rehearsed and finely-nuanced statement, he had also accused UKIP’s sole MP, Douglas Carswell, of treachery in not doing enough to help former leader, Brexiteer and fellow millionaire Nigel Farage, get a knighthood. Later, asked to expand on his comments, Banks threatened to set up a rival political party that would “destroy” UKIP unless he was made party chairman.

Arron Banks, Donald Trump and Nigel Farage outside The Golden Squash Court in Trump Tower, New York

However, it has since emerged that news of Banks’s crie de coeur may subsequently have appeared in the Twitter feed of the billionaire US President. Outraged at the millionaire donor’s views on squash clubs, Trump is alleged to have alerted fellow sports enthusiast and rumoured squash buddy Farage, possibly urging him to take out Banks “with extreme prejudice”.

Within hours, Banks had issued an apology to “squash clubs across the UK” for his comments about the way in which they were being run, including how they elect committee members, welcome newcomers or plot with enemy powers. At the time of writing, however, it is not known whether President Trump, rumoured to be addressed as “Sir Donald” by members of his administration, regards Banks’s apology as sufficient as it does not apply to squash clubs either in the US or in Russia.

Sources

Thanks to The Daily Telegraph, The UK Bulletin, Leave EU Official, The BBC, Wikipedia, and Twitter.

Girl Unbound (2017) – Documentary Film

It was 2010 when I first wrote about Pakistani squash player Maria Toorpakay Wazir (then plain ‘Maria Toor Pakay’) for The Squash Life Blog. Now, six years later, a feature-length documentary telling her inspiring story is about to receive its UK premiere at the Human Rights Watch Film Festival in London. The documentary, ‘Girl Unbound’, received its world premiere at the 2016 Toronto International Film Festival and is directed by US film-maker Erin Heidenreich.

Born in 1990, Toorpakay now lives in Toronto but remains a controversial figure in her home country. In Waziristan, her family’s home region, women are still forbidden by the Taliban from playing sports. ‘Girl Unbound’ follows Toorpakay over several months as she represents Pakistan on the national team and carves her own identity, despite threats to her family.

The film begins in Toronto, where Toorpakay practices with Canadian squash champion Jonathon Power, before moving to Pakistan, where her family is forced to relocate to Islamabad for safety. Defying fundamentalist threats, she takes a harrowing road trip with her sister Ayesha Gulalai, a local politician. We get to know Toopakay’s large family, including her father, Shamsul, and mother, Yasrab, who rejected restrictive customary gender roles when raising their sons and daughters.

In 2016, Toorpakay published a memoir, ‘A Different Kind of Daughter’. That book, together with this film, demonstrates that she is a vital voice of resistance, standing up to forces that want to dictate what a woman’s role should be.

Credits

USA, 80 minutes

Directed by Erin Heidenreich

A Blackacre Entertainment Production

Featuring Maria Toopakay Wazir, Shamsul Qayyum Wazir and Ayesha Gulalai Wazir

Producers Cassandra Sanford-Rosenthal and Jonathon Power

Music by Qasim Nakvi

Film Editing by Christina Burchard

Sources

Thanks to Wikipedia for its entries on Maria Toorpakay Wazir and Jonathon Power.

Manchester by the Canal

With the Oscar-nominated “Manchester by the Sea” still playing in the local cinemas, a return visit to the National Squash Centre seemed appropriate. Located in the Ancoats district of Manchester (England) within spitting distance of the Ashton Canal, the Centre was hosting the finals of the 2017 British National Squash Championships.

The last time I’d been to the finals, in 2011, reigning men’s champion Nick Matthew had been denied a hat-trick of consecutive titles by Essex’s Daryl Selby in a combative five-game affair. Since then, however, top-seeded Matthew had reeled off five titles in a row and was now aiming for his ninth overall, this time against first-time finalist Joe Lee.

In the women’s final another top seed and reigning champion, Laura Massaro, was aiming for her fourth title, her opponent being another first-time finalist Sarah-Jane Perry. On my last visit to the finals, Massaro had won her first title against Jenny Duncalf in another five-game epic.

This time, there were to be no fairy-tale endings for Lee or Perry, both going down 3-0 in entertaining matches.

In the final of the men’s over-45 competition, former two-time men’s champion Peter Marshall lost 3-1 to Manchester’s Nick Taylor whom I’d seen take the over-35 title in 2011. In 1994, Marshall, with his distinctive double-fisted style, had reached the final of the World Open in Barcelona where he’d lost to eight-times winner Jansher Khan.

Before the men’s and women’s finals, I watched the winners and runners-up of the rest of the competitions taking place during the week presented with their medals. I distinctly remembered that during my last visit to the championships, the finalists of the first men’s over-75 competition had been presented with their medals; this year, it was the finalists of the first men’s over-80 competition that were added to the role-call.

I made a mental note to be around for the first men’s over-85 competition but not necessarily to take part.

Sources

Thanks to Wikipedia for entries on the Ashton Canal, the British National Squash Championships and the World Open Championships.

Club Policy (2016) – Short Film

A couple serves up tragedy on the squash court when someone doesn’t abide by club policy.

Credits

A New Media Ltd Film

Written and Directed by Ryan Dickie and Abigail Horton

Assistant Director Ryan Gladstone

Produced by Corey Deckler and Paul Horton

Starring Meredith Hagner as Kelly and Jason Selvig as Don

Costume Design by Jami Villers

Production Design by Evan T. Schafer

Prosthetics by Izzi Galindo and Jackie Zbuska

****

Official Selection Fantastic Fest 2016

Official Selection Woodstock Film Festival 2016

 

 

Let’s Squash (2015) – Short Film

A short US film about a face-off between a squash player and a racquetball player.

Having recently played my first ever game of racquetball, I can understand the differences between it and squash, if only in relation to which of my muscles seized up afterwards.

However, the narrative of ‘Let’s Squash’ veers off into territory I’m no so comfortable with, e.g. the use of an on-court referee (clad in baseball ‘umpire’ gear), the occasional use of the side wall (by one player) to gain positional advantage during rallies, and the off-court appearance of a female player bouncing a completely different kind of ball.

Still, despite my concerns, I think I’ll give racquetball another try.

Anyone for tennis?

Credits

Produced by Michael McGovern and Chris Piepgrass (PiepGovern Productions)

Starring: Michael Schmidt, Michael Stevens and Michael McGovern

Special thanks to: The UO Rec Center, Tennis Gal, Ryan Grenier and Skye Gallagher

New Assassin On The Block

If I had a pound – no, let’s make that a 2000 Indian rupee note – for every time I’ve heard a sporting figure described as the ‘new kid on the block’, I’d be rich. Well, richer than I already am, which is ‘not very’. Then there’s the popular soubriquet ‘baby-faced assassin’, used primarily to describe male competitors blessed with youthful features and a measure of sporting success. Again, I can hear the metaphorical cash registers ‘ker-ching’, or at least I could if any still existed.

But then along comes somebody referred to, by the media at least, using both epithets. I refer to Egyptian player Karim Abdel Gawad who recently reached a career-high ranking of World No. 3 after winning the 2016 World Championship and the Qatar Classic in the space of ten days.

Gawad’s successes were presaged two months before the World Championships when he failed to assassinate Ramy Ashour in the final of the 2016 Hong Kong Open. That match went the distance with Ashour eventually winning 3-2. But Gawad had run the former World No. 1 close and, in their next encounter, in the World Championship final, would turn the tables, Ashour retiring injured at 1-2 down. To reach the final, Gawad had beaten another fellow Egyptian, Mohamed El Shorbagy, for the first time ever in a world-ranked tournament. Their semi-final was another titanic struggle, Gawad eventually coming through in 90 minutes.

Eleven days later, in Doha, Gawad did it again, this time beating El Shorbagy 3-0 to take his first ever PSA world-ranked tournament. In the post-match interview, it transpired that they had first played each other at the age of eight.

Where his well-earned success leaves Gawad in terms of his ‘new kid’ and ‘assassin’ nicknames isn’t clear. But, at 25, the same age as his childhood rival Mohamed, it’s unlikely that he’ll hang on to at least one of his current monikers forever.

And that new 2000 Indian rupee note? Well, that’s another story.

Sources

Thanks to Squash TV and Wikipedia.